Name: After All The Enjoyment, You're Sad Again by JesseVentilateur in Copy of Focus Brainwaves
Duration: 4 min 58 s
Description: Sometimes when I look at the moon, I like to imagine that you're looking too. Our sight is a bridge from us to the sky and there's an invisible line that connects you and I. Then, even if I'm far from you, after all the enjoyment, can we meet on the moon ?

0:07 В рубашке холодно - аюили всетаки бумажке 😄

Copy of Focus Brainwaves

Takahiro Kido – Ripple (Erio Dono Remix) Not Official

Descarga: https://e-soundtrax.com/audio/ethereal

Música sin Copyright triste | Música triste para videos | Música de Fondo sin Copy

$omething that feel$ like a warm hug from the univer$e.

Tu meriti tutti il amore del mondo

MAGIKERKONGEN

It's my first track, but it's not the last one...

A New World

Sometimes when I look at the moon, I like to imagine that you're looking too. Our sight is a bridge from us to the sky and there's an invisible line that connects you and I. Then, even if I'm far from you, after all the enjoyment, can we meet on the moon ?

After All The Enjoyment, You're Sad Again

Orbit of Calm

20250903

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Four

Buy 12"/DL

Ólafur Arnalds & Nils Frahm – Four

Hibernation

Voices 

Composed, recorded & mixed by Sylvain Texier
Photograph by Mip Pava

Extract from the live video : 
https://www.youtube.com/watch?v=LU7LpTwrKqM

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For all enquiries : mgmt.olake@gmail.com
Copyright © 2017 Ô Lake

The Leftovers [Piano Solo Version]

We're Losing The Moon

We're Losing the Moon

Bandcamp

INSIGHT IV

Insight XLIII

Earlier this year, Icelandic composer, producer, and multi-instrumentalist Snorri Hallgrímsson released his debut album on Moderna, titled Orbit. I’ve spent more than just a few hours with this wonderful album, often reminding me of more vocal works from Ólafur Arnalds, with whom Snorri has collaborated on many occasions (the album was primarily recorded at Arnalds’ studio in Reykjavik). It was still on the list of albums to share with you, my readers, when an opportunity to premiere this beautiful rework presented itself. Orbit Reworked is an upcoming four-track release on Moderna, featuring remixes and re-imaginations of pieces by Luke Howard, Tom Adams, Slow Meadow and, the focus of this exclusive premiere, London-based cellist, Peter Gregson.

At some time, between all the firm work, and his very own release on the esteemed Deutsche Grammophon, titled Recomposed By Peter Gregson: Bach – The Cello Suites [stay tuned for an in-depth write-up on that, folks], Gregson found a moment to add his beautiful cello touch to the already gorgeous “… og minning þín rís hægt” track (which loosely translates to “and your memory rises slowly” from Icelandic), with its moody swaying passages lamenting over the sparkling piano glimmer. And at only a bit over three minutes in length, this gentle piece manages to capture the weather and the scenery of the internal brewing storm, even without the words to prompt us of the story.

"… the songs on Orbit explore the difficulties of living in and moving between vastly different places: from Mexico’s sunny days to Iceland’s long winter nights and their emotional toll. Orbit is also about people met along the way, of friends and family whose absence is bittersweet. The concept of ‘home’ is replaced by an ‘orbit’ the composer circles from place to place.”

While the full-length was mastered by Ian Hawgood, Orbit Reworked is backed by a touch from Taylor Deupree at his 12k Mastering studio. The artwork is courtesy of Elín Elísabet Einarsdóttir   who also produced the cover for the Orbit. The release is out this Friday, and I highly recommend that you pick up the album as well. You can pre-order it now on Bandcamp.

Orbit Reworked

…og minning þín rís hægt (Peter Gregson Rework)

TRACK PREMIERE : Snorri Hallgrímsson - …og Minning Þín Rís Hægt (Peter Gregson Rework)

Pigment

French DJ / Producer sharing nostalgic vintage vibe
✉️ Contact booking : jesse.vent@sfr.fr

After All The Enjoyment, You're Sad Again

JesseVentilateur

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