22 Tracks in 20.20

Taken from the new EP "Noyaux" - out Nov. 6th  2015 on Morr Music.
Buy the single on iTunes: api.morrmusic.com/itunes/1044652779
Follow Benoît Pioulard for updates:
http://pioulard.com/
https://www.facebook.com/pioulard
www.morrmusic.com

Buy on iTunes

Benoît Pioulard: Noyaux

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

Taken from Dmitry's forthcoming 'Comprehension Of Light' album, which will be released on FatCat's 130701 imprint on October 6th.

The stunning ‘Comprehension Of Light’ marks a sizeable step forward for Dmitry. A must-hear for fans of fellow 130701 alumni Max Richter, Jóhann Jóhannsson, Dustin O’Halloran and Hauschka, the LP is Dmitry’s first ever vinyl release and is a wonderfully conceived and realised work. Where ‘Collage’ was  heavily augmented with an expansive use of electronics and virtual instrumentation, the new album sees Dmitry upgrade to real strings / orchestral instrumentation with a more limited use of software. ISKRA String Quartet (The XX, Radiohead, Jóhann Jóhannsson) contributed strings. Other contributors include William Yates (Memotone), Abul Mogard and Benoit Pîoulard. It was mixed by Addi 800 (Ólafur Arnalds) and mastered by Martyn Heyne (Nils Frahm, Peter Broderick, The National and others).

In places recalling Jóhann Jóhannsson and Hauschka, in others the work of Leyland Kirby / The Caretaker, or Eduard Artemiev's score for Tarkovsky’s ‘Stalker’, 'Comprehension' is a stunning album which traces a redemptive narrative arc and bears witness to a rising young talent in the field of modern composition.

LP includes dig download card (inc. 2 dig-only tracks which don't appear on the vinyl)

Pre-order

Dmitry Evgrafov - Rajas

It is undeniable that we are living in uncertain times. For those of us failing to fit the patriarchal, neoliberalist mould we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. We discover that the stability we were instructed to obtain whether it be financial, political or ecological, is fleeting, if at all. The resulting anxiety is an instrument of neoliberalism that prevents many of us from being able to raise consciousness of the structural injustices that alienate us.

In a world where security is no longer feasible, the only constant we can rely on is change. Barad teaches us that the world is a dynamic process of intra-activity and materialisation, an ongoing ebb and flow of agency. The Buddhist Law of Impermanence proves that nothing in this world is eternal.

Regardless of ones point of reference we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

Each month we invite an artist to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate modes of existence that reject hetero- patriarchal systems of oppression.

This month we have invited @adhemarmusic to respond to this concept.

Photography courtesy Ángela de la Serna

For tracklist visit cashmereradio.com/shows/TRANSIENCE/

TRANSIENCE #15 With Adhémar

Douglas Dare's third and most stripped back album to date, 'Milkteeth', is out now. Produced by Mike Lindsay, founding member of Tunng and one half of LUMP with Laura Marling, the BBC 6 Music Album Of The Day sees Douglas become confident and comfortable enough with his own identity to reflect on both the joys and pains of youth. In doing so, he has established himself as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound.

"Gorgeous compositions" 7.6 — Pitchfork
"Utterly distinctive" ★★★★ — Q Magazine
"It blows me away" — Lauren Laverne, BBC6 Music
"Such a beautiful record" — Tom Ravenscroft, BBC6 Music
"A stunningly harmonious musical journey" — DIY
"A work that exudes beauty" — Clash Magazine
"Milkteeth feels grandiose" — Loud and Quiet
"A gently heartbreaking ode" — Billboard

Milkteeth

I Am Free

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Douglas Dare - I Am Free

Prelude in C Major, BWV 846, written by Johann Sebastian Bach in 1722.

Piano: Klavins Una Corda
Additional Reverb: Arturia Rev PLATE-140 (emulation)
Recording: Lewitt 640 TS, placed near the floor in front of the soundboard

#pianoday2020

Bach Prelude No. 1 In C Major

Ben Lukas Boysen shares a second single, the atmospheric yet hyper-dynamic Clarion, taken from his much anticipated new album Mirage out May 1. Opening with subtle piano and the delicate strings of cellist Anne Müller, it suddenly morphs into a colossal ensemble piece with heavy drums and electronics. 

· pre-order Mirage: https://idol.lnk.to/ben-lukas-boysen-mirage

"This song started as a simple piano line and while listening to it on loop over and over again some of the elements started to form one after the other, and depending on each other. I was working on a different song at the same time that had the drum section as a central instrument, and felt it was not going anywhere... In one of the sessions with Robert Raths (creative producer and founder of Erased Tapes) he suggested fusing the two songs together, which resulted in this faun-like version of Clarion after a few adjustments were made. It captured the foreshadowing character of the one piece, with the drive and rush-like feeling of the other piece, and therefore creating a very interesting tension" — Ben Lukas Boysen

The third album recorded under his own name, Mirage is Ben Lukas Boysen's most progressive and shape-shifting album to date. It follows 2013’s Gravity and the acclaimed 2016 full length Spells, a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation. Since then, Ben has been in demand for writing scores including his collaboration with cellist and composer Sebastian Plano, on the soundtrack for David OReilly’s landmark innovative video game Everything — the first video game ever to qualify for an Academy Award.

