Twenties

Insecure (feat. Pink Sweat$)

Division

Midnight Charm

Listen to "All Over Again": https://jessegold.lnk.to/alloveragain

Written by Jesse Gold, Ally Sou, Jack Emblem
Produced by Jack Emblem, Jesse Gold
Vocal Engineering by Alex Pachino, Jesse Gold, Jack Emblem
Mixed by Jack Emblem 
Bass by Kemy Siala
Mastered by Dan Weston
Photo by Caity Krone
Design by Chase Shewbridge, Monica Seetharam

Follow Jesse:
https://www.jessegoldmusic.com/
https://www.instagram.com/jessegoldmusic
https://www.tiktok.com/@jessegoldmusic
https://www.facebook.com/jessegoldmusic
https://twitter.com/jessegoldmusic

Lyrics:
Oh babe, I want you back
No other love can hit like that
Like you do, I want it bad
All over again
Cause I remember what you like
Go so wild better hold on tight
All day and all night
All over again
 
She said
I wanna ride right now
She pull up with the cherry top down
Get in
Let's take a drive down south
She want a pop star poppin’ buttons off the blouse
Menace
 
Tell me how you tryna get things started
When you dipped and left me broken hearted
Cuz it's not the way that it used to be
When you had the chance to stay you wanted to go
So now you stand in line and pay full price at the shows
 
Oh babe, I want you back
No other love can hit like that
Like you do, I want it bad
All over again
Cause I remember what you like
Go so wild better hold on tight
All day and all night
All over again
 
Oh no no
I ain't yours no more
Little glow up
Then you show up
But we don't move like that 
 
Oh babe, I want you back
No other love can hit like that
Like you do, I want it bad
All over again
Cause I remember what you like
Go so wild better hold on tight
All day and all night
All over again


#JesseGold #AllOverAgain

All Over Again

1 Room

Forget About You (with Pink Sweat$)

Little Nothings

Felt Too Good!

Hauntingly honest and soulfully delivered, “Glass Houses” stands as one of the most emotionally resonant moments on Pop Pulse Vol. 1. Sung with quiet power by a male vocalist in the style of George Michael and Bruno Mars, this track blends soul-pop, retro funk, indie pop, and R&B into a moving ballad of love, loss, and fragile truths.

With vintage electric piano, saxophone flourishes, gospel harmonies, and falsetto-driven vulnerability, “Glass Houses” invites listeners into a broken home built on silence and reflection. Its powerful chorus reminds us that even shattered love can be a place we still call home.

📀 “Glass Houses” is now streaming on SoundCloud as part of Pop Pulse Vol. 1. Let it echo.

Glass Houses

Written by Emily King & Jeremy Most. 
Photo by Shervin Lainez. 
Graphics by Francesca Mirra.
All Rights Reserved SESAC 2012.

Website: http://emilykingmusic.com/
Twitter: https://twitter.com/emilykingmusic
Facebook: https://www.facebook.com/emilykingmusic
YouTube: http://www.youtube.com/emilykingmusic
Instagram: http://instagram.com/emilykingmusic
Tumblr: http://emily-king.tumblr.com/

Baby I don't want to lead you on 
Feed you empty promises and never follow through 
There's a lot of things that I do wrong 
If you're looking for the perfect one this aint for you 

'Cause what I've got is just an ordinary heart 
But I'll give it more than anybody 
You can always trust this ordinary heart 

Maybe I don't want to let you down 
Tell you that I'll always be around and miss my cue 
I can be a lover and a fool 
Every now and then I lose my cool that's what I do 

'Cause what I've got is just an ordinary heart 
But I'll give it more than anybody 
You can always trust this ordinary heart 

I know you're scared that I might change 
Or even worse I'll stay the same 

'Cause what I've got is just an ordinary heart 
But I'll give it more than anybody 
You can always trust this ordinary heart

iTunes

Ordinary Heart

Producer: Pomo
Writers: James Vickery & David Pimentel  
Mix Engineer: Pomo
Mastering Engineer: Chris Athens

All That I Am

About a Girl

Miss America

It takes a unique talent to create a sound that is timely yet comfortably familiar. Toronto’s Jesse Gold manages to seamlessly blend pop music with R&B sensibilities, resulting in a sound that pays homage to an eclectic mix of long-time inspirations (Craig David, Lauryn Hill, John Mayer) and progressive contemporaries (Lucky Daye, Tom Misch, H.E.R.). There’s something for everyone in Jesse’s catalogue: wry songwriting, addictive melodies, silky vocals, and smart production. 

Look no further than Gold’s standout track “One In A Million” for an infectious hybrid of them all. Earning a coveted spot on Spotify’s Fresh Finds: Best of Pop 2020 list and high marks from Ones To Watch, Euphoria Magazine, American Songwriter and more, the track perfectly captures what Gold hopes to achieve with his repertoire. “I want to make music to be shared. The kind of songs you send to your friends before the track ends.” 

“Drawing inspiration from every genre is my secret weapon,” Gold explains. “To make music is to study music.” Gold brings years of skill and effortless creativity to both the studio and stage, a craft only sharpened by collaborations with Babyface and Craig David, and a partnership with renowned creative director Sean Brown (Daniel Caesar, Curves). 

In June 2019, Gold released his debut EP We’ll Be Fine, a lively collection of songs about the pitfalls of modern romance. The project has collectively amassed over one million streams to date and a stamp of approval from Complex which rightfully recognizes Gold as “far from a new kid on the block” and “a lifelong musician and seasoned performer.”

Featuring “One In A Million” and lead single “We Good,” Gold’s sophomore EP arrives this spring. “I worked harder and smarter than I ever have on this record. Making it with such incredibly talented people and learning so much from them all. I pushed myself harder than I ever have lyrically - I made sure that these songs are exactly who I want to be as an artist.”

Little Nothings

Jesse Gold

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