Collaboration between @riedelchristoff @pinkfatbuddha @alza-54 for the new Christoff Riedel EP "Soft Focus" forthcoming 14/06/21 on @cime-world.

Artwork: Hannes Fendrich & Tom Fischer

Pre-order

PREMIERE: Christoff Riedel, Chaos Angel & Alza54 - Orbis Spike [cime002]

Clapping Music (Tek Mix)

@sanjonas_48b

Sanjonas, aka Yonaz Kristy, is a Yogyakarta-based artist, graphic designer, electronic music producer, and DJ. He is the co-founder of the Bast Cultura music collective; founder of RAR Editions (2012), an interdisciplinary collective focusing on research and archive-based projects; part of the SOFT/BRUTE Records label; and has recently started the label Ear Flux with Brrrz Studio.

Incunabula Heroes, the first solo album on POSTWORLD, is a speculative fiction-based album that envisions the recurring formation of new worlds in the aftermath of a revelatory apocalypse. Over 8 tracks, Sanjonas plays with the idea of how cultures and civilizations would be mixed and merged in such scenarios, with sensemaking thrown aside in favour of something visceral and universal.

Sanjonas - Memory Bias

✤ SWINE PREMIERE ✤ Max Dahlhaus + Kronom > Domizako remix

Max Dahlhaus and Kronom team up for @unizonelabel on “Trauma Tendrils” with remixes from Domizako and @ice_eyes

“Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms.

We bring you in an exclusive premiere the remix of "LOSING GRIP". Prague-based producer @domizako leans into the track’s tense post-apocalyptic atmosphere with a remix that is the sonic equivalent of a rolling boil. It’s understated and it’s deadly.

[Swine Premiere] KRONOM & MAX DAHLHAUS - LOSING GRIP (DOMIZAKO REMIX)

'Let You Go' off my new EP 'Necromorph', an ode to the Dead Space game series and sonic exploration of club survival. From sampling gameplay, cutscenes, trailers etc to create a maelstrom of hard hitting cadences reflecting the protagonists journey battling reanimated horrors and ultimately a love lost. Ready to inject into any set to get the crowd moving like it's their last night.

Tracks:
01- Tether [2:42]
02- Limb Blade [4:30]
03- Faceless [3:39]
04- Let You Go [2:49]

Artwork by xxlyv (www.instagram.com/xxlyv/)
Mastering by @medulasa

Let You Go

𝗮𝗹𝗺𝗮 𝗯𝗹𝗶𝗻𝗱𝗮𝗱𝗮, nudo’s debut full-length coming out via halcyon veil on july 26th, 2024 is the culmination of years of sonic field work. “alma blindada means armored soul, or bulletproof spirit,” highlights hernandez, “but ‘blindado’ is also narco slang for a protected person.” their album, the most refined iteration to their sound yet, explores the spectrum of potentiality within a person. creation vs destruction; innocence vs guilt; conflicting sides to a story. 

just like two competing radio signals merging at the border of eagle pass, tx, 𝗻𝘂𝗱𝗼’s music is full of entropies. nudo (translating to “knot” in spanish) is a regional-electronic duo that boldly introduces the complexities of border war, cartel violence and corrido lore; the power vacuums, cannibalization of heroes and villains, and the duality that comes with what side you're rooting for or what area you're from. through antagonistic genres, subcultural samples and constant distortion, the pair pushes you into uncharted territory. but for nudo, who grew up in between chicano homes in rural texas and urban neighborhoods in juarez, this process is a natural byproduct of survival. the pair, formed by eric hernandez and joaquin tenorio, met when starting an industrial band while residing in austin, shortly before succumbing to their apodictic synergy creating as a duo.

Bandcamp

nudo - nueces strip (alluvial)

Listen to 'Shards of Purification' by Griigg taken from 'Vessels of Chaos : Mercurial Blood' out on 27th December via Over My Body

Bandcamp: https://overmybody.bandcamp.com/album/vessels-of-chaos-mercurial-blood

“Consumed by the Void
In darkness we crawl
Islands of dreams in a sea of emptiness
Through mud and moonlight
We celebrate noise and harshness, bliss and glitters
We are the makers of stars, the grinders of chaos
The glue that make everything whole
Casting the sublime into oblivion
Our chants make the skies cry
And the mountains leak
Body as a cauldron
Akin we breathe into eternity
Dust to dust, from flesh bags to astral bodies”

Vessels of Chaos is a musical tale - an ode to change and reconfiguration. Set in a crumbling lorescape, it explores primitive forms of collective organizations rooted in material reality and its associated imperfections.

It takes the form of a double EP, released on MONTAGE and Over My Body.

