TECHNO

Out Now on Incorrect Music

Get It Here:  http://bit.ly/INC_107

Filthy Rich - Rendezvous (Nathan Barato Remix) :: Incorrect Music

Premiered On Stoney Roads: http://stoneyroads.com/2015/02/late-nite-tuff-guy-i-get-deeper-cassian-rework

Buy on Vinyl: http://www.juno.co.uk/products/late-nite-tuff-guy-i-get-deeper/590501-01/

facebook.com/cassian88
twitter.com/_cassian
instagram.com/cassian88

I Get Deeper (Cassian Rework)

In a sea of remixes this has always been on my to-do list.
I love Fleetwood Mac, and I absolutely love 'Dreams'.
Hope you enjoy my version.
LNTG <3

Dreams [LNTG Version]

My interpretation of an MJ classic.
Enjoy.

Startin' Somethin' [LNTG Disco Remix]

What else should I listen to on a thursday afternoon?

Lay Down

D-Deck - Lay Down (Original Mix)

Read more:
http://dancingastronaut.com/2016/11/da-premiere-moby-heart-feel-bad-enrico-sangiuliano-remix/

Premiere: Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano Remix)

Search EP

Jay Lumen - Search (Original Mix)

The meaning of awesomeness is found on this EP!

Jay Lumen - Warehouse Trip (Original Mix)

Arranged and Mixed by Gasc. Mastered at www.audio-lab.it
Executive Production By Simone Vitullo for Go Deeva Records.     info@godeeva.com - facebook.com/godeevarecords - instagram.com/godeevarecords - soundcloud.com/godeevarecords

Gasc - Neiva (Original Mix)

Following up as a sequel to the latest FormatB single „Okeey Yaah EP“  which was released on Formatik Records only recently is this little remix offshoot, serving a new approach to one of the EP's original tracks – crafted by the young Spaniard Wade. Being one of FormatB's favorite upcoming producers of 2016 his remix clearly shows why they asked him to rework and restructure their tune „Whippp“ for a digital remix single.

Relying on a hefty foundation of punch providing drums we see Wade come up with on point functionality for peak time floors, working his filters right whilst adding energy driven percussion rolls, cowbells and super driving hi-hats to keep the crowd under motion control whilst firing occasional dirty hoover signals at them to keep energy levels up to the max.

FMKdigi035 Format B - Whippp / Wade Remix

Give It To Me  Vs The Drill (Mix_Step001)

Respected label Diynamic has announced the eighth edition of its popular ‘Four to the Floor’ series.

The series aims to champion four productions that have been handpicked, road-tested and approved by label-boss Solomun. The ‘Four to the Floor’ EP series is comprised of four different dancefloor-orientated tracks from different producers, from upcoming talents to long-established electronic music artists.

First up is ‘Zulu’ from Buenos Aires duo Brigado Crew and Argentinian producer Crisstiano. Drawing from their South American roots, ‘Zulu’ is a percussive track with a laidback yet exotic feel thanks to its echoing vocal samples.

Picking up the pace, German duo Adana Twins’ ‘Uncompromising’ features a driving bassline and clattering synths, building up in waves for a series of dramatic drops.

Next up is Ukrainian duo ARTBAT & French producer Rafael Cerato with ‘Uplift’, a track that slowly builds ambience with flittering synths before plundering into a hefty low end.

Rounding off the latest edition of ‘Four to the Floor’ is the atmospheric ‘Pretend To Fly’ from Definition. The 7-minute journey features wistful male vocals and distinctive arpeggios leading into the rich basslines characteristic of the Diynamic sound. With a relatively short career span, Definition has already had a slew of releases on Materialism and Underground Audio allowing his support to grow.

Four To The Floor 08

Uncompromising

Adana Twins - Uncompromising (Original Mix)

Enrico Sangiuliano experienced the sort of rise that will serve as inspiration for many a bedroom producer out there. Well known in his native Italy as a class DJ, Sangiuliano played his local circuit for 10 years before the world took notice.

