Resuming residency with a solo episode, occupied 2 hour slot by myself !

Advertising transversality in his music, @giorgipipia's sets are purposefully multi-cultural - rich and catchy, the tracks he selects come from diverse horizons, from Arabic electro to Turkish beatmakers, and much more.

Catch Giorgi Pipia every 3rd Tuesday of the month from 00h to 02h [CET] on rinse.fr

Left Bank - GIORGI PIPIA, BASHKKA, UMBRUTER

Giorgi Pipia - 21 Mars 2023

“Kotti Island Disc” is a collaborative concept album which provides a foundation for the overall project “Kotti Island”, a multimedia exhibition at Kottbusser Tor in Berlin in January 2023. In collaboration with ten artists, various conceptual tracks were produced that are inspired by Kottbusser Tor. The multifaceted environment of “Kotti”, as it is locally known, offers an ideal surface upon which to play with and emphasize auditory details that can stimulate the way we imagine what this place means.

This exploration of Kottbusser Tor began with a series of field recordings made by the musician Cecilia Tosh, who is also the artistic director of “Kotti Island”. These field recordings, which create space in between extremes, form the basis of the album. They are collected snapshots, some of which have been sonically 
de-contextualised, while others directly reproduce what was recorded—sometimes interpreting, sometimes documenting. The result is a sample pack composed of ambient recordings (which have been barely edited), edited recordings (which have been re-worked), shorter loops (percussive to melodic elements and basses) and vocalists (newspaper articles, online reports, Wikipedia entries and the artist’s own texts).

The composition of each track was preceded by a meeting with Cecilia Tosh at Kottbusser Tor, where the space was analysed in both auditory and visual terms and the atmosphere was absorbed. Afterwards, each participating artist received an individual sample pack with the field recordings as well as video clips depicting everyday situations at Kottbusser Tor made by Juma Hamdo and Jaś Miszewski. While the sample pack was meant as an inspiration, each artist was also required to use at least one element from it when composing.

“Kotti Island Disc” includes ten musical interpretations that show Kotti as a diverse and lively place. The project is intended as an artistic snapshot of a place in a constant state of flux. It is, furthermore, an invitation to participate in an auditory journey through Kottbusser Tor accompanied by ten very different artists.

PARTICIPANTS
Zettka, Ray Kajioka, Cecilia Tosh, Philipp Gorbachev, Jon Hester, Sofie Superflyin Jackson, .VRIL, Kat Davids, Rocko Garoni, Solid Traveller

SAMPLE PACK
Barış Aydınlı, Cecilia Tosh, Nicola Sangs

BANDCAMP

Solid Traveller - Uyum

1. Lee Holman - Cosmic Window (Matterwave)
2. Ignez & Rodhad - Vermillion 01 (WSNWG)
3. Temudo - You Spelled Corn Wrong (Blueprint)
4. Alexander Johansson & Mattias Fridell - Klot (Blueprint)
5. Temudo - Lea & Blanche (Blueprint)
6. Alexander Johansson & Mattias Fridell - Koner (Blueprint)
7. Alexander Johansson & Mattias Fridell - Cylindrar (Blueprint)
8. Alexander Johansson & Mattias Fridell - Liksidig (Blueprint)
9. Phara - Evoke (Token)
10. Fabrizio Lapiana - OBE 1 (Attic Music) 
11. Bailey Ibbs - Caelid (Token)
12. Blanka - Astral Dimension (SK Eleven)
13. Setaoc Mass - Ducati Pole (SK Eleven)
14. Dispar Vulgo - Daydreams of a Meglomaniac (Modwerks)
15. Setaoc Mass - Life Force (SK Eleven)
16. Altinbas - Follow The Eyes (Token)
17. Setaoc Mass - Diversion (SK Eleven)
18. Blanka - La Buena Suerte (SK Eleven)
19. Ignez & Rodhad - Vermillion 02 (WSNWG)
20. Blanka - Howl (SK Eleven)
21. Ignez & Rodhad - Vermillion 03 (WSNWG)
22. Planet Rhythm - Impulsive Mass (Planet Rhythm)
23. Ryuji Takeuchi - Dignity (Monnom Black)
24. Benales - Kombination (Matterwave)
25. Earwax - Matrix (Tar Hallow)
26. Invexis - Red Storm (Mutual Rytm)
27. Earwax - Perception Units (Tar Hallow)
28. Anne - Pulsar (Life In Patterns)
29. Earwax - 49 Hours (Tar Hallow)
30. Anne - Stronger Than Ever (Life In Patterns)
31. Raffaele Attanasio - Chara (Mutual Rytm)

Warehouse Manifesto Vol 30

Warehouse Manifesto Vol. 30

European cooperation project Gravity Network gives center stage to Georgian producer Irakli. 

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Gravity Network w/ Irakli @ Kiosk Radio 03.05.2023

Various Artists - 3 Years (I)
BAHN027_MIND

Artist: @blndfld
Track: Diffraction

_

3 Years (I)

BLNDFLD - Diffraction

Purchase track | VA

We're super geeked to welcome 543ff to the SS series this weekend. 

543ff is a producer/DJ from Amsterdam and owner of the Lazy Reflex Complex label. He is known for his diverse sound and has releases on Cultivated Electronics, Indigo Aera and many more, releasing since 2017.

| EPISODE 186 | 543ff

Un'r

SIgman/ 29 10 23 - A 4 hands dj set by Pærer owners

Lost recordings #5 'When All Is Not?'
Recorded in 2004.

Digital Release available on my Bandcamp page:
https://stevebicknell.bandcamp.com

When All Is Not?

When All Is Not? [Lost Recordings #5]  | Recorded in 2004

ELEKTRON vs EMX

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

Ignoto (140 BPM)

BOOKING : ella@eingang.co

Bio : 
Jiman, whose real name is Jimmy, grew up in the north of France. 
It is therefore natural that he discovered electronic music as a teenager, thanks to the tremendous amount of night clubs that existed at the time on the Belgian border. 

Around the same time, he purchased his first turntables and started to hang around the numerous record shops in the area. He began to practice on his djaying skills relentlessly, and naturally started production later on.

In 2015, he released his first techno record on the label of the Parisian record shop SYNCROPHONE. 
Several vinyl release followed on MIZE records, FORSAKEN CELL and Marcelus' highly regarded SINGULAR label. 

In 2017, he founded Pærer records with 3 of his friends, a label aiming for the experimental side of Techno; today 8 releases strong.

Shortly after founding Pærer records, Jiman joined Eingang Bookings, a booking agency based in Berlin. Not long after he joined, he played the legendary Tresor club. 

Then came covid, an opportunity for Jimmy to create his first album PANDO, still available in record shops and on many digital platforms. A turn is gradually happening in the sound of his productions, techno is a bit put aside, he begins to flirt with ambient and idm. 

A couple of weeks ago, his 2nd album "Ousland Melodies" was released. The latter reflects well this evolution, diving into it we discover an icy pre-apocalyptic universe. A setting in sound of a voyage of 2 men on the ice floe reporting the severity of the situation. Ousland Melodies is the cry of a polar bear that we do not hear.... 

More recently, he launched  a new live project, once again the barriers between Ambient and Techno are blurred between emotions and urgency

SIgman/ 29 10 23 - A 4 hands dj set by Pærer owners

Jiman

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