Name: Zozo by Jim Combs - Composer, Keyboardist and Guitarist in Jim Combs Fusion
Duration: 4 min 34 s
Description: In March of 2020 while mixing the CD Waiting I decided the project needed more songs with the guitar as the lead instrument. I wrote Zozo to be the first song of the CD. It was this point where the CD changed from atmospheric music to a more jazz/rock sound. I was reading about Voltaire at the time I was writing this song thus the name Zozo, as it was Voltaire's nicknamed by his family.

Jim Combs Fusion

In March of 2020 while mixing the CD Waiting I decided the project needed more songs with the guitar as the lead instrument. I wrote Zozo to be the first song of the CD. It was this point where the CD changed from atmospheric music to a more jazz/rock sound. I was reading about Voltaire at the time I was writing this song thus the name Zozo, as it was Voltaire's nicknamed by his family.

Zozo

At Sixes And Sevens had several revisions. Originally, the opening of the piece was in 6/4 and the remainder of the song was in 7/4 (thus the title) but i didn't like the 6/4 feel. I decided to stay in 7/4 for the entire song (pretty much).

At Sixes And Sevens

Memoirs of the Twentieth Century – The title comes from the 1733 novel by Samuel Madden, considered the first of English literature to ever feature time travel. I wrote this to be the first song on the CD and was the last I song wrote for the project.

At the completion of my project “Waiting”, I decided to start on another project immediately. I’m not sure whether it was my turning 60 or the fact that 2020 was a year that had me wishing for another time, but either way I found myself drawn to stories of time travel. 

I did not begin the Keepsakes project with the idea it would be a concept project/CD, but it does seem to feel like one. It Just proves how much your writing is influenced by your situation, whether you realize it or not.

Memoirs Of The Twentieth Century

After viewing the photograph of Nikola Tesla sitting on a chair in his Knobe Hill, Colorado Springs laboratory it made me wonder what the night sky must have looked like in 1899 while Tesla was performing his experiments. The photo also reminded of the James Whale's 1931 Frankenstien movie's lab designed which included Kenneth Strickfaden's movie machinery prop, his own Tesla coil that he called the Megavolt Senior. The marvelous bass solo is performed Stefan Pavlov and vocals by Volodymyr Chyzhovych. The intro has an actual recording of a Tesla coil charging.

Moonlight On Knob Hill

In August 1877, Asaph Hall of the U.S. Naval Observatory conducted a systematic search and discovered two satellites, or moons, of Mars within a few nights of each other. Hall named the moons Phobos and Deimos, after the two sons of Mars who were his chariot attendants and constant companions. However, this was not the first time that the existence of these moons had been theorized. Almost three centuries earlier, in the early 17th century, astronomer Johannes Kepler had also proposed the idea of two moons orbiting Mars. This was due to a secret coded letter received from his colleague Galileo Galilei. Both Galileo and Kepler were influential figures in the field of astronomy, and their contributions are still celebrated today. 

When Galileo sent his coded letter, Kepler was eager to solve it and feel validated in his theories about Mars. The letter was written in Latin and contained a word puzzle for Kepler to decipher. Despite his best efforts, Kepler's interpretation of the code was not entirely accurate. He rearranged the letters to read 'be greeted, double-knob, children of Mars,' and believed this confirmed his theory. However, the actual solution to the puzzle was a playful joke from Galileo, not a scientific revelation.

This song is part of the project Analog Buildup.

Special thanks to Percussionist Reinaldo Ocando for his work on the bongos.

The Children of Mars

This started as a small synthesizer electronic piece but it wanted to be a larger number so now it is. This features Mannuel Trabucco on soprano sax.

Analog Buildup

My sound is appealing to me, but I can't structure the sounds in a good order. Like ocean waves. If it was at least like the waves of a lake or river, I'd be able to structure my music as tasteful waves of sound.

I want to play among the waves of sound(329)

This is the second time I've collaborated with Khan, the first being with her and the percussive brilliance of Tot on "Sunday Afternoon" -

https://soundcloud.com/texmex-shaman/102tms527wav-wav?si=a942ff38963648f287803f324b6030b5


We talked about maybe doing another after that one and I thought it would be cool to hear her on a heavier track, so I sent her this music and she came up with the lyrics and vocal. 



