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HARD MECHANICAL RHYTHMS VOL. 1
Exclusive Loops Designed By HardtraX & O.B.I.
 
TLM Audio launches a brand-new essential product tailored specifically for producers who love raw, hard & clanking industrial techno and similar styles.
 
"Hard Mechanical Rhythms Volume 1" gives your projects an injection of machine- like grooves and noises of different kinds like you have never heard them before. A massive amount of 600 loops grouped into various categories to give you the maximum amount of possibilities and flexibility, since loops from each category can be combined, interchanged, mixed and matched to create a vast amount of stunning variations. This large pack of mechanical, rhythmic 24 bit wave-samples crafted by recording-artists HardtraX & O.B.I. includes categories with names such as "Diabolic Mechanism", "Synchronised Warfare", "Waveform Destruction", "Nightmare Factory" etc. giving you an abundance of machine-noise rhythms, distorted percussions, sharp hi-hats, smashing snares, glitched out stutter effect- loops, bitcrushed synths, hard techno-kicks and so much more.
 
"Hard Mechanical Rhythms Volume 1" elevates your techno-projects to new sonic heights!
 
© ℗ 2021 TLM / DOHT / Tobias Lüke
Produced in Münster, Germany at TLM Studio

Get the pack here: https://www.obihardtechno.net/samples​


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TSOHT #6 - Hard Mechanical Rhythms Vol.1 (Demo Clip)

Ivan Mladek - Jozin z Bazin

HARD MECHANICAL RHYTHMS VOL.2
Exclusive Loops designed by HartdtraX
 
TLM Audio brings you the continuation of the successful "Hard Mechanical Rhythms" pack with its second volume packed with even more raw mechanical sample tools for your hard & clanking industrial techno projects.
 
"Hard Mechanical Rhythms Volume 2" provide you with machine-like grooves to give your tracks the rough industrial edge you are craving for. A massive amount of 720 loops grouped into various categories to give you the maximum amount of possibilities and flexibility, since loops from each category can be combined, interchanged, mixed and matched to create a vast amount of stunning variations. This second volume even surpasses the first pack in its sheer amount of mad distorted percussion loops created by industrial techno & hardtechno artist HardtraX.
 
This pack is the ideal set of industrial techno production-tools if you are in love with bitcrushed, twisted, mangled, noisy, glitched out and harsh, hard-clanking percussions!
 
© ℗ 2021 TLM / DOHT

TSOHT #16 - Hard Mechanical Rhythms Vol. 2 (Demo Clip)

Piechota, Ta Szara Piechota  Maszerują Strzelcy Marsz  Patriotycze  Piechota  Pieśń

"My, Pierwsza Brygada" (We Are the First Brigade), also known as Marsz Pierwszej Brygady (The March of the First Brigade) and Legiony to żołnierska nuta (The Legions Are a Soldier's Song), is one of the best-known patriotic marches of the Polish Legions formed during World War I by Józef Piłsudski.

Extolling the First Brigade of the Polish Legions, the song is considered an important emblem of the early-20th-century struggle for Polish independence. It is also now an official anthem of the Polish Army.[1]

The song melody was borrowed from Kielce March #10 in the songbook of the Kielce Fire Department band. It had probably been composed by Captain Andrzej Brzuchal-Sikorski, the band's conductor from 1905, and later bandmaster of the First Brigade of the Polish Legions. It was he who arranged and first conducted the song.[2]

The earliest recognized version of the song appeared in 1917, the words being composed spontaneously during the war by several individuals including Colonel Andrzej Hałaciński and Legions officer Tadeusz Biernacki.

Between 1926 and 1927, many of Piłsudski's supporters viewed the song as the national anthem of Poland.

My, Pierwsza Brygada ("Legiony") była pieśnią I Brygady Legionów Polskich, dowodzonych przez Józefa Piłsudskiego. Znana jest również pod tytułem Legiony to żołnierska nuta. Słowa Pierwszej Brygady, do melodii Marsza Kieleckiego, powstawały żywiołowo. W końcu lat trzydziestych, w Wojskowym Instytucie Historycznym orzeczono, że autorem trzech pierwszych zwrotek jest literat, pułkownik Andrzej Hałaciński, a sześciu zwrotek - oficer legionów Tadeusz Biernacki.

14 sierpnia 2007 r. Minister Obrony Narodowej swym postanowieniem uznał marsz "My Pierwsza Brygada" za oficjalną pieśń Wojska Polskiego

Tekst:

Legiony to żołnierska nuta,
Legiony to ofiarny stos,
Legiony to żołnierska buta,
Legiony to straceńców los.

My, Pierwsza Brygada,
Strzelecka gromada,
Na stos rzuciliśmy swój życia los,
Na stos, na stos.

