Well structured and great melodies. Love the theme that returns at the end

Beautiful sounds ,beats & rhythm .Beautiful effects

This preview lifted me so high, the mix of cinematic depth and soaring synths touched the soul. It feels like flying through another world. Can’t wait for the full release!

Beautiful work‼️ I love this electronic music❣️

What a variety of very good ideas. Very good track !

...All blades fired in this forge would break soon after forging, but the shards would never rust, nor dull, nor break...
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Check out my Bandcamp: https://lionsmaneorchestra.bandcamp.com/
Music available for purchase here!
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In ancient times, There was a Dwarven blacksmith.  The iron in his region was rather poor and despite the skill he lavished upon his blades, they would always break.  One day a mysterious stranger, robed in black, approached him at his forge and offered to enchant the blacksmith's forge that blades made in it's fire would never perish.  The blacksmith was suspicious, and asked what the stranger wanted in return.  "The deed itself is my payment," said the stranger.  The smith opened his mouth to reject the offer, when his gaze fell upon one of his broken swords.  Hesitantly the dwarf agreed.  

The stranger pointed at the dwarf's forge and began an incantation.  Clouds gathered and snow began to fly in the valley, despite the summer.  The ground shook and spikes of obsidian shot up around the forge.  The fire, which had been a warm red, became an arcane violet.  "It is done," said the stranger to the horrified dwarf.  The smith cautiously took up his tools as the stranger watched, and forged a blade.  When the sword was completed, the dwarf tested the blade against the obsidian.  As he struck the rock, the blade sheared in two.  Outraged, the dwarf confronted the mysterious black robed man.  "Strike the anvil with this broken blade," said the man, and the dwarf, full of suspicion, complied.  The sheared blade clove the anvil in two and the blade took no hurt.  

All blades fired in this forge would break soon after forging, but the shards would never rust, nor dull, nor break.  Much mischief was done with those blades.  The forge came to be known as The Splinter-Forge.  From then on, the snow never departed that region and the violet fire never cooled.
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{Bible Verse}
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At Lion's Mane Orchestra, we make Drone Films, Soundtracks, and Fantasy Music!  Enjoy!
__________
Music By Peter Iverson
Unpublished work copyright (c) 2025 by Peter Ian Iverson

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The Splinter Forge

Does mystical materialism exist? Is it a trend or a concept yet to be explored? Are new products being created under this label? We don't know anything about it here, but we've imagined that such a thing might eventually exist, though we don't know if it's for better or worse.

Approaching Mystical Materialism

Drifting Tide (Remix)

Thracian Myth - Θρακικός Μύθος

Taylor 114 CE (Strumming my guitar)
Logic Pro BeBop Organ (Playing my MIDI keyboard)
Logic Pro Classic Electric Piano (Playing my MIDI Keyboard)
Drums (EZ Drummer 3)
Bass (PG Music Real Track)
Vocals and Back up Vocals (me singing).
Copyright 2025 Joe Stroffolino
***
Cover art:  photo of Halloween skeleton edited with Adobe stock images.
***
Won’t You Please Just Go
Verse 1
It used to be that right and wrong were clear cut, black and white
And people had the courage still to stand and fight the good fight
It used to be that folks could bridge across the partisan divide
Do the right thing and set their differences aside
Now the tech bros want to colonize Mars, and create a brand-new utopia
And if you’re skeptical of their vision, you’re just a luddite with myopia
They’re dreaming of a world of like minds, a place with no dissent
But too much group think has a way of becoming malevolent

Chorus
Won’t you go, won’t you go, won’t you please just go
Get on that rocket ship and fly to Mars (good riddance)
You say you’ll build a better society on the fourth rock from the sun
But there’s lots of work on Earth that still needs to be done.