We love Magic - by Khan

Kids caught between magic and real life
Just drifting no where to go
Kids love magic
Just drifting no where to go
Kids love magic

It’s same for adults 
I know 
No matter what you look like 
You are angel

Kids caught between magic and real life
Just drifting no where to go
Kids love magic
Just drifting no where to go
Kids love magic

Kids caught between magic and real life
Just drifting no where to go
Kids love magic
It’s same for adults 
I know 
No matter what you look like 
You are angel

We Love Magic - w/ Khan

Atmospheric muted trumpet sound by joerworx: https://soundcloud.com/joerxworx
(EWI breath controller)

Hooked on you (Remix)

Hooked on you (Remix) feat. joerxworx

September. ( 1995 ) Eddy Mango ( Eddy )

Extending

Mac , music , lyrics , vocals
Scotty , lyrics , vocals
Shane , lyrics , vocals 

True, I'm still in love with you
despite all the bullshit that we have been through.
Even though our hearts have been torn in two,
we can grow, be strong, and build atop the ruins. 
You know you're worth every ounce of fight I've got left in me and I can't try to rest knowing that I won't sleep until this is right. So, pick up and fight for this, darling. True love is calling. And if you are willing, we could be happy together a lifetime. But, is it worth it?

Don’t listen to his hippie shit 
If your your looking for the king of love it’s gotta be a brit
And I think I might be it
Or at least a little bit
I don’t know if you’ve heard about me ?I’m quite exotic , tall  and swarthy and more sensitive than most
And have you ever heard of Byron ?cos I’ve spent half of my life trying to resurrect his ghost
It makes me more adept to understand the fairer sex
Let me take you home 
Cos baby there’s been something I been meaning to tell you
The smiles you give to him are causing pure living hell to  my heart
Oh let’s not start that shit 
I’ll just regret it
And I know you know that my loves the strongest 
Probably cos I keep going on for the longest 
But Christ 
I’m so fucking nice
And yeah true love is calling
But I’m singing softly 
It might be worth stalling 
Cos true love is costly

So what is true love if it ain’t true at all ?
Is it calling?

Every ounce of fight

'notimistic dopplegangbang' with Harmful if Followed
https://www.instagram.com/reel/DPAdEmJjP1b/?igsh=MWJvcWJsMW44YTI2OA==
Note: a live porch jam with overdubbed vocals from the UK
Shane: lyrics, vocals
Scotty: guitar, lyrics, vocals, photo 

Babe, fuck a fast car, we ain't goin' nowhere.
The end of us ain't far, and I refuse to care.
We pretend we're par, lost within the glare
of what we feel while high, as if nothing else compares to you. 

Mate it’s great you stay in touch 
Cos just like me I think you smoke a little bit too much
And it’s lovely to believe, there’s another one of me
Living over there but that one’s got more hair

notimistic dopplegangbang (with Harmful if Followed)

Congratulations to an unknown birthday

remembering

My father (1964) and I...he, like me, loved music his entire life. He played bass in various bands. He started with the double bass, later switching to the electric bass. We shared a passion, and he was always a role model for me. He loved jazz, swing, and big band the most...and I will never forget you.

Bassonova

“There is nothing permanent except change.” – Heraclitus.

The music industry (like many things) has changed greatly since I bought my first 45 record (Green Eyed Lady) at my hometown record shop in 1970. It would be very easy to lament over these changes (and I have.) However, with change comes new opportunities, and thanks to websites/apps like Soundcloud we musicians and composers have the opportunity to to be heard as never before. So thank you Soundcloud and thank you for visiting my page. - Jim Combs

Bio
* Born 1959
* From Southern New Jersey, USA
* Instruments: Guitar (jazz & classical), Bass, Piano, Voice 
* Influential LPs/music (not all and in no specific order): Mahavishnu Orchestra - Birds of Fire, Miles Davis - Nefertiti & Sketches of Spain, Larry Coryell – Spaces, Weather Report - Heavy Weather, Pat Martino – Consciousness, Return to Forever  - Romantic Warrior,  Chick Corea - The Leprechaun, Jeff Beck - Blow By Blow,  Frank Zappa - Zoot Allures, Santana & McLaughlin - Love Devotion Surrender, ELP – Trilogy, Genesis - Wind and Wuthering, Yes - Close to the Edge, David Sancious - The Bridge, Be Bop Deluxe - Sunburst Finish, Ambrosia - Somewhere I've Never Traveled, Journey – Journey,  Rite of Spring & Petrushka – Stravinsky, Don Quixote - Richard Strauss, La Mer - Claude Debussy, Pavane pour une infante défunte & Daphnis et Chloé – Ravel, Music for Strings, Percussion, and Celesta - Bartok ,  Andrew Lloyd Webber - Jesus Christ Superstar, Jerry Goldsmith - MacArthur, The Omen, Planet Of The Apes (1968), Isao Tomita - Snowflakes Are Dancing & The Bermuda Triangle.

Zozo

Jim Combs - Composer, Keyboardist and Guitarist

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