— white

Hmot - Pequeninho (ferrein remix)

Land Disasters' from the Debut Blanck Mass LP 'Blanck Mass

Land Disasters

from the album 'sea island' available 11/17

loscil 'sturgeon bank'

This is Fade To White by Halls the last track on his forthcoming Fragile EP due for release by The Sounds Of Sweet Nothing on January 16th

The EP is available to pre-order from: http://thesoundsofsweetnothing.bandcamp.com/album/fragile-ep

Halls - Fade To White

https://soundcloud.com/oemlmusic

12 Track compilation featuring tracks by producers from USA, Germany and the UK. 

The purpose of this tape was to explore the relationship between visual artwork and music. Both artist and producer being heavily influenced by one another. Both arriving at the same outcome with different formats.

https://corruptdata001.bandcamp.com/releases
www.corrupt-data.co.uk

OEML - BLOCKMIND

MØNIC 

A. Deep Summer
AA. Deep Summer - Burial Remix

Available to order from:
http://store.osirismusicuk.co.uk/album/m-nic-deep-summer-burial-remix

Deep Summer

Click To Purchase -->>

Mønic - Deep Summer - Burial Remix - Osiris Music

track off the upcoming Time Released Sound release from Strie, entitled "õhtul "...

Strië - Arabesque

The Debut Album "Nothing Is Still", out now on Ninja Tune.
Buy / Stream: https://leonvynehall.lnk.to/nisYo

Follow Leon Vynehall  -
Spotify: http://found.ee/lv-sp
Apple Music: http://found.ee/lv-am
Facebook: http://found.ee/lv-fb
Twitter: http://found.ee/lv-tw
Soundcloud: http://found.ee/lv-sc
Youtube: http://found.ee/lv-yt

Envelopes

Envelopes (Chapter VI)

From the album Wild Wild Country available September 21, 2018 on Western Vinyl.

Pre-Order Wild Wild Country: hyperurl.co/WildWildCountryOST

Los Angeles-based composer Brocker Way’s impassioned neo-classical arrangements act as a subtly  emotive force behind the hit Netflix series Wild Wild Country, gently nudging the audience’s perception, and at times brashly stepping out in front of the show’s subject matter. These fifteen pieces taken from the recording sessions of the docuseries’ original score serve to deepen the ecstasies and tragedies recounted in their visual companion, providing delicate color and weight to the story of the Neo-sannyasin cult and the trouble surrounding the commune they constructed in 1980’s Oregon. With its kinetic movement and narrative sense of melody, Way’s score tells its own story when extracted from the series and distilled into LP form.

At an early age Brocker began studying dance.  Taking the lead from his mother, a hip hop dance instructor herself, he began teaching hip hop dance classes at local gyms as a teenager, and continued this line of work through his high school years.  Contemporaneously, through a “fast track” educational program, he was allowed to enroll in college courses where he began obsessively studying composition, music theory, and orchestration, while also engaging in various musical endeavors with his brother Chapman who would go on to be one of Wild Wild Country’s directors.  As his younger sibling’s interests shifted evermore to filmmaking in the years that followed, Brocker found himself applying his hard-won knowledge to writing music for commercials and films. The Way brothers’ symbiotic pursuits would eventually culminate in a family-wide project, 2014’s The Battered Bastards of Baseball, a compelling documentary about the independent baseball team established in 1973 by their grandfather Bing Russell, narrated by their uncle Kurt-- who himself played on the team.

With co-directorial help from their third brother, Maclain, the Ways turned their familial cinematic efforts to the controversial story of Rajneeshpuram, a town established near Antelope, Oregon in 1981 by Indian mystic Baghwan Shree Rajneesh and his devotees. Working closely with his brothers and a skilled technical team including mix engineers Joey Waronker (Atoms for Peace, David Byrne, Beck, R.E.M.) and Tom Biller (Kanye West, Jon Brion, Kate Nash), and percussionist Neal Morgan (Joanna Newsom, Bill Callahan), Brocker’s Wild Wild Country vignettes are meant to reflect the outlook of each of the show’s interviewees rather than simply emphasizing their outward idiosyncrasies. Such an approach invites the listener to inhabit the myriad personalities and situations in the show from a virtual first-person perspective, sculpting a deeply empathic auditory experience capable of standing on its own as an album. In Way’s words “This kind of music gives us an idea as to the motives of each talking head, without actually scoring the motives of the character, and hopefully entices us as the audience to take the journey with them. When the Rajneeshees are building their town, you get to feel that and be right there with them. When Dave Fronmeyer is building his case, you get to feel the nobility he saw in his cause, and we hope to put you right in the room with him when he’s doing it. When a city inspector has to go onto the ranch you can feel the fear as you sit in the car with him. That’s the goal anyway.”

Way has an impressive ability to transmute the complex, conflicting sentiments of each of the series’ featured individuals into satisfying musical motifs that skirt folk-rock, ambient, contemporary electronic, and modern classical styles with measured ease. Hand picked from hours of Brocker Way’s most definitive sessions to date, the Wild Wild Country (Original Score) is a perfect companion to 2018’s best documentary series.

Wild Wild Country OST

Wild Wild Country - "Church and State"

From Insides, 2009. Buy direct from the label here : http://www.dominorecordco.com/uk/albums/26-03-09/insides/

A Drifting Up

from the album 'cloud room, glass room' available 4/29

— white

Jesse Kühn 2