Awesome, really fun track, very enjoyable 💥

Cool guitars, very expressive lyrics and vocals, nice!

this have mad energy! love the arrangement and the mood!

Scheduling that shot can feel a lot like chasing windmills

Fair Vaccinea

My next completed #inspiredresponse.... #ripkurt #grunge #rustneversleeps #burntoutbutneverfadingaway

Opinions (remastered)

another collab with #blabbud @icepicksyndicate on vocals and drums..... this is where he took my tale jam.... inspired by #eric_clapton and #cream ...
#classicrock

ENJOY!!!! ... #LKTRAR....✌🤘👊🤘✌

Be sure to check us out over at
..... @bandlab.com 

BLACK DOG (w/ @icepicksyndicate)

Here We Go

“Grill that Snapper” stands as a track that bridges the gap between the introspective nature of acoustic music and the bold expressiveness of electronic music. It's an audacious fusion that respects the listener's intelligence and emotional capacity, promising a rich and rewarding listening experience. Each note and silence in between tells a part of a greater story. This piece isn’t mere background music; it's a sophisticated journey through sound that demands active listening and rewards with layers of intricate details.

It begins with a soulful dialogue between a plucked acoustic guitar and a warm legato bass, setting a scene of introspective calm. The guitar's melody, adorned with subtle sound FX, tells a poignant story without words, inviting listeners into a world of reflective tranquillity.

Transitioning into the first verse, the mood remains contemplative yet gains texture. The upright bass, intertwined with an electronic sub, takes the lead, its legato tones painting a soundscape of introspection and subtlety. Here, the guitar shifts to a supporting role, its strings now weaving a background tapestry. This section is coloured by chords that evoke a jazzy feel, their complex harmonies hinting at emotional depths and unspoken narratives.

The bridge emerges as a delicate duet between guitar and piano, their interplay creating a sense of intimacy and shared secrets. This brief interlude builds gently, the chords simplifying yet deepening the emotional resonance. The addition of cello and bass strings, along with legato sax and oboe, lends a classical touch, further enriching the tapestry of sound.

As “Grill that Snapper” progresses, it gradually turns up the heat. The entrance of a straightforward, pulsing 4/4 beat marks a shift to a more vibrant, electronic landscape. Bowed violins add drama over the steady rhythm, their melodies intertwining with heavy piano chords. The juxtaposition of the electronic rhythm with the jazzy downward chord progression creates a dynamic tension, a dance between two worlds.

Reaching its climax, the track becomes an electrifying blend of filtered arpeggios and orchestral drums. The chaos of the arpeggios, set against the backdrop of a rhythmic electronic beat, paints a picture of controlled frenzy, a climax of emotional and musical intensity.

In its final act, “Grill that Snapper” returns to its acoustic origins, revisiting the serene mood of the opening verse. The outro, a mirror of the initial bridge, serves as a contemplative denouement, bringing the listener full circle. It's a conclusion that invites reflection, a moment to absorb the rich journey that has unfolded.

Grill that Snapper

PuNCh-A (Sandro´s Theme)

“Beautiful Things”

Vocals & lyrics by @wild-christopher-lyrics.
Guitar: @angelo-annicchiarico-1

Beautiful morning
Beautiful day
There may be sunshine
There may be rain

I took a new road on my way to work today
I saw beautiful things
I saw beautiful things

Sometimes my life it tries to get so mundane
So given a choice between the numb 
I’ll embrace the pain

We are all terminal
You know it’s what they say
This life it’s incurable
It’s just a matter of the day

We all know this
But we choose not to believe
We exist in oblivion
We limit what we see

Sing off key
Live out of control
The best part of living
Is not knowing what tomorrow holds

Hold on to your loved ones
Or hold on to your gold
Cling to worldly possessions
Or fortify your homes

I saw a girl standing
She was standing alone
I stopped and said hello
When I left, she was all aglow

We don’t know the difference 
The difference we can make
The road you don’t go down
The chances you don’t take

Sometimes we trip
Sometimes we’ll take a fall
But I’d rather stumble then never know, 
never know at all

Sing off key
Sing out of control
The best part of living
Is not knowing what tomorrow holds

Beautiful morning
Beautiful day
There may be sunshine
There may be some rain

I took a new road 
On my way to work today
I saw beautiful things
I saw beautiful things

Music by Caedmon Rigby and Angelo Annicchiarico
Lyrics by Chris Barnett for Questionable Enterprises LLC. © 2024

