Maybe

We started a journey into the future of sound – and we arrived! Encounter ELYSION 2 - our massive and incredibly fast scoring tool. Play simple chords and instantly create overwhelming sound worlds. Move your modwheel and distort time and space. Let the famous ensemble engine animate your music. #ScoreTheFuture with ELYSION 2.

https://sonuscore.com/shop/elysion-2-the-encounter/

The Invasion Of Antares (Simon Schrenk) [Hybrid] - ELYSION 2 - Demo

There is always hope; in your darkest days.

Expanding Optimism

Music from the album Moments 

Composed by Mathieu Alvado

Piano : Jordi Castella

Mixing by Samy Cheboub

Produced by Marmot Control

The full album : https://open.spotify.com/intl-fr/album/5wAMmePW3r7vYoQo549gvA?si=hIEXktJSQxqbGTzcoz40Ew

Buy the license : https://marmotcontrol.com/featured-playlists/moments.aspx

Moments

In the clouds

An intense situation; the file has to be downloaded and the computer completely wiped clean. The clock is ticking. 


Photo Credit: Unsplash, Bermix Studio

Cutting It Close

This piece was originally conceived after listening to one of the Dew Tour's PUSH videos that follow the lives of these skateboarders. I forgot which one it was but there was a piece in it that strongly resonated with me so I decided to go to town on a new song. Surprisingly, the original score found in the video was more light hearted and atmospheric and more synth-pad based which somehow made me take my score to a more darker turn. 

I do have some friends that are looking at the piece to possibly fill in some guitar parts but I couldn't help but share this piece with you guys! With or without the new additions, this is pretty much what I had envisioned from the get-go. 

Using 8dio's libraries up the wazoo on this piece: Rhythmic Aura 1 and 2, 1928 Steinway Legacy, Claire Flute. Also Using my new EWQL Hollywood Strings library with spicc. violins, violas, cellos, and basses while utilizing EWQL Symphonic Gold for the sustain strings like the harmonics. The clicking of clocks were found via youtube and then used the rhythmic mode of FLEX in Logic Pro X to sync them up. And the guitars and drums? All from Logic Pro X's own library. The drums had a LOT of work needed to be done on them to sound the way the do but it was the Brooklyn producer kit I used. Also in addition, I used Heavyocity's EVOLVE Mutation 1 and 2 along with DAMAGE to create the rhythmic bass line.

Anyway, ENJOY!

P   U   S   H

This track was used as demo for Sonokinetic's new string library 'Ostinato'. You can check out their website here:
www.sonokinetic.net

For licensing please contact info@petterisainio.com.

'Vision' - Petteri Sainio (epic electronic/orchestral)

A track I did, reflecting on the past.

Violin: Nao Sato
Vocals: Phil Lober

Premonitions (feat. Nao Sato)

This track is available now on iTunes, Spotify, Amazon and other music retailers!
Here's the iTunes link: 
itunes.apple.com/us/album/ascendance/1425621512

Want to use this music? Awesome! 
Go to: http://audiomachine.com/licensing/

Buy now on iTunes

Ninurta (Dark Phoenix International Trailer)

We spent months trying to get the sound right for the final track in "The Beginning" album, "Epilogue; Beginning". Here are a bunch of things that didn't make the cut for the final product!

Sketchbook IV: Bigger Picture

I did this custom version of Invocation (from the Audiomachine ASCENDANCE album) for a trailer pitch that ultimately didn't land, but I really love how it came out with Andrew Prahlow's new vocals and the added orchestral lines, and wanted the world to hear it. Enjoy!

Cutting It Close

Jillian Boyd

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