So. so powerful. Brilliant rapping, bursting with originality.

A deep and strong message.  so unique and powerful. May your light shine and change this world for the better Momma! Cut it up sister!

Sweet work, MR. You kicked some ass with that one.

Related tracks: BEST OF BOTH WORLDS (V1) - CRIPPLE CLUB & HANS ALBERS

Stop The War

I updated this this track with few tweaks and a new mix and master... and a rename too.

Harvest Dance

Harvest Dance (aka better days ahead)

City Kids, album: On Parole, by Motorhead, Pink Fairies

Music, production: Verulium
Vocals: Amanda

https://amandasanderson.bandcamp.com/track/city-kids

City Kids

A slow, and sad one. (With Jen Di Biasi, vocals.)

One More Try

(Written by Terry Reeves)
Terry Reeves: Lead & Backing Vocals
Gary Reeves: Drums
Hans Albers: All other instruments, Arrangement & Production

When you take into consideration that modern footballers have infinitely better equipment and technical assistance at their disposal, George Best's stats (not that I’m a great fan of these) show what a great player he was. I certainly never saw a player who could do what he could with a football. He was the first footballer to transcend the sports pages and become what we now term ‘a celebrity’. Today’s players are protected from the pressures he experienced but George was always surrounded by people who merely wanted to bathe in his reflected light and take advantage of his generosity. His slide into alcoholism is well documented but, had he played under today’s conditions, his life may have been totally different.

I was fortunate enough to meet him on three occasions and on one of those had the pleasure of just the two of us sitting at a table, sharing our love for football. It probably only lasted about twenty minutes but it meant the whole world to me because he seemed genuinely interested in everything I had to say. He even told me he could speak to Matt Busby and get me a trial at Man. Utd. To this day I regret not taking him up on the offer, not because I thought I was the next George Best but to have my hero offer a trial at the club I supported was something never to be forgotten.

Many years later, I reached a time when drink became my escape from everything and looking back, it scares me to remember how easy it was to become so dependent. I was very lucky to have been rescued by a wonderful woman who gave me a true reason to be. If you've never been utterly dependent on something it’s difficult to realise how much it totally controls your life and the experience certainly gave me a window into George’s world.

As far as I’m concerned, he was the greatest football player that ever lived - even the great Pele said, “George Best is a footballer without comparison”. This is why I say, "Come back Georgie!"

Hans’ brilliant arrangement and Gary’s power drumming give musical wings to my honest tribute to George and I owe them both the deepest of thanks for that. If you listen closely, you’ll be able to hear what the man himself thinks about his football career and I totally agree with every word. Many thanks for listening. (Terry Reeves)

An addendum. You all need to know just how good a footballer Tel was. I watched him play schoolboy football and he was always the best player on the pitch, leading his teams to the winning of many trophies. But for injury problems (he had his leg broken twice) he could have played professional football. I had the privilege of playing Sunday League football with him and his skills were light years ahead of everyone else. In one game, he scored with a shot from the halfway line and this was a good 15/20 years before David Beckham did it. He was special. (Gary Reeves)

Yes I drank the bottle dry
Please don't ask the question why
Just accept this drunken man
Drinking for another plan

Couldn't take things in my stride
Second place it hurt my pride
Told to take some time to think
Think I'll have another drink

CHORUS:
Yes he's the greatest, he really has it all
The king of any man who ever kicked a ball
He makes the headlines every time he shows his face
I wonder if they know our hero up in space?
If not it's just a disgrace
He's here
Georgie 
No fear

Tried to force me to retire
From the bottle I admire
Knew I'd lose out in the end
Destroying me or my best friend

Belong to no one else but me
I'm not public property
I know I have myself to blame
Life is not my favourite game

CHORUS

It's not as sad as you might think
Not looking for a missing link
And I don't need an open door 
Cause all I have to do is pour

Georgie, Georgie come back Georgie...

