Long time since I heard this , great track !

As calm & peaceful as the proverbial millpond...

Original research of remarkable sounds and effects!

Crystal clear vision! Love the wobbly synth! Fascinating usage of various sounds!  An addictive & encapsulating movement! Love this! 😍🌬⭐⭐⭐⭐⭐

It's always a pleasure to come and visit you. 👍

Mixed for Lillithe  09.08.23

Nakedverse and me have been meaning to do a Motown inspired track for a while now , and here it is , the last in a 5 track EP we have been writing together now for about a year , details to follow . Please go and visit him https://soundcloud.com/nakedverse
Lyrics :-
There's nothing like the sweet revenge of
Time and patience as the karma
Catches up with everything they've done
Can't you see it in the news now
The veils are lifted from your eyes now
If you look away it does no good

Dominoes fall
One by one and
Knock each-other down

Perhaps its in my love of justice
Or my twisted sense of humour
But my smile gets bigger everyday
To know that we can turn the tables
Maybe to rewrite the fables
That they forced on us , here comes that day

Dominoes fall
One by one and
Knock each-other down

Oh Oh woah 
Just like dominoes

There's nothing like the sweet revenge of
Time and patience as the karma
Catches up with everything they've done

Dominoes fall
One by one and
Knock each-other down

Oh Oh woah
Just like dominoes
Goodbye bad times
Just like dominoes

Nakedverse/winkandwoo 2023

Just Like Dominoes

Just Like Dominoes - Nakedverse & winkandwoo

Rock It Today / FRAWSTAKWA & Paploviante
Lyrics and vocals written and performed by FRAWSTAKWA
@frawstakwa
Paploviante: Bass, Background Music, Arrangement, Mix, Picture and Mastering

Rock It Today - FRAWSTAKWA & Paploviante

Send It With The Wind

Da Vinci Alien / Paploviante Download Bonus
Maybe an Open Collaboration?
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering
Free Download

Da Vinci Alien - Paploviante Download Bonus

This is a song I came up with, playing my five string fretless bass along with essentially a click track. I then invited everyone to share their talents on it, too. Ken (K2 and the Three, and K2 and the Four) came up with exactly the drums I was hoping for, strong and accentuating what I'm doing on the bass. JJ's (J.J. Terrell) keys gave it the character of a lighter, funkier jam and completely awakened a new sound within the song by adding a great, catchy riff that flows throughout. Tez (Llanpsych) added some magnificent guitar leads, as I've come welcomingly to expect from him. You can really hear his fiery guitar throughout the whole verse and first section, and at the end, too. Steve (Steve's Planet) added the vocals and wrote the original lyrics, too. His strong, creative singing really helped jump this into the category of a song, rather than a jam. He also showed us that he's willing to follow us anywhere creatively, and very boldly, too. Stephen (TexMex Shaman) added the wild, thrilling guitar solo in the crescendo section, as well as the guitar riffs at the end. He also brought the whole thing together by expertly and meticulously producing and mixing it. Ken and Tez both added some mastering to the final mix, too. We all hope you enjoy listening to it as much as we did putting it together.

Second Floor (Steve's Planet with Eclectic Collective)

Gravitas

Hello tout le monde,voici le premier titre de cette année 2025,faites lui un triomphe s'il vous plait,on ne sait jamais.... et, souvenez-vous.......

Souvenez vous...

Out Of Tune

This song was recorded on a TASCAM DR-05X on the 19th April 2025 at the Con Club in Lewes. We are planning to release a studio version at some point, but in the meantime here’s a live version. Sorry that the sound quality isn't great, but we're hoping the audience’s enthusiasm makes up for that :)

Grey (Live) 250419

_Take_me_Away_(Anywhere) Film_scene_intro

Today, the second Pole in history to travel to space returned to Earth. That's why I decided to include this cover here.
English translation:
Obstinate and crazy
Don't be afraid of sudden storms
and dangerous, raging waves.
Because gales from all seas
will finally get you far.

There's still unknown, round world behind the horizon.
You have to find it out till the end
without measuring what you gained and what you lost.

Obstinate and crazy,
full of longings and hopes
strayed in their own dreams
and they don't know what is fear.
Born to
Born to reach the stars.
Born to
Born to reach the stars.

And when someone will ask you
about the destination of this journey
you will reply that it's enough that I swim
and we will see what to do with everything else.

Obstinate and crazy,
full of longings and hopes
strayed in their own dreams
and they don't know what is fear.

Obstinate and crazy,
full of longings and hopes
strayed in their own dreams
and they don't know what is fear.
Born to
Born to reach the stars.
Born to
Born to reach the stars.

Here you can see video (with quitar chords) from my YT channel. 
https://youtu.be/0Xg2SJiGm2c?si=H9-ntwhNJgUzJO_H
Greetings!

STANDING ALONE

This is a short soundtrack piece I did with the EX7 just last month. I've called it "dark light" because part of it reminded me of the music from the late 90's PC game "darklight CONFLICT" (especially at 15 seconds in). I haven't heard the soundtrack to that game in a many years, but just a few notes, or the timbre of the sound, or in this case both, can bring back a memory. 

I had a lot of fun making the very deep space looking photo to go with it too! 🚀

#SoundCloud ☁️

dark light

dark light ⋆ ⭒ ⌲ ˚ . ⋆ (Yamaha EX7 Synthesizer, Recorded August 2025)

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

The Manic Momma you need to know :)I play #indie #artist #music #daily on @facebook @instagram - you should be following me on there - always #free - always #postivevibes

Send It With The Wind

Momma Rapper

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