Name: Perdition: EndCredits by Jessica Wells in bhavana ecstatic intoxication
Duration: 1 min 23 s
Description: Soundtrack from the short film "Perdition" by Matt Carter. Sound design score with vocals by Ben Loomes.

bhavana ecstatic intoxication

Soundtrack from the short film "Perdition" by Matt Carter. Sound design score with vocals by Ben Loomes.

Perdition: EndCredits

Composition by Thomas Bryla
Arrangement by Dave Panichi
Performed by the Danish Radio Big Band 10.1.2014
Winner of the 2014 DPA Jazz Competition

Pentatonique

JENNA PRATT - Uneasy Echoes

Ryan Walsh - Orchestration Reel - 2016

Composed by Gabriel Fauré.

Organ: Robin Jordan
1st Violin: Hui Nguyen Bui
2nd Violin: Ewan Harvey
Viola: Ella Brinch
Cello: Andy Hines
Double Bass: Andy Meisel

Produced by John Lewis at Flat Rock Studios, Naremburn NSW.

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Pie Jesu

Jesu Joy of Man's Desiring

Upbeat final movement to Jandamarra Sing to the Country, performed by Gondwana Choirs and Sydney Symphony Orchestra cond. Brett Weymark.

This is Our Home (From Jandamarra Sing for the Country)

4 Lulu - sims talk

Pale Blue Eyes (Velvet Underground)

Australian David Sudmalis' gorgeous contribution to the upcoming V/A compilation via Mélodies Souterraines.

Pre-order: https://melodiessouterraines.bandcamp.com

Info: https://www.xlr8r.com/news/2018/04/premiere-hear-a-gorgeous-new-track-from-australias-david-sudmalis/

@david-sudmalis
@melodiessouterraines

Info

Premiere: David Sudmalis - Aquamarine

“Sati” in Sanskrit language refers to “mindfulness” in the Buddhist sense. In the fast-paced world we live in there has been a global recognition for the need to achieve some inner peace and calm with pastimes such as meditation, positive thinking and even colouring books, which have brought to our attention the need to shut out the commotion and negative stressful thoughts that hamper our wellbeing.

The piece is quite pretty and peaceful in it’s opening moments, a contemplative and gentle mood where the mind is focused. We are beginning our journey of mindfulness. The material develops into more strident and emotional statements of melody – especially from the violin, which is leading the music into an escalated “sturm and drang” middle section where the piano’s repetitive motifs are countered with an attempt in the left hand to bring back the melody and return to peace again. The violin echoes the melodies presented but introduces more material of a more disturbed nature in trills and sul pont tremolos that cause tension. Negative thoughts are often difficult to escape!

The piece then slows down into an attempt at bring back the more contemplative material with repeated notes in the piano’s left hand, and the high grace-note octaves from the opening of the piece echo the opening character. However this attempt at bringing the mind back to stillness is not working as the melancholy repeated notes and the sojourn into a bittersweet passage in a minor key are representative of a sad memory entering the mind and then causing a major disruption, a flashback that triggers a tumultuous ascent into an emotional outpouring, quelled only when the piano again brings back the high melodic fragments and triplet quavers that signify that peace is achievable if we can only quiet the mind and focus on the positive.

Another attempt is made by the violin to join the piano in it’s reverie but again it brings the material back to an angrier state with a strong tremolo on low G#. It seems that negative emotions are winning over in this battle, and the violin represents the fluctuating nature of thoughts: we move quickly between sweetness and sadness, floating along with the piano and then railing against it.

After a stop and a pause, the piano takes control with a very strong statement of triumphant ascending triads which symbolizes the mind throwing off the negative emotions it has been subjected to, and with a passionate force brings both players back to the peacefulness heard in the opening moments of the piece.

Performed by Kyla Matsuura-Miller (violin) and Adam McMillan (piano)

Second movement:
https://soundcloud.com/jessica-wells-5/satya-violin-and-piano

Sati - Violin And Piano

An excerpt from the live recording of Kodama's premiere by the Orange Symphony Orchestra. This excerpt depicts fourth tree, represented by the percussion section, marked as the West Kodama - the dusk of transformation. 

Photo of Byng St in Orange by Megan Duckworth (@megsjaned on Instagram)

About Kodama:
Kodama (木霊) refers to a tree sprit in Japanese mythology. Over the course of history these personifications have changed from a singular God of the forest, to something akin to Greek dryads, to the pixie or goblin-like creatures made famous in the West by Studio Ghibli’s Princess Mononoke.

When David Shaw commissioned me to write this work for the Orange Symphony, I wanted to write something that reminded me of home, of the Orange I grew up in. I remember three things vividly: brisk winds, colourful everchanging trees, and deep-rooted communities.

This piece draws upon my deep love of mythology and fantasy. The world begins barren and empty, with the only hints of changing being the Kodama melody echoing through the winds. Each family of instrument sprouts its own tree in turn; North – Heavenly & Ethereal, East – A dawn chorus of birds, South – Energetic & Vibrant, and West – The dusk of transformation. These trees grow together to become a single forest, a single diverse community, before we are blown away on yet another wind…

Credits:
Composer - Cameron Lam
Performed by Orange Symphony Orchestra, 
Concertmaster: Lorraine Moxey
Conducted by Ben MacPherson OAM
Recorded by James Buchanan

Kodama (Tree Soul): [Live Excerpt] - performed by Orange Symphony Orchestra

Seascapes by Jessica Wells
Featuring Australian Operatic Soprano Jacqueline Dark, this three movement work was written especially for Lyn Fuller to perform on the National Carillon (bell tower) which will be recorded in 2020. (current carillon sound is a sample).
Commissioned by the National Capital Authority this piece was premiered in Barcelona and will have more performances in 2020 in Canberra and Philedelphia.
There are three movements to this work:
Seascapes
1 Coral City
2 Atlantis
3 Monsoon Gyre

Perdition: EndCredits

Jessica Wells

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