Verse 2
Columbus sailed west and began a bold new age of exploration
But life on a barren rock seems like a recipe for frustration
It’s easy to be seduced by all that science fiction snake oil
but once you get to Mars, it’ll be nothing but drudgery and endless toil

Bridge
Seems like there are better ways for billionaires to spend their cash
Than living in a tin can on Mars like high-tech trailer trash.
They say the higher you fly, the harder you can fall;
Why trade a living planet for a dusty red ball?

Verse 3
Things can get kind of messy down here on good old planet Earth
You can turn tail and and try to escape this place of humanities birth
You can wipe the slate clean but there’s something in our DNA
You can make people march in lockstep but eventually there will be hell to pay.


Chorus
Won’t you go, won’t you go, won’t you please just go
Get on that rocket ship and fly to Mars (good riddance)
You say you’ll build a better society on the fourth rock from the sun
But there’s lots of work on Earth that still needs to be done

Won't You Please Just Go (to Mars)

Remixes 2025

In Their Dreams (Remix 2025)

Electro fusion of classical and jazz with a melding of hip hop, reggae, and Latin beats at a chill 70 bpm 

An original composition, no AI, digital music created MIDI to DAW by a human

The Harvest Moon
Excerpt from a poem by Ted Hughes

"The flame-red moon, the harvest moon,
Rolls along the hills, gently bouncing,
A vast balloon,
Till it takes off, and sinks upward
To lie on the bottom of the sky, like a gold doubloon."

Harvest Moon is a symbol of abundance, gratitude, and the balance between light and dark of the autumn equinox. The 2025 Harvest Moon, this year’s first Supermoon of the Northern Hemisphere, reaches full illumination on Monday, October 6, 11:47 PM ET. 🌕

With props to jazz flugelhorn player and composer Chuck Mangione, RIP (November 29, 1940 – July 22, 2025)


ARTIST NOTE: I attempt (and fail) on a regular basis to satisfy an artistic curiosity — What if classical composers such as Johann Sebastian Bach wrote jazz music using a DAW with electronic drum kits? 🤔😯 Even when I fail, usually something comes out of the effort 😀
……………………………………
TEMPOS
0:01   68 bpm
0:45   70 bpm
Variations of Fm, E, Bbm, F#, Eb7, C7
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard 
VST or E-INSTRUMENTS:
Concert Grand 
Ambient Lead 
Breathy Keys
Studio Trumpet 
Vibraphone 
SoCal Ballad Piano 
70s Funk Clav
Focus synth 
Session Strings 
Fingerstyle Electric Bass 
Deep Round Synth Bass
Minimal Techno Pattern
E-PERCUSSION
African Kit
Latin Kit 
2-Step Remix Overdrive Kit 
……………………………………

COVER ART is a surrealistic interpretation of the Harvest Moon song as original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop.

Thursday, Sept. 25, 2025, 11:12 PM ET 
Released on SoundCloud
2025 All Rights Reserved
.

Harvest Moon

Cover of Steve Miller Band version 1977 , written by Paul Pena 1973

Little Man : Bas, drums, vocals & mix 
PdB Orchestra : Guitars

Jet Airliner

ETERNAL WINTERS END Ultra Slowed

March of the Inanimate – Repossessed
Release Date: August 24, 2016
© 2016 Keith Richie

March of the Inanimate – Repossessed is a dark, cinematic soundscape that delves into obsession, mortality, and the supernatural. This reimagined and remastered edition of the original 2014 release expands the sonic narrative with new tracks and enhanced production—immersing the listener in a chilling audio experience.

A man, obsessed with defying death, steps into a long-abandoned home to retrieve a rumored artifact said to hold the key to immortality. But what he finds is not salvation… it is something far more sinister. As ancient forces awaken, his soul teeters on the edge of annihilation, pursued by horrors that march without mercy or sight.

This definitive edition draws inspiration from the atmospheric dread of classic horror soundtracks, particularly the works of John Carpenter and Alan Howarth. Through dark-electro pulses, suspenseful piano motifs, and immersive textures, Repossessed captures the mood of unearthed terror and psychological descent.