"With Spells and Gravity I was trying to hide the machines. On Mirage, I’m trying to hide the human”

Mirage

Clarion

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Ben Lukas Boysen - Clarion

Listen on Spotify

Iuno

Sarah MacNeil - Northbay - 01 - Northbay

Sebastian Paul - Walking Amongst The Sakura Trees
Taken from the forthcoming album "Amongst The Sakura Trees"

Limited Edition / 35 copies / Hand Numbered / Hand Made Packages / Brown Kraft & White Wallets / Professional duplicated cdr

Release date: 9-3-2020
SHM 122

Sebastian Paul - Walking Amongst The Sakura Trees

Jörð

Berlin based composer and producer Ben Lukas Boysen has announced the release of his third album, the progressive and shape-shifting 'Mirage', on 1 May 2020. It follows 2013’s 'Gravity' and the acclaimed 2016 full length 'Spells', a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation.

Since the release of 'Spells', Ben collaborated with cellist and composer Sebastian Plano on the score for David OReilly’s landmark innovative video game 'Everything'. It was added to the long list for the Best Animated Short at the 90th Academy Awards, making it the first video game to qualify for an Oscar.

As with 'Gravity' and 'Spells', Ben has an array of musical guests adorning Mirage, including long time collaborator, Berlin based cellist and composer Anne Müller as well as Australian saxophonist and composer Daniel Thorne — for whom Ben wrote parts specifically, having heard his 2019 solo debut 'Lines of Sight'. Lead track 'Medela' features both and takes the listener on a kaleidoscopic journey that slides with ease across sonic terrains.

While on 'Spells' Ben made programmed pieces sound indistinguishable from human playing, with 'Mirage' he set out to do the opposite and make the human touch unrecognisable, creating something of a mystery or a mirage.

“A lot of the elements and instruments you hear on the album are either not what you think they are, or exactly what you think they are but behave differently or they’re elements you definitely know but they are hidden, processed, or morphed into something else. With 'Spells' and 'Gravity' I was trying to hide the machines. On 'Mirage', I’m trying to hide the human” — Ben Lukas Boysen

Veröffentlicht von:
    Erased Tapes Records Ltd.
P-line:
    ℗ 2020 Erased Tapes Records Ltd.

Medela

Preorder

This piece, initially titled "Untitled 14 March" is now featured on my new album "In a Few Places Along the River" released via Bandcamp on 01/02/2022

https://abulmogard.bandcamp.com/album/in-a-few-places-along-the-river

Thanks to William Oldroyd for providing the initial inspiration for this piece.

In a Few Places Along the River

Along The River

thesisproject.bandcamp.com/album/thesi…artyn-heyne

Ben Lukas Boysen - editing, zen garden.
Martyn Heyne - guitar, organ.

Composed, mixed, and mastered by Martyn Heyne + Ben Lukas Boysen at Lichte Studio Berlin.
Additional engineering by Matthias H. Franz Hahn. Vinyl cut by Mike Grinser.

Thank You!
Gregory Euclide, Matthias H. Franz Hahn, everyone at Manners McDade, Erased Tapes Records & Publishing, Claudia Gödke, and Karolina Zenobia Heyne.

Dedicated to Frieda and Frau Bellmann.

Thesis 16

& Martyn Heyne - June

To mark this year’s 88th day and as an acknowledgement to these unprecedented circumstances we find ourselves in, Piano Day founder, pianist and producer Nils Frahm releases a collection of eight solo piano pieces titled 'Empty'. 

Stream and download 'Empty': https://idol.lnk.to/nils-frahm-empty

Conceived of just before Nils broke his thumb and composed the similarly intimate solo piano album 'Screws', 'Empty' is a soothing vessel of eight simple and serene pieces originally recorded as the music to a short art film he shot with his friend and film director Benoit Toulemonde. Drifting through emotions from the stark and sobering opener 'First Defeat', to the gently euphoric 'No Step On Wing' and the contemplative but hopeful closer 'Black Notes', with its poignant minute of silence, 'Empty' is a comforting score for these turbulent times.

“When I came back from the hospital with a broken thumb and listened to the recordings, I felt they were unfinished. I decided to put them aside and started to work on my small album, 'Screws'. 

Many many other notes of the piano have been struck since these days, and before we all forget about this, I thought it would be a good moment to share these lullabies with you. I hope they help you stay all strong and calm in these days of solitude – despite the hardship, we can discover introspection and reflection unexpectedly. Who knows what it is good for.  
 
Much love, Nils”

Empty

No Step On Wing

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Nils Frahm - No Step On Wing

Singer songwriter and producer Tom Adams @oceantemple returns to his classical roots for this special number for piano day. Sweeping broken chords on the piano are interspersed with delicate and ambient electronics, coalescing toward a melodic and emotional farewell to his recent home of Berlin. 

Stream on Spotify, AppleMusic, etc : https://orcd.co/goodbye-berlin

Watch : https://youtu.be/iauYfemeJxs

22 Tracks in 20.20

Mr. JimSie