Both EPs explore different directions with similar structures. Seen as complementary, they explore the use of voice and organic noises as source material to craft hypnotizing soundscapes and cathartic rhythms. Infused with paleofuturist imagery, they imagine new forms of communities, beliefs, rituals and worships - cherishing communion, shifting perspectives and internal transformations as ways to situate ourselves in the emptiness of existence.

Mercurial Blood combines muddy subs with cavernous vocals, mutilated by fractured beats, rough textures and crystalline hits - for an abrasive harshclub exploration of friction as an integral part of dynamic change.

Griigg is a Paris-based artist exploring the interactions between space, image and sound and their ability to craft powerful narratives and imaginaries. Since 2018, he also co-runs the Club Late Music
x Global URL Nation open-source and collaborative label/community, gathering worldwideartists to experiment together with collective processes of creation, organizing releases,events, workshops and more.

Griigg
https://soundcloud.com/griigg
https://griigg.bandcamp.com
https://www.instagram.com/griigg
Over My Body
@overmybodytw
https://overmybody.bandcamp.com
www.instagram.com/overmybody.tw

Vessels of Chaos : Mercurial Blood

bandcamp

Griigg - Shards of Purification (Over My Body)

https://soundcloud.com/v1984
https://soundcloud.com/varchive5
https://soundcloud.com/varchivetoo
https://soundcloud.com/varchivealso
https://soundcloud.com/43v3rr

https://www.instagram.com/v1984_/
https://v1984.bandcamp.com/
https://www.ninaprotocol.com/hubs/pianogoth
https://glacialindustries.bandcamp.com/album/becoming-n-one

v1984 - 2014-01-03 (Extension)

dru-1’s “preshuh” was composed in the artist’s home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP’s bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival.

The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. “preshuh” builds upon the
vision realized in the artist’s debut project, a 4-track EP released on Why Be’s Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—“maco queen,” “palance,” and “a4s.”

Despite its moody basslines and clear roots in the UK club scene and Hard Drum, Lovett’s EP is infused with a spirit of optimism and revelry. The EP opens with echoes of “toma!” and other indistinct cries, as timbale taps gradually build alongside jerky basslines in “diastema.” The subsequent track “corbeaux,” takes a more atmospheric approach, leaning further into lush melody progressions. Breath-like chirps fade in and out of the mix, allowing different melodic and percussive elements to shine at various moments. “Libido” calls the listeners to commune on the dancefloor, led by a steady four-on-the- floor rhythm. The hypnotic chant, “We come together,” repeats with quiet assurance, woven through a backdrop of filtered basslines and dissonance. Crunchy, sputtering synths wind in and out of the soundscape, teasing a sense of chaos and rapture, grounded by the steady rhythm beneath. In “maco queen,” the record seems to reach a point of climax; jittering bass sounds overtake the atmosphere immediately. “Hey!” and “Ha!” shout over the flurries, punctuating the frenzy, while intricate low-end patterns and hand drums introduce moments of organic warmth. Percussive taps and clinks imagine an impromptu gathering of people jamming together. Here, Lovett seems to call us to let loose, to shout, to dance, to revel in excitement. The fifth track, “palance” unfolds over a steady four-on-the-floor rhythm, with intertwining synth lines that emerge and recede unpredictably, engaging in a dynamic interplay akin to an animated conversation among close friends. The EP concludes with “a4s,” a vibrant, infused with Soca and Dembow breaks track that brings key elements from earlier songs—vocals, claps, and heavy basslines—crafting a dynamic yet cohesive finale.

Experienced in full, Lovett’s EP is a call to togetherness—a sonic invitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies
a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived? 

Artwork by Lucas Owen
Mastering by TB-Mastering
Words by Manolis Elijah Sueuga

dru-1 - a4s

𝓭𝓻𝓮𝓼𝓼𝓶𝓪𝓴𝓲𝓷𝓰

Tailored honesty.

track description:


A quiet unraveling of the things we never say first.
When we can’t say it, do the seams speak instead?
—
 Dressmaking suggests the language of hesitation,
the craft of our fear of being seen.
Where fabric holds the weight of words left unsaid.

Communication becomes pattern drafting.
Precise, cautious and tragically purposeful.
—
 The broken rhythms and chopped vocals echo the pause before the needle drops,
each measurement a hesitation,
each stitch a choice to hold something back:
acts of emotional tailoring.



cover art:


 @ashittypaper (IG)



mastering:


@dj_jdeed

Dressmaking

@jellvako - FaMe' x @ama-54 - ARABXO DESERTTON

FREE DL:
theartistunion.com/xiaoquanxiaoquanxiaoquan or click the ''buy'' link

J E L L V A K O x Abu Ama (XIAO QUAN BLEND)

30.6035153, -104.5184189

https://github.com/Jess-Doit/jess-doit-archive-engine

LA
N̶Y̶C̶

jessdo.it

v1984 - 2014-01-03 (Extension)

Jess Doit

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