At the risk of sounding like a broken record, what a blast it always is to dip into your archive.  This is yet another example of what a superlative back catalogue you have.  A classic back in '95 and still very much so...

Your music is a real pleasure to listen to...awesome production!❤️❤️❤️

Love the energy and voices/guitars in this part

What a lo-fi slow-fi gem! Great songstructure and dynamics!

sound really good guys, classic lo-fi, love the dark sound of that fretless bass, track is rocking!

Mixed for Lillithe  06.08.23

Some of you will be familiar with this tune, and indeed it has been modified to include a bit of audio which was the basis of the theme. This bit of audio is the original recording of Stephen around 1982. I had looked for that recording for decades to be included just before the start off this song. Also, most recently I had redoubled my effort to find it to play for my beautiful wife as  she lay on her death bed. But, alas, I was only to find it the very day after her passing.

As you might imagine, the old cassette tape was full of hiss. So, my good friend and mentor, Sander (https://soundcloud.com/wane-of-summer), volunteered to help subtract that flaw and render Stephen's little voice to crystal clarity. Well, that is very much part of Sander's trademark. Thank you, Sander.

And below follows the original description of the song:


This is a song from a child which has no voice of his own. Having succumbed to the side effects of a childhood vaccination, he was never able to learn the spoken word...though through some miracle he seems to have developed perfect pitch. 

How would I know? Well, if I pick up various objects which can make a tone if they are blown into, though he may have heard it only once before, he will sometimes sing the note as it is being picked up. Blow into that object and, sure enough, he is in tune with it.

He was only about 3 years old when we were trying in vain to get him to speak into a tape recorder. Instead, he came up with this tune, which I decided to just add accompaniment. The original recording actually had his voice on it, but it has been lost over the years.

Stephen's Song (REMIX)

Here I just used a few passages from the Book of Isaiah, chapter 14, sung in Italian over the Francesco and Rosin beautiful collaboration. This powerful chapter in the Old Testament compares the king of Babylon to Lucifer, the fallen angel. In the troubled history of mankind we were never short of kings of Babylon. Perhaps someday...

Il soggiorno dei morti si agita per te, per venire a incontrarti al tuo arrivo.
Tutti prendono la parola e ti dicono:
Anche tu dunque sei diventato debole come noi?

Come mai sei caduto dal cielo,
astro mattutino, figlio dell'aurora?
Come mai sei atterrato,
tu che calpestavi le nazioni?

Tu dicevi in cuor tuo: Lo salirò in cielo,
innalzerò il mio trono al di sopra delle stelle di Dio.

Invece ti hanno fatto discendere nel soggiorno dei morti,
nelle profondità della fossa!
Sotto di te sta un letto di vermi,
e i vermi sono la tua coperta.

It's Almost Dawn JFC (over Francesco Cartocci Instrumental ft. Rosin Dust)

Date de publication: 08/06/2023

Musique, arrangements, claviers: Leia & C.M
Mixage, mastering: C.M

Voix: Leslie

© Leia  S.V & C.M 2023, All Rights Reserved.

Even If We Fight

FUNKY GROOVE 8

Jazz Impressions is a radio show hosted by Geoffrey Fenton that airs Sunday evenings on WNUR 89.3FM in Chicago and streams worldwide.  This show first aired in August 2023. Jazz Impressions. Where jazz is a reflection of life.

Jazz Impressions

TIME

Joyless Future / Paploviante / Open Collaboration Offer
 Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering 
BPM 85 / Chords: Am Gm Cm Dm 
Free Download 
If you want the track different ... contact me! 
The track is downloadable as a Wave file! 
You can complete what you want! 
If you publish it, you have to mention me in the description and title!

Joyless Future / Paploviante / Open Collaboration Offer

MODERN TIMES feat. IPG1 & Paploviante
IPG1: Vocals
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm
Paploviante: E Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Arrangement and Production

Modern Times feat. IPG1 & Paploviante

This track is all about recognizing and seizing opportunities in life. It should inspire you to be courageous and try new things. The message is clear: every opportunity can be the start of something great. Listen in, get motivated and never miss an opportunity again!

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Colors LoFi Tapes
Kalimba
Verve
Taped Vibes
Vibrant
CRE8 Wave Engine
Apollo
Substruction
Navia Harp

130 bpm

Picture by Alexandra Koch on Pixabay

opportunity

Adventine B

step into an elevator with no floor. psychedelic sans reverb tones narrate a story of distance and love. recorded in 1995.
written by:  Stephen Bender @s0db (fretless bass, lyrics, backup vocals) x Andrew Nimmo (drums) x jh0st (12-string guitar, vocals)

http://www.jh0st.com/b3nd3r-starting-over/
----------------------------------
2 eyes to eyes see me 
2 ears to ears to hear me 
arrive by phone, 2 children 
your hand, my hand, we're wiilling... 
what have we done? 

try and figure 
nothing could be smart 
wake up early, start a new tomorrow 

'there goes my baby' 
i can't close my eyes... 

