A cat's the only cap that knows where it's at

Every-body wants to be a cat!~ because the cat's the only cat, who knows where it's at!~

noice

Anastasia - Once Upon a December

Mechanical Lullaby- Coraline

I'm Wishing (Snow White)

Bruno Coulais is a French composer, born in Paris on 13 January 1954. He has a father from Vendée and his mother is an Iraqi Jew. He is most widely known for his music on film soundtracks.

Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary Mexico Magico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal’s 1992 film Le petit prince a dit, and Agnès Merlet’s Le fils du requin in 1993.

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière Esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le comte de Monte-Cristo, Balzac, and Les nuiteux.

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais’s name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton’s group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber’s film Don Juan in 1998.

In 2002, his name was found on the ending credits of the animation L’enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer’s Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Baratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais’s collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

Bruno Coulais’s musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film’s narration.

Coraline Soundtrack Song  Exploration

The Phantom Of The Opera - Think Of Me

Vanic & Zella Day Hypnotic (Remix)

Sleeping Beauty - Once Upon A Dream


Between the here, Between the now
Between the North, Between the South

Between the West, Between the East
Between the time, Between the place

From the shell
The Song of the Sea
Neither quiet nor calm
Searching for love again,

Between the winds, Between the waves
Between the sands, Between the shores

From the shell
The Song of the Sea
Neither quiet nor calm
Searching for love again,

Between the stones, Between the storms
Between belief, Between the seas


Song Of The Sea

As I see this track is quickly becoming the most popular track of the channel. Over all 8 years of my music production "Song of The Sea" is the very first to reach 1k+ plays! I am mostly gratefull to everyone who likes my songs, it literally means the world to me. But please, if you download any of my songs click the little heart next to it, that way I can better know what songs you like the best, and of course, that way I can continue producing music free of charge under Crative Commons license for you. Thanks again everyone for listening, liking and especially sharing my music, I just can't thank you enough of how gratefull and fulfilled I feel. 
You   are   the   BEST !!!

This is from the Sound of Music, one of my all-time favourite movies.

Sixteen going on Seventeen

Feed The Birds - Mary Poppins (Julie Andrews) - YouTube

Vinyls now available! 
https://merch.sincerelystephen.com/

My album is a story of triumph, of letting go of all the uncertainty in my head and learning to walk the path of my own heart. “Sincerely” is about realizing how much better this world would be if we all loved ourselves, if we weren’t afraid of being vulnerable and honest. It doesn’t matter who’s president or what technology we invent or what extremists we destroy, the only thing I know is this:

There will never be peace if we do not all love ourselves.

--

From my debut album “Sincerely” 
Written, performed, produced, mixed, and mastered by Stephen

--

Listen on Spotify: open.spotify.com/album/0HOofIzmgO1zaHMsoU475w
Listen on Apple Music: itun.es/us/RA8Ybb
From me, to you. http://sincerelystephen.com

--

I kept asking myself, why them and not me?

Crossfire

He'd trade his guns for love,
But he’s caught in the crossfire,
And he keeps wakin up,
But its not to the sound of birds,
The tyranny, the violent streets,
Deprived of all that we’re blessed with,
And we can’t get enough

Heaven if you sent us down,
So we could build a playground,
For the sinners, to play as saints,
You’d be so proud of what we made
I hope you got some beds around,
Cuz you’re the only refuge now,
For every mother, every child, every brother,
That’s caught in the Crossfire

I’d trade my luck to know,
Why he's caught in the crossfire,
And I’m here wakin' up,
To the sun and the sound of birds,
Society’s anxiety,
Deprives of all that we’re blessed with,
We just cant get enough

Heaven if you sent us down,
So we could build a playground,
For the sinners, to play as saints,
You’d be so proud of what we made
I hope you got some beds around,
Cuz you’re the only refuge now,
For every mother, every child, every brother,
Who’s caught in the Crossfire

Can I trust what I’m given?
When faith still needs a gun,
Whose ammunition,
Justifies the wrong?
And I can’t see, from the backseat,
So I’m asking from above,
Can I trust what I’m given,
Even when it cuts?

So Heaven if you sent us down,
So we could build a playground,
For the sinners, to play as saints,
You’d be so proud of what we made
I hope you got some beds around,
Cuz you’re the only refuge now,
For every mother, every child, every brother

Who’s caught in the crossfire,
Who’s caught in the crossfire,
Who’s caught in the crossfire,
Who’s caught on the cross...

Crossfire

ON SPOTIFY

Stressed Out (Tomsize Remix) - Twenty One Pilots [Buylink = Free download]

#DamnMommyChallenge

BUY RINGTONE

DJ flex - DM Remix LilAntMuzick (Damn mommy)

I do not claim any of the audio as mine. All rights have been given to respected owners.

The Aristocats - Everybody wants to be a cat

Jillian Phylis Wolter

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