No Pussy Blues live from the Hammersmith Apollo's gig, october 1st, 2010.

Grinderman - No Pussy Blues (live HMV Apollo, Hammersmith, 1 October 2010)

She was gracious and elegant, dancing softly before them all as they watched onwards with jealousy and glee. From time to time she would vanish into the smoke and the fog, only to emerge more radiant and glowing than before she had disappeared. This was all part of the magic, all part of the allure and the intrigue of such a beautiful display. She caught each onlookers eyes, longingly taking them in before whispering softly "can I be your geisha?" It was enough to set the whole damn world on fire, at least for an evening anyway. 

Naomie Klaus is set to release a new tape via Bamboo Shows, a meandering, odd assortment of synth, new wave and electronic sounds which touch upon pop. It's whimsical and weird, wonderful and wild.

A Story of a Global Disease

PREMIERE: Naomie Klaus - Can I Be Your Geisha? [Bamboo Shows]

new tune in 2021

recorded and mixed by yoshio ojima , 2021

oratio (2021)

Artist: Roméo Poirier
Title: Living Room
Cat#: faitiche 28
Release: Oct 7th 2022
Format: LP/DL

Living Room (faitiche 28) is the third solo album by Roméo Poirier and, following his much praised Hotel Nota, his debut for Faitiche. The French musician and producer transforms the layering of different times into a free-flowing pulse that sounds both nostalgic and mysteriously ahistorical.

Poirier takes music seriously as a time-based art – not just in the sense of duration, but also in the way time is refracted into autobiographical experience, historical dimensions and stages of evolution. By immersing and reflecting himself in these different layers, he creates a succession of new balances between various tempos, iterations and developments. 

Poirier’s music emerges from a continual questioning and reformulation of his own oeuvre and thus of his own past, drawing on an ever-expanding archive of self-recorded loops. “I always resample myself, using fragments of a track to make a new one, as an ongoing process,” he explains: “The sound is evolving with me in parallel and the loops carry in their DNA all transformational stages, filled with previous tracks, sedimented.”

Originally a drummer, Poirier connects his various sources almost without a clearly identifiable beat. He prefers an organic pulse, mutable like the human sense of time and its fluidity. The aquatic feel of certain tracks on Living Room is no coincidence: among other devices, he uses a waterproof loudspeaker and a hydrophone to play back and rerecord tracks in the bathtub.

Drawing on a sample collection assembled by his father, also a musician, the human voice enters Poirier’s music for the first time. But it remains free of overly unambiguous signifiers. Besides its link to time, the fascinating thing about music is that it has meaning without needing to be decoded. Living Room goes back to the private but universal origin of human experience: “I liked the idea that a possible quest for a musician could be echoing the first encounter we had with language, in a prenatal state: its prosody, melody and tones, without being cluttered with meaning.”


Written and produced by Roméo Poirier
Design by Tim Tetzner
Mastering by Giuseppe Ielasi
Text (back cover) by Lamiral Poirier
Thanks to Jan Jelinek, Tim Tetzner, Anna De Smet, Lamiral Poirier, Sylviane Poirier, Octave Moritz, Will Boyd, Guy Tournay, Antoine Pasqualini, Fabien Leclerc, Rutger De Brabander, Frans Robert, Anna Wery, Vittorie Degli Innocenti, Lucas Kraft, Léna Burger, Christophe Le Poëc, Augustin Gigleux, Daphné Vagegne, Jonathan Soskin

Roméo Poirier: Muscle de sable - Jan Jelinek Remix (remixed by Roméo Poirier)

Myuthafoo

Sufyosowirl

Rosal

Kofi & Yekki present: analog cementoArmani 03

Field of Dreams w/ is4bel1e - 09/12/2024

I´m in a Strange Loop

Grinderman - Vortex

Blues Alif Lam Mim In the Mode Of Rag Infinity/Rag Cosmosis is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. The expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou, and the additon of Marcus Pal and Stefan Tiedje on electronics. This new piece was recorded live at the Issue Project Room and was mastered by Dubplates + Mastering in Berlin. 
Live At Issue Project Room is packaged in a deluxe letterpressed sleeve and is being issued at the same time as Central Palace Music from 100 Model Subjects For Hegikan Roku, a recording of Hennix's ensemble from 1976, also on Important.

Catherine Christer Hennix / Chora(s)an Time-Court Mirage - Live At ISSUE Project Room -

Come sail your ships around me
And burn your bridges down.
We make a little history baby
Every time you come around.

Come loose your dogs upon me
And let your hair hang down.
You are a little mystery to me
Every time you come around.

We talk about it all night long
We define our moral ground.
But when I crawl into your arms
Everything comes tumbling down.

Come sail your ships around me
And burn your bridges down.
We make a little history baby
Every time you come around.

Your face has fallen sad now
For you know the time is nigh
When I must remove your wings
And you, - you must try to fly.

Come sail your ships around me
And burn your bridges down.
We make a little history baby
Every time you come around.

Come loose your dogs upon me
And let your hair hang down.
You are a little mystery to me
Every time you come around. 

Eddie Vedder - Nick Cave - Concrete Blonde - Ship Song

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Eddie Vedder - Nick Cave - Concrete Blonde - Ship Song

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