Now featuring three additional tracks and a fully remastered mix, March of the Inanimate – Repossessed stands as both a love letter to vintage horror scores and an original journey into the heart of sonic fear.

Critical Praise:

“Musically menacing, to say the very least. This opus incorporates haunting piano melodies and a deep intensity through its pulsing rhythms… it fits right into the gritty underworld of horror-movie-mania.”
— Jer@SBS, Sleeping Bag Studios

“Keith Richie has a way with electronic music—it rarely sounds synthetic. Here, he explores sonic storytelling beyond the confines of pop structure… an invitation to imagine films that don’t yet exist.”
— Robbie Tee, Jamsphere

Chasing Shadows

✦◇ Aeon Sanctum ◇✦ (Preview)

I’m proud of Aeon Sanctum, yet a part of me still feels it isn’t fully ready. Maybe I need guidance on this one, or maybe I’m pushing the limits of my own vision. Either way, I want to be honest and transparent with you all.

This track holds immense potential, and there are moments that lifts me so high. At the same time, it doesn’t yet feel complete, and I can’t fully pinpoint what’s missing.

Regardless, this journey has gone on far too long. This Thursday, I’ll release whatever I have ready. Perhaps in the future, I’ll return to refine it and bring it to its highest potential.

Thank you for being part of this journey with me. Your support means everything.


⚡ “Aeon Sanctum” lands earlier!
Thursday | 12 PM





☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆
✨ I came across this piece from Sinners again, and it reminded me of the power music has to heal and awaken something deeper in us.
Sharing it with you all because music is more than sound 》》》it’s medicine for the soul.

https://youtu.be/-h5fUA-DAdk?si=uynh8fMjL0kuB8BN

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆
The Love of Music Above All:
For me, creating isn’t about chasing trends or playing it safe. It’s about honesty, about following that pull inside that refuses to be silenced. Every time I sit down to make music, I remind myself why I began: not for views, not for validation, but for the love of music itself.

True creation means being unafraid to be yourself, even when it breaks the patterns others hold onto. When you follow your gut and trust that spark you feel within, you align with something greater. That’s the energy I put into my music, and it’s the journey I invite you to walk with me.

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

A message of Hope & Harmony:
In a world that feels increasingly divided, I’ve come to understand that even the most confident artists have their moments of doubt. Fear urges us to separate, to protect what we make. But music, to me, has always been about connection, about souls meeting in sound. There is an extraordinary power in voices joining together, shaping something greater than any of us could alone. Ultimately, it is not about who stands apart, but about the creations we make when we stand together.



★☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆★

Awareness is the first step to freedom
https://youtu.be/azE7nqqQMmo?si=hk64IitLAgLvPsE_

Let's talk about fear. Hermetic philosophy has a killer concept called 'Polarity.' It means that fear and courage aren't opposites-->they're just different frequencies of the same energy.

Think about that. Your fear isn't there to stop you; it is raw, unfocused potential for your courage. The struggle is not a detour; it is the forge where you are being built.

The point is not to never be scared. The point is to use that energy, to shift its vibration, and to keep moving forward. The journey is the destination. Every challenge is a chance to evolve. Now go transmute that fear into fuel. I believe in you.

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆


My music is born from struggle, discovery, and transformation. It has been my torch through the darkest nights, guiding me toward light when all seemed lost. Every note carries a piece of my journey: pain, resilience, and the spark of hope that refused to die.

Music saved me, and through it I found a way to connect with others in moments where words were not enough. These compositions are more than sounds, they are vessels of emotion, meant to reach the hidden places of the soul and remind the lost that light still waits beyond the shadows.

If my work can touch even one heart, lifting it from despair into wonder, then it fulfills its purpose.



Birthday: Jun 6 1991
Name: Jesus Emanuel Salib
Married (11+ years)
I live for 3 things: 1) God, 2) My family & loved ones, & 3) Music that carries Healing 


✦◇ Aeon Sanctum ◇✦ (Preview)

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