2 eyes to eyes see me 
2 ears to ears to hear me 
to seek to hear makes us said 
your heart just in time, be careful... 
what have you done?

--------
stephen bender: fretless bass, backup vocals
andrew nimmo: drums
jh0st: guitar, vocals

Buy on Bandcamp

gabriel's horns [bender x nimmo x jh0st 1995]

“Livid”
Dreamy LoFi/ambient track from our Eastern LoFi Lab.
Cover pic: Arpad Kajel www.facebook.com/arpikirandul

Livid

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ
Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by mistermark:

Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 

Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day

Caveman - The Eclectic Collective

Hidden World

Emerald Realm

Cast of Characters:
Stonerjazz-- @user-911083679 -- narration of questions
Surfers Like Us– @user-411502040 –Artur– guitar
mistermark-- @user-432503709 -- Mark—synth effects, synth strings and flute, lyrics, and vocals
Llanpsych -- @llanpsych -- Tez – guitar and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, slide, sitar, and production
J.J. Terrell–@j-j-terrell –electric piano, organ, synth, bass, drums, vocals, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, percussion, and vocals
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- guitar, bass, madolin, keys, banjo, lap steel, sitar, and vocals
Huge thanks, too, to the other featured musicians to whom we're very grateful to for sharing their music and talents with us this past year. They are the fuel that drives the EC into new musical realms. They include:

CGMANESS-- user-419254289-15129531
TEA R. SEA-- @tea_are_sea
STEVE'S PLANET-- @steve-vervaet
JOHN ANTHONY-- @john-anthony-871225464
ELPIVERSE-- @elpiverse 
SCOTTY (ONE MAN VERITY SHOW)-- @one-man-verity-show 
ROY ROY-- @user-967672349 
MARK FOSELLA-- @mark_f_2019 
FRANS BEELAARD-- @user-936947521 
THE MYSTERIOUS DECIBEL--  @themysteriousdecibel 
DAVID MARCONI-- @david-marconi-917184705 
RON LEWIS--  @ron-lewis-779503933 
JAMES TOBUREN (WITCHES OF THE ALAMO)-- @witchesofthealamo
 JEFF ROBERTS-- @jeff_roberts

  Well folks, it's that time of year again. It's time for the Eclectic Collective to take stock of the fruits of the year previous, and reflect on what making music together means to all of us. We hope you all take a chunk of time and indulge in our gift to you. We wanted to address every one of our SoundCloud friends with our voices as an intimate way to connect with each of you.
  This has become a tradition within the EC now that we've made it to our second (and a half) year of making music together. For the second time, JJ asked our friend and sometimes collaborator Jeff (Stonerjazz) to ask some interview questions of us. Then, we all came up with the answers and sent them to JJ to assemble the project.
  This mighty music machine we've created, that manages to release a new song every Friday, wouldn't mean anything if no one was listening to us. Which is why we want to extend our very sincere thanks to you for tuning in and supporting our efforts. If one other person gets joy from our music, that's such a huge accomplishment. However, it really feels like a bunch of people whom we really respect are digging what we're doing, which feels truly humbling and fulfilling. 
  With that, we hope you enjoy hearing us voice our thoughts over the highlights of our musical year as much as we enjoyed a year rich in music and comradery. Happy New Year!
 Here's a breakdown of the time stamps for each of our individual questions and answers, in case you want to skip ahead or want to hear someone more than once. 
1:28 TEZ Q1
2:20 TEZ Q2
2:37 TEZ Q3 
4:42 KEN Q1 
7:36 KEN Q2 
13:04 MARK Q1
18:42 STEPHEN Q1 
23:21 JOSH Q1
27:36  ARTUR Q1  
32:00 J.J. Q1

The 2024 Eclectic Collective Rockumentary

When Space Is Pissed Off

Comet Calamity

/ ...music from an empty auditorium before the performance begins... /
exploring the boundary between the avant-garde and the radio-ready.

Collaborators:
Please check out these great artists!

Anu @anu
COtu @churchoftheundecided
CRPT @crptofficial × TRNAH @trnahtechnostate
deltadada @deltadada
Emilio GS @emilio-gs
Frank Baker @frankbaker
Gryflet @gryflet7
Heelees @ken-mizuhashi
KidOfEarth @kidofearth
Luscious-235 @luscious-235
Oorlab @oorlab

gabriel's horns [bender x nimmo x jh0st 1995]

Jh∅st

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