BEST OF BOTH WORLDS (V1) - CRIPPLE CLUB & HANS ALBERS

This is the 5th track in the "Seven Dreams of the Orb Weaver" album https://soundcloud.com/skai-eriksson/sets/seven-dreams-of-the-orb-weaver.  The album has been reworked, remastered, and released in collaboration with the charitable music project Playing to Pitch In.  Spotify link: https://open.spotify.com/album/3GSMJAS4OA22ECx4wq7jDN?si=CzEcd-b_TU6Gktqukfvr2Q

Wonders of the Underworld

Youtube Video:  https://youtu.be/b70uQ3Xycyc

WE WANT TO FLY 
(c) JunkHeap Jul 21 2022 / Remixed-Remastered May 2025

Thinking about the day 
and feedin' on the summer vibe, 
do you feel it?

Later that night I need some sleepin',
crawl into bed, soft sheets are cheering.
The pillow says hello,
and I fade below.

Someone waves to come along,
through a field, beside a pond.  
It's idyllic. 
Jump up high, and say goodbye
flying up and out of sight.

Hit the clouds.
In the clouds.
and there's the sun.
and the beautiful Earth.
For all it's worth,
in this day and age.
Turn the page
and you see the rage.

it's all sort of malign.
Politicians turn a blind eye.
They don't have the fortitude
to satisfy all our needs.

We want to fly.

Sitting on a beach near Naples;
Standing in Krasna Square;
Meet some people at the Pyramids of Giza;
then hit downtown NYC and see its flair.

Dreaming of a simple bliss, 
where I feel her lovely kiss.
But a dark flows in so slowly,
blots out the light, 
and I feel people want to get away.

We want to fly.

We Want To Fly

It was an honor and a pleasure to sing to the sound of a delightful composition by two wonderful artists such as Debra Buesking(@debra_buesking) on piano and David Dunham(@david-dunhamuser589535203) on guitar. Thanks for this priceless opportunity.
Below the Italian / English lyric

Dimmi dove sei
Torno a casa e non ti trovo più
Le tue calze sopra il letto
Sempre accesa la TV

Non dimentico 
Le tue promesse in bilico
e le domeniche
Sempre spese solo dove decidi tu
Forse ho il cuore troppo piccolo
Per lasciarti la tua libertà
casca il mondo 
quando te ne vai

Mille baci e poi
All’improvviso il vuoto fra di noi 
Non so perché rimango appeso qui
Il tuo canto mi ha ingannato 
e come Ulisse mi salverò
Ma poi ricadrò
nella tua tela ancora

Sei sparita ormai
irraggiungibile
ma è sicuro io ti troverò per dirti che
che non mi arrendo e voglio solo te
Puoi scommetterci
Vorrei sentire ancora i brividi
Mentre stringo la tua mano
 per non lasciarti più
………………..
Dimmi dove sei 


Tell me where you are
I come home and I can't find you anymore
Your socks over the bed
Still on the TV

I do not forget
Your promises in the balance
and Sundays
Always spending only where you decide
Maybe my heart is too small
To leave you your freedom
the world falls
when are you leaving

A thousand kisses and then
Suddenly the void between us
I don't know why I'm hanging here
Your singing deceived me
and like Ulysses I will save myself
But then I'll fall back
in your web again

You're gone now
unattainable
but it's sure I'll find you to tell you that
that I'm not giving up and I just want you
you can bet
I wish I could still feel the chills
As I hold your hand
  not to leave you anymore
……………… ..
Tell me where you are

"Easy to Please" Debra Buesking and David Dunham (vocal version)

The Black Hole
October 2022
Duration: 3:00
Part of Cosmic Soundscapes II soundcloud.com/bruce-klepper-1/sets/cosmic-soundscapes-ii
Direct image of a supermassive black hole at the core of Messier 87 
Bells sound library by John-Marc Ventimiglia @john-marc-ventimiglia
For strings, flutes, celeste, bells sound library, field recordings, virtual instruments and percussion 

On April 10th 2019, the world saw the first-ever image of a black hole, as an international team of researchers from the Event Horizon Telescope project released their look at the supermassive black hole. 

This black hole captured by the telescope lies 55 million light-years away, at the heart Messier 87, a supergiant elliptical galaxy in the constellation Virgo. At 6.5 billion times bigger than our sun, it is unimaginably supermassive—the surrounding circular field of electrified gas or plasma captured in the image measures about 30 billion miles across, or four times Pluto’s orbit.

