What imperfections? ;) Amazing song, guys! Bravo!

Haunting lyric, but it is the way you sing and play that gives this song such impact.  Your piano phrases are expressive as is your singing, expressive and beautiful.

with each bar the song becomes more and more beautiful

Really wonderful song! Awesome voice and piano!

bela canção imaginativa, doces harmonias vocais. (<:

Best of SoundCloud June 2024

喜び

WESTERN ISLES

Mobb Deep x Big Pun Boom Bap Type Beat 2024

Emotions

I Can See the Light in Your Eyes
written by naldo
lead guitar Richard "Blitz" Livoni

afterglo above-10.1

i can see the light in your eyes

Thank you Davidkilledthegiant for all your help with this track!

Robots In Disguise (Featuring DKTG)

4 Oanna
My Dope beautiful friend- Oanna(Ojanne Mirr)https://soundcloud.com/oceannessence
Words,keys,vibes-Oanna
Other works-masaTot.
Hi Oanna! Sorry for being late...🙇
Let's meet again somewhere someday🙌

4tomorrow&neither4today-with Ojanne Mirr

L'Arbre des Âmes pourrait être l'endroit le plus sacré pour certaines peuplades, et leur permettrait de communiquer avec leurs ancêtres, ou faire l'objet de certains rituels .... 
Son accès est souvent interdit au étrangers ....
À quoi ressemble-t-il? 
Je vous laisse l'imaginer en écoutant ce nouveau concept.

***************************************************************************************************

The Tree of Souls may be the most sacred place for certain peoples, allowing them to communicate with their ancestors, or be the object of certain rituals .... 
Access is often forbidden to outsiders ....
What does it look like? 
I'll let you imagine as you listen to this new concept.

The Tree Of Souls ....

DRUMAX No. 47 // DAFT POP// Do The Dance …
@docfritz // Composition, Arrangement, Soundscapes, Rhythm Design, Artwork, Mix & Production
@joerxworx // Real Alto Saxophone | Organ and Kawala @ EWI
© 2024 | DRUMAX PROJECT | All Rights Reserved

DAFT POP

DRUMAX No. 47 // DAFT POP

Recorded in Modesto, Ca. Frans Beelaard. Special Guest, Sergio Parraga Congas (Spain). Featuring Gibson 335 Electric Guitar solo. Trumpet solo. Alto Saxophone solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Gibson SG Electric Guitar Rhythm. Horn Section, Alto, Tenor Baritone Saxophones. Trap drum full kit. Percussion Ago go Bells, Tambourine, Cowbell, Zildjan 22" ride & Crash cymbal.

Cannery Row

Mushrooming

Created a long time ago, sometime in the eighties, inspired by Saint Exupéry classic short novel. I'm just playing the piano and singing some vocals, minimalist arrangement. With time I may do more takes to handle the imperfections.

Aircraft engine sound captured by Thomas Ryder Payne.

E as cartas voavam.
Chegavam do céu as respostas,
até que o vento se fartou do abuso.
O homem na torre empalideceu,
ao ver que a hora da chegada
só trouxe o silêncio do céu vazio...
Apáticos esperámos na noite o cantar do teu motor.
O socorro amigo subiu e desceu em vão.
Nenhum vestígio. Nenhuma cruel constatação.
Subitamente percebo que o tempo estava cansado de ti...
Ajuda-me.
O que é que eu vou dizer em tua casa?
Como é que eu vou explicar o teu fim?
Milhões de estrelas não dizem nada,
e brilham, como a rir-se de mim,
beijando a sul o mar, a leste o rio,
a oeste a dor, a norte o frio.
Oh céus! Oh vida!...

Quando cheguei à tua porta, um gira-discos tocava.
Roda que dança de luto, lembrança a girar
trinta e três por minuto, para me enfeitiçar.
Ai silêncio, vem-me ajudar.
Vê que as linhas da mão não me fazem chorar.
Roda triste, de onde vem teu pesar?