O ileż męk, ileż cierpienia,
O ileż krwi, wylanych łez.
Pomimo to - nie ma zwątpienia,
Dodawał sił - wędrówki kres.

My, Pierwsza Brygada...

Mówili żeśmy stumanieni,
Nie wierząc nam, że chcieć to móc.
Leliśmy krew osamotnieni,
A z nami był nasz drogi wódz!

My, Pierwsza Brygada...

Inaczej się dziś zapatrują
I trafić chcą do naszych dusz,
I mówią, że nas już szanują,
Lecz właśnie czas odwetu już!

My, Pierwsza Brygada...

Nie chcemy dziś od was uznania,
Ni waszych mów, ni waszych łez.
Skończyły się dni kołatania
Do waszych dusz, do waszych serc.

My, Pierwsza Brygada...

Dziś nadszedł czas pokwitowania
Za mękę serc i katusz dni.
Nie chciejcie więc politowania,
Zasadą jest: za krew chciej krwi.

My, Pierwsza Brygada...

Umieliśmy w ogień zapału
Młodzieńczych wiar rozniecić skry,
Nieść życie swe dla ideału
I swoją krew i marzeń sny.

My, Pierwsza Brygada...

Potrafim dziś dla potomności
Ostatki swych poświęcić dni,
Wśród fałszów siać siew szlachetności
Miazgą swych ciał, żarem swej krwi.

My, Pierwsza Brygada...

My Pierwsza Brygada - Polskie Pieśni Patriotyczne - Pieśń Legionów, Piłsudski

1670 (Muzyka z Serialu Netflix)

Taniec Jana Pawła Vivaldi

1670 (Original Soundtrack from the Netflix Series)

Kare Konie

Ciemna dziś noc

Inspired by folk songs of the past, the ‘Song of the Sirens’ (2024) reveals the mermaiden’s true colours. Not so kind and angelic, these creatures of the deep have much darker intentions that hold little hope for anyone who dares to cross their path.

Listen on Spotify here: https://open.spotify.com/album/1mCoXPCSCQkDifjEyRy13U?si=jhDFfiGhQ8iFxwdF7jsK7w

Mermaiden: Song of the Sirens

Hej, sokoly

I'm Not Dancing

Ooo Never

●▬▬▬▬▬▬▬▬▬ஜ۩POLISH۩ஜ▬▬▬▬▬▬▬▬▬●
Anonimowa piosenka śpiewana w 3 pp w Zegrzu w 1917 r. Według Szula koncepcja pieśni pojawiła się wśród leguńskiej braci – legionistów – w trakcie żmudnej nauki i powtórek regulaminu żołnierskiego. Prawdopodobnie ostatnia zwrotka jest najstarsza ze wszystkich.

Ciężkie czasy legionera (Polish Legionist Song)

A triad makes up the title of Soho Rezanejad’s second full-length LP, Honesty Without Compassion is Brutality, and throughout the album we witness the singer and composer arranging, wading into terrains of each piece of that title statement. Honesty, however, feels like the central ethos, what animates the album like a spirit or lit candle. We become acquainted with Rezanejad’s voice in its many registers, sometimes pitch-shifted down into an unwavering masculine mouthpiece, at other points so close-mic’d that we hear her voice cracking, and soaring in a song like “Love’s a Raging Prey”, as single vowels are stretched vast across chromatic steps. But it’s not just the singer’s voice considered as a channel for honesty – the album is populated with birdcall, stumbling trumpet lines, robotic preset voice mailbox messages, a toddler’s utterances. All vocality is taken into account, which is compassion enacted. Whereas Rezanejad’s last album Six Archetypes delved into the elemental characters constituting our psyche, this collection of songs rings with greater concern for the external world – a terrain defined by piles of obsolete telephones in a landfill just as much as waves falling upon primordial beaches. Imminent catastrophe is no stranger to us in 2019, and these compositions take all kinds of apocalypse into account – be it biblical, interpersonal, or an ever-unfolding result of the systemic degradation of our planet’s climate. The urgency of compassion underlies the album, almost a tonal foundation: as Rezanejad sings, “Animal, you do not fool me / I would remind you, that you’re no stranger than me”. In compassion’s absence, brutality is all we can expect, and we hear a number of sonic landscapes on the album that seem to peer, honestly, into a future of exterminated life and machinated waste. But as a call to arms, or a celebration of love’s unmistakable pulse, or an admission of terror, Rezanejad’s brutal honesty can also be heard as radical compassion.

- Nat Marcus, TABLOID Publications

Honesty Without Compassion is Brutality is released in two volumes,
Volume 1, 20 December 2019
Volume 2, 20 January 2020

Produced with Miccel Mohr
Mastered by Malthe Fischer

Digital LP - Cat. No. SR010
Silicone Records 2020

Taniec Jana Pawła Vivaldi

Jerzy Rogiewicz

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