After building on his production skills and developing his own sound, the Italian began getting signed to some of the world's top techno labels including Truesoul, Herzblut and Gem Records, but it wasn’t until 2015 that he gained traction on an international scale. His breakthrough track, a remix of DJ Boris’ 'Can You Hear Me', sat at #1 on Beatport’s techno chart for a staggering 14 weeks. Backing it up time and time again, the techno mastermind has almost spent more time in the charts than he has out of them. In 2015 Enrico sat at #8 for the world's best selling techno artist, a feat he then bettered in 2016 when he claimed the #1 spot.

More recently he was asked to remix the Moby classic 'Why Does My Heart Feel So Bad', and in typical Sangiuliano-style, he delivered an absolute belter. Fast forward to today, and after taking a four-month break from production, Enrico has recently returned back to the studio. Ahead of his upcoming Australian tour, he’s told Balance that there is plenty of new music on it’s way, some of which can be found in this Balance Selections podcast. The mix is an hour slice from a set earlier in March at the huge Rotterdam Rave in Massilo, Rotterdam (where he shared the bill with acts like Alan Fitzpatrick, Dave Clarke, Joris Voorn and more). Be ready. This one goes off like a bomb from the get go….

Interview & tracklisting: http://www.balancemusic.com.au/news/balance-enrico-sangiuliano/

Soundcloud: @enrico-sangiuliano
Facebook: https://www.facebook.com/enricosangiuliano/

Balance Selections 032

Balance Selections 037: Enrico Sangiuliano

DC172 comes on behalf of Brazilian born Vinicius Honorio, a now London based producer and DJ who is making some serious in-roads amongst a new breed of techno artists. Having already released on labels such as Pig&Dan’s Elevate and dubspeeka’s Skeleton, the next natural step in his progression comes in the form of a release on Drumcode. 

‘Through The Darkness’ is a masterclass in darkened techno grooves, with each one of the four tracks managing to show off Honorio’s skill as a producer and just why he is firing on all cylinders. The release kicks off with ‘Walking Shadow’, a track that has been a key part of Adam Beyer’s sets at the tail end of 2016 and in to the new year. This tense, brooding affair has certainly garnered a lot of attention of late and it’s clear to see why. The title track ‘Through The Darkness’ is a much more of a stripped back cut, jam-packed with a haunting vocal hook, driving basslines and slick drums. This is one for the late night mischief makers. ‘Desolate’ is another hard-hitter, managing to perfectly balance that signature Honorio groove and pounding drums that adds depth to his productions. The release closes with the atmospheric ‘Out For Blood’, which is loaded with vintage rave stabs and weighty basslines – This one is meant to played in dark and sweaty rooms.

Vinicius Honorio - Desolate - Drumcode - DC172

Vinicius Honorio - Through The Darkness - Drumcode - DC172

www.beatport.com/release/trusting-source/1986521

John Monkman makes his debut on Noir Music and this guy has been on my radar for quite some time now due to releases on Kompakt, Crosstown Rebels and Get Physical. I got the Trusting Source track about 6 months ago and basically signed it after one listen. Since then both John and I have been road- testing, talking about the track and John has been adjusting the track to dancefloor perfection. In the process of it all I suggested John that he made a 2-tracker instead of a single release of Trusting Source. He knocked me off my feet with first listen of Lacquer which is another genius piece of music from the London-based producer.Both tracks are super groovy. Trusting Souce being the classic and timeless effort and Lacquer the more experimental and forward thinking piece.Hit play and check out this fantastic double a-side release.

Connect:
soundcloud.com/johnmonkman
facebook.com/JohnMonkmanLIVE/
instagram.com/johnmonkman/
twitter.com/johnmonkman

John Monkman - Lacquer [Noir Music]

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Trance, Init? - Drumcode - DC173

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TECHNO

Jesse Shustin