Vol De Nuit 2024

cloudy (la la la la ya)

https://soundcloud.com/michele-ansani/sunday-derby-extended-version-michele-ansani-manuel-pietra: here the extended version, with the contribute of Manuel Pietra (https://soundcloud.com/mozartwolfy81)

For those (like me) born in the late 1950s and raised in Milan in the 1960s, Sunday of derby (AC Milan vs. FC Internazionale) was the most beautiful and most feared day of the year.
As it's clear in the end of the piece, my team won the match that time (so many years ago ...)

Cover image: a card of San Siro stadium from 1965 (or thereabouts).

------

Composed by Michele Ansani (2021).
Posted on SoundCloud: 2024, June 15.

Sunday derby (draft) *

Club Of Lost Souls (collab):
All vocals and text by Saskiagoethals (@saskiagoethals:)
music composed. all guitars and synth played by Neno J.)

This is my new collab with the talented Saskia. I'm really happy with how this collaboration sounds. Thank you Saskia!

Club of Lost souls

If nothing is your name
And love is just a game
If it’s in the wrong direction
that you’re looking for connection,

And you reach out for acceptance
And you want to be seen
But no one seem to care and everyone is mean

If you’re longing for attention
And you’re screaming it out
But alone in the desert
No one hears your shout
And you’re talking with the devil
Corse he is the only one
Who tries to figger out
what you want

Club Of Lost Souls - revisited version (Collab with Saskiagoethals)

Cm Blues Improv #147

method: it‘s complicated. it is, really. in as many ways as this one came about.
narration: my poem Proxima*  served as illustration for the sensory overload some people experience during a normal reading. there is no point in replicating the poem here since it has become part of an overwhelming sensory phenomenon. 
image and everything else: copyright jo richter

* published in the cycle Das Buch der Anmutung in Die Odradek Variationen

proxima interior

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Hello, welcome to my page.

I've been making music since 1972. At the time, with Pedro Castro, we created the alternative rock band Petrus Castrus. 

The music I'm placing here is mostly from the home recordings of my ongoing projects and ideas. I created a few playlists (Inéditos) according to language (PO - Portuguese; EN - English; SP - Spanish; FR - French; IT - Italian), and also for concept albums (Três Jardins). There are two long tracks (Mediterrâneo and Isaías) for full concept albums, and corresponding playlists that gather some of their individual tracks. A playlist called Synergies gathers the collaboration projects with other musicians in the fantastic SoundCloud community

Petrus Castrus edited records can be found on Spotify and Soundcloud. See the Facebook Petrus Castrus page for more details, including comments about the recordings uploaded here. 

We are both amateur musicians, i.e. music lovers. As for me, I'm just an electrical engineer with a master in AI that really loves creating music and use it to share ideas. That is why all tracks include lyrics or texts.

By the way I'm not interested in third-party offers to boost the number of plays. I like it as it is, and I've always declined such offers. Thanks anyway. 

I don't repost much, just some tracks that I find outstanding and with very few plays, so I can help them to get better known. I believe that repost parsimony also makes life easier for those who follow me.

Enjoy!

*** UPDATE May 2025. Good news. The SC contractual terms have now been corrected, and our music will no longer be used for AI training. NOTE April 2025: It just came to my attention that, unless we do a separate contract, all our uploaded music in SC can be freely used for AI training. This is written down in the legal section, under the licensing paragraphs. What can (should) we do to change that? *** 

*** Note Dec 2024: Alas, AI generated content that is not disclosed as such is now being posted at an alarming rate, sometimes multiple tracks in a single day from fake artists that even write down fake introductions, saying how much they love music that comes from the heart. Please avoid reposting these deceptions, it only adds to the confusion.  And it encourages the algorithms to give them preference. ***

*** NOTE June 2024: Generative AI is becoming amazingly powerful. Nothing against it. Just to avoid the confusion and embarrassment of finding ourselves praising and encouraging mindless algorithms, I believe it would be nice for us to always disclose its usage in our tracks. What do you think?  ***

Vol De Nuit 2024

José F Castro - JFC (Petrus Castrus)

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