This one’s for those cozy holiday nights when the magic feels real. I blended the soulful Christmas classic “Have Yourself a Merry Little Christmas” by The Jackson 5 with the serene, atmospheric vibes of Tru Klassick's “Winter Solstice” to create a fresh, warm, and nostalgic soundscape.

The Jackson 5 - Glorious Little Christmas (DJ JERRCK Edit)

I’ve always felt like The Temptations’ version of “Rudolph” was already halfway to the dance floor — I just decided to take it the rest of the way.

With “Guide My Sleigh,” I locked in a disco pulse under those silky vocals and let the groove build until it felt like Rudolph wasn’t just saving Christmas — he was headlining the holiday afterparty.

It’s soulful, sparkly, and made to move.
A little classic Motown, a little Studio 54, all MILK & COOKIES.

Guide My Sleigh (DJ JERRCK Christmas Edit)

This holiday flip blends the soulful, head-nodding groove of “Mutt (Disko Dave’s Tiny Desk Rework)” by Leon Thomas with the dreamy, playful vocals from “I Saw Mommy Kissing Santa Claus” by Sydney Sweeney & Kali Uchis.

I kept the beat, swing, and signature chorus from “Mutt” as the backbone, then layered in the lush, airy vocals from ISMKSC to create a warm, vibey mashup that rides the line between festive and downright smooth.

Perfect for holiday parties, slow-burn winter nights, or anyone who likes their Christmas music with a little R&B slickness and a wink.

If you enjoy it, drop a like, repost, or share it with someone who needs a new kind of holiday groove.

Santa is a Mutt (DJ JERRCK Christmas Edit)

With “Twinkle Twinkle,” I wanted to make a re-drum that felt like warming your hands on a mug during December — subtle, cozy, and glowing.

I took Stevie Wonder’s vocals and wrapped them in a new rhythm section: tighter drums, a little more lift, just enough movement to turn the lullaby warmth into something you can groove to.

It’s simple. It’s tender. And it still sparkles.

Twinkle Twinkle (DJ JERRCK Christmas Edit)

When I started flipping “Welcome Christmas,” I wanted it to feel like I walked straight into Whoville with a drum machine. I kept the heart of the original — that choir glow, that Karloff tone — and gave it a pulse that feels like the whole village is swaying together.

It’s soft, it’s sweet, and it carries that strange little mix of magic and melancholy the Grinch soundtrack always had.
A Christmas classic, nudged gently into the groove.

Welcome Christmas (DJ JERRCK Christmas Edit)

I wanted to take the Snow Miser and Heat Miser themes and treat them like characters stepping into a studio session. So I built the track in two halves.

First, I let Snow Miser walk in like he owns the place — cool, crisp, and a little petty. The bounce is tight, the drums feel frosty, and everything has that winter snap.

Then I cut the beat in half and invite Heat Miser in. The whole room warms up. The groove gets thicker, the low end hits harder, and suddenly the song starts flexing in a completely different way.

Two moods, one flip — and both sides louder than they have any right to be.
This one’s called “I’m Too Much” for a reason.

I’m Too Much (DJ JERRCK Christmas Edit)

I love the emotion in Marvin’s voice on “I Want to Come Home,” so I wanted to frame it in a rhythm that would make you feel it in a new way.

The piano moves in 6/8, lilting and swinging like a gentle wave, while the drums keep a solid 4/4 pulse underneath. That polymeter gives the track a living, breathing quality — a subtle tension that makes every beat feel earned, every phrase feel like it’s gliding and grounding at the same time.

It’s a flip that’s smooth, soulful, and just a little bit magical.

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