Paradoxically, despite their light-swallowing capability, black holes are the most luminous objects in the universe. Material — gas, dust, shredded stars — that falls into a black hole is heated to millions of degrees as it swirls around the drain of doom in a dense maelstrom of electromagnetic fields. Most of that matter falls into the black hole, but some is pushed out, by enormous pressures and magnetic fields. How all of this energy arises and is marshaled remains unknown to astronomers. 

The singularity at the center of a black hole is the ultimate no man's land: a place where matter is compressed down to an infinitely tiny point, and all conceptions of time and space completely break down. And it doesn't really exist. Something has to replace the singularity, but we're not exactly sure what.

The Black Hole

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Guitar played: Taylor 714CE in standard tuning (Capo 1st Fret)
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
SONG NOTES and LYRICS:
I wrote this song about an imaginary character born and raised on the Mississippi, growing up to be a music man. It's not based on anybody real, but is a kind of tribute to all (blues) musicians down the ages, who have developed their own style of playing and have become admired by future generations. I was inspired to learn to play the guitar listening to great guitar players and fascinated by their ability to simultaneously play a bass line, percussive rhythm and melody, while singing at the same time. (For guitar players interested in how this song is played, it is capo'd at the first fret and played in Bflat, using the thumb on the left hand to play bass notes while stretching fingers 3 and 4 for hammer-ons.). Hope you like it!

They named him Mississippi
That’s where he was born and found
Raised by the crew of a steamboat
Never did like his feet on solid ground 
Could have grown up to be a gambler
But he’d seen where the money goes
So he just played the blues
And watched the river flow

So Mississippi he became a music man
His hat tilted to one side
He wore a watch chain in his waistcoat 
And a twinkle in his eye 
Those gamblers liked to buy him a whiskey
So he’d smile on the dice they’d throw
As he’d play them the blues
And watch the river flow

Now they say down in Mississippi
When you’re riding on the river at night
That if you raise up your glass of whisky
There’s a chance that you just might
Hear the sound across the water 
From the deck of that old paddle boat 
As he plays the blues 
And watches the river flow

Mississippi

Explicaciones Ignacio Labarca

Produced for the wonderful https://citiesandmemory.com/ as part of their SOUNDS of Italy project. Original field recording by Giuseppe Calisti. I just turned it into the mess you are now hearing : ) Official arty blurb below

Leaving Sicily is a poetic remembrance, expressed through sound, of my travels across the Island in 2017. For me the Island was a constant  barrage of wonder; both beautiful and terrifying, welcoming and isolating, modern and ancient and familiar yet alien. The piece heavily manipulates samples from the field recording captured at The Falcone Borsellino Aiport to express some of the dichotomies above. Leaving Sicily finishes with the ‘raw’ sound of the crowd of the airport terminal representing the transition from my surreal and personal travel back into the world of normality - just another tourist in the crowd about to return to his normal life.

Leaving Sicily

Vocals, vocalise by Nadia Selvaggi
Instrumental by Anomon (Gary Courtland-Miles): https://soundcloud.com/gary-courtland-miles

Note from Anomon/Gary Courtland-Miles: 
"Recently I reached out to fellow SoundClouder and Vocalist Nadia Selvaggi, @nadiaselvaggi , wondering if she'd like to collaborate on one of my pieces. And Happily she said yes! 😊

After a few weeks of Listening, she zeroed in on my favorite Orchestral Fusion compositions, Cosmic Cycles*. And as I expected, her thoughtful, lyrical and powerful Vocalise certainly takes the piece to new Cosmic heights.

We're delighted to present it today. 😊

May you enJOY."

Composition © Gary Courtland-Miles 2022
Vocals ℗ Nadia Selvaggi 2022

© Gary Courtland-Miles & Nadia Selvaggi 2022

Photo : A Majestic Island Universe / NGC 1365
© NASA by The Hubble Space Telescope

Cosmic Cycles by Anomon & Nadia Selvaggi

'Lost Footprints In The Sands Of Time' is a mixed genre track, A fusion of ambience/jazz fusion/soundscape.

Lost Footprints In The Sands Of Time

Feeling the moment and letting it out as it flows -

Reupholstered

The Manic Momma you need to know :)I play #indie #artist #music #daily on @facebook @instagram - you should be following me on there - always #free - always #postivevibes

Stop The War

Momma Rapper

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