Caedmon Rigby & Wild Christopher- Beautiful Things

I decided to get catty about some philosophers.
This was the result, with the help of a few Twitter conversations.

my main website:
http://exedexes1.com

itch.io page:
http://exedexes1.itch.io

Lyrics:
some say
that as far as language and culture go
internal systemic patterns rule
but I haven't really come to find
this conclusion all that cool

Camus said if the world were clear
art would not exist
Did he write that when he was sober
Or after getting really pissed

People see what they want to see
I'm more into shaping my own reality

What forms a bright personality
Is intelligence and cordiality


There are some conceptual nodes
That it is a mistake to connect
And so it's time to be reflecting 
That what we do is to interpret a thing
And warp it around our intellect

All of this pattern matching taken to excess
Results in a hyperlexic mess 
It feels like just belletristic overfitting
A bunch of overcomplicated knitting
Storytelling confused for a predictive process

The real onion here is deciding
Which connections to disregard
For some to me have only about
The appeal of a tub of lard

Some philosophers are Fools competing to
construct a board game
with the most Byzantine rules
But as their theories gather mold
The people who were sold on them
Will sometimes find some jewels

though on examination appearing useless
these things are not non-fungible

The most trivial of trivialities
masquerading as a framework
and that was when i suspected
that they were rather a bunch of jerks

perhaps it's sufficient to be
inspired by the semi-hucksters work
which in places is somewhat overrated
and here and there solutions lurk
which make them vindicated

Freud proved psychosomatics exist
And Chomsky helped out parsers
Foucalt's model of power structures
Is great for spotting farceurs
Derrida examined lived experience
But deconstruction was a miss

They might be accused of
schizophrenic pattern matching
for things that are not really there
but what they actually did was
to make their theories accommodative
fundamentally to get anywhere

They built these edifices out of
A significant chunk of the noticeable
And while I'll grant you that it's not falsifiable
The product might not be that reliable

The lesson of successful intellectual slatterns
is that if enough people agree with your patterns
the mimetic value capture alone is worth it

I just refuse to be mollycoddled
by all this abstruse twaddle
about various mental models

But the manner of their braying
Is really just bewraying  
for the edification of of me and you
that this is necessary for the functioning 
of the social infrastructure
which is just a nice way of saying
that even the clods require their due

Complexity, sensitivity, political import
There are times when i could give less of a bucksnort
But my bias here is showing
For I cannot possibly be all-knowing

Like a stochastic parrot yet a fleshy one
They're sentient but non-useful to some
And a perusal of their semantic fantasia
reveals they sometimes as well have had Wernicke's aphasia

In their defense, absolute clarity is boring
You can't dodge the theorypill they said
Protest as you may
but intellectual whoring by spewing opaqueness
creates a daunting malaise of fakeness
which kind of ruins my day

319: Word Salad released July 20, 2024

Feature.fm link to this track:
https://ffm.to/word-salad

SoundCloud for this track:
https://soundcloud.com/doug-stoothoff/word-salad

Spotify for this track:
https://open.spotify.com/track/6RRU2HewDoi6KLTdCgOuSu

Bandcamp for this track:
https://dougstoothoff.bandcamp.com/track/word-salad-2

Douglas P Stoothoff main site:
https://exedexes1.com/

itch.io profile link:
https://exedexes1.itch.io/

Feature.fm overall Artist Bio link:
https://ffm.bio/dbx6kbg

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

Artist page on Spotify:
https://open.spotify.com/artist/7EuvIQRQESX9WFtwI6GqWB

Buy on Bandcamp

Word Salad

🎧 Découvrez l'univers de DJ VoidRage ! 🎧
Plongez dans un monde de dark trap, fusionné avec des éléments gothiques, hard rock et apocalyptiques. Une expérience musicale unique, parfaite pour les amateurs de sons intenses et émotionnels.

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#DJVoidRage #DarkTrap #GothicHardRock #ApocalypticMusic

Mix 8 FR

Flammes Du Rock Eternel

Another track recorded with a Fender Stratocaster via a Marshall 8100. Most of the effectswere created using the GTR 5 plugin within Ableton.

Earth Patriot - Consumism ( Opiod to the People )

كلمات وألحان وغناء: محمد صلاح الدين، توزيع: شادي عبد الوهاب

ياقمري

I'm a solo artist based in Cádiz South of Spain, who creates, records and produces hard rock songs, but my music sounds to everything but conventional hard rock. If you like hard rock, glam metal, David Bowie or even K-Pop check out some of my songs... 

PuNCh-A (Sandro´s Theme)

Jesús Fresno

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