Jimmy Deep House

STRAIGHT LATE NIGHT BIZ

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JUNO
http://www.juno.co.uk/products/bicep-satisfy-ep/512028-01/

PHONICA
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www.youtube.com/watch?v=5R-mdKx7f-U

REVIEW RA (4/5)
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BICEP | SNACKBAR

Here is our remix of Depeche Mode's 'Never Let Me Down'. 

Follow us:

https://www.facebook.com/cubicolor
https://twitter.com/Cubicolormusic

Depeche Mode - Never Let Me Down (Cubicolor Remix)

A1 - Drift Into The Algorithm
A2 - Side Gurn
B1 - You Never Take Me Dancing
B2 - Strangers On A Train

It's been 4 years since I put out new music. Over lockdown I retreated fully, burnt out in many ways. It also coincided with a studio move and overhaul of my studio process. As I started to make music again, I instead focussed on the simple joy of creating with with zero thought about sharing it publicly. I have never enjoyed making music like I do now and I think it shines through in these tracks. This EP represents a new chapter for me and I am excited to share the rest of it as well as a bunch more music over the next 12 months.

Produced by Midland
Written by Harry Agius
Mastered by Matt Colton at Metropolis
Distributed by Above Board
Visuals by Joel Hayden
Artwork by Alex Sullivan
Published by Just Isn't Music 
Graded

You Never Take Me Dancing

linktr.ee/scissorandthread
www.facebook.com/Frank.and.Tony 
www.facebook.com/scissor.and.thread.nyc/ 
www.instagram.com/scissorandthread/ 
www.youtube.com/user/ScissorAndThread

More about the world has changed than not in the decade since dance production dyad Frank & Tony released their last full-length record, 2014’s You Go Girl. Despite, or perhaps in spite of, this shifting landscape, house music has managed to stay fundamentally reliable (either a bug or its greatest feature, depending on who you ask). Where previously, Frank & Tony have been celebrated for their contemplative, studious approach to the genre, with 2024’s Ethos, the Brooklyn/Biarritz-based duo return amidst metastatic cultural upheaval to prove out those scholarly credentials — with an album that serves to remind listeners why dancefloors and liberatory politics consistently share the language of movements and revolutions. 
"House music has always been an expression of political desire as it often was the only safe space for communities to come together in ways that society at large disallowed,” Harris enthuses. “The same energy in the ‘90s could be found in parts of the punk & hardcore scene. Countercultures exist to create temporary autonomous zones of desire outside of dominant narratives that are roadblocks to creation. We have always been inspired by these countercultural movements and the Frank & Tony project is deeply influenced by it."
Though the project originates from the relationship between house legends Francis Harris and Anthony Collins, the titular Frank & Tony were born of a fictional, happenstance meeting inspired by Harris’s experiences in the more liminal, amorphous dance and punk scenes of the late ‘90s/early 2000s (as exemplified in the early works of photographer Anouk Schneider, whose photographs feature on the duo’s first releases). In a world beyond dialectic, where bodies are simultaneously revered and decentered, Frank & Tony connect for one night on an imaginary dancefloor, vowing to make work together in the future; however, having exchanged no information, and with classic club kid garb obscuring any common identifying characteristics, they turn to the internet in hopes of reconnecting for a collaboration.
This origin myth hones in on the crucial history of the dancefloor as a stage whereupon individuals, regardless of background, enact political and socioeconomic desire to scale, highlighting such locations as the tertiary factor present in intimate relationships of all kinds, brought about when two individuals unite and produce that mysterious third thing that was never really possible without blurring the lines of identity so that collaborative creation can happen. 

In practice, it sounds like the record needed by fans of the genre, full of the lightness and space in rooms full of fellow revelators. “We’re only able to make house music because of the vast legacy of producers from New York, Detroit and Chicago who laid the foundation for what we do today,” Collins divulges. “In many ways it can never really live up to that legacy as our art is born out of privilege rather than necessity to create spaces of political desire in the face of marginalization. So what does this mean? We take that legacy very seriously and we want our stamp on this history to resonate with current and future generations as a bridge to the real history behind it."

Undoubtedly, Ethos is tremendously influenced by the multitude of projects originating from, and supported by, the duo and their label in the decade since You Go Girl– releasing records from a vast diversity of artists (including Nadia Khan, Gry, Villete, Darand Land, Alex Albrecht, Dj Sprinkles and CCL), and Harris becoming curatorial voice of Brooklyn’s premiere venue for audiophiles, Public Records, where he continues to amplify work across a global diaspora (and where the duo maintain a residency of wide praise).

Ethos

Cecile (with Eliana Glass)

Frank & Tony - Cecile (with Eliana Glass)

Alex Albrecht returns with Aurora - a pristine followup to his Blue Caves transmission via Scissor and Thread in 2018. 

The Melbourne based composer and sound designer Albrecht has leans into his predilection for woozy, affecting melodies intertwined with skittering drums and snaking grooves, and Aurora brings that to the fore with six tracks of shimmering beauty. 

Spring Orchard opens the record, effortlessly merging deeply buried keys with washes of dreamlike synths, and dubby effects. 
Wildflower Walk is a melancholic affair, underpinned with a restless groove. 
The title track Aurora treads a similar path, but with a more driving approach, while an interplay between piano, guitar, and synths drenched in reverb offer a warm, enveloping atmosphere. 


Aurora is also shared here as a remix by Roza Terenzi, who entirely reworks the track with her signature club ready grooves . 

Kennett River exhibits a kind of smudged, cinematic hip hop feel, while closing track Morning Piazza showcases Albrecht’s sense of drama and pacing, producing a sublime ending to this deeply affecting collection.

Aurora

Alex Albrecht - Aurora

Nae:Tek, Francesco Tamburrano - Hologram [Superordinate Dub Waves]

Look too the skyesss😎🦼

Flash / Pachanga boys remix

808 State - In Yer Face (Bicep Remix)

Skatebård (aka Bård Aasen Lødemel) is warmly welcomed back to the Bordello. Following 2013´s Love in the Night comes a 12” of quite a different hue. Colour Negatives collects three brand new tracks from the Digitalo founder. The late night rave funk session of “Fujicolor Pro 400H” spikes and spins on beams of concentrated energy. Those same infectious hooks dawn into the flip. “Agfachrome RSX II” is bright, clean and joy filled; Skatebård delivering pure goodness to nurture any bodies beginning to flag. Paranoia and the break of day enters with “Kodak Portra 800”, a minimal two stepping demon that cuts like vinegar. Shape shifting synthesizer sounds from an artist who simply ignores genres.

https://bordelloaparigi.com/artist/skatebard/

Vinyl still available on juno!
http://www.juno.co.uk/artists/Skatebard/

AGFACHROME RSX II

Paranoid London

Eating Glue (feat. Mutado Pintado)

Special Request returns via Gerd Janson & Shan's studio, as they completely re-build both Brainstorm and Make It Real across four frenzy-inducing incendiary versions custom made for sending the rave over the edge...

https://houndstoothrecords.lnk.to/specialrequestremix 

Cut & Mastered by Matt Colton @ Alchemy. Manufactured at Optimal-Media, Germany.

Special Request X Gerd Janson & Shan

BUY / STREAM EP

Special Request - Brainstorm (Gerd Janson & Shan House Mix)

Run Tings EP

Who Run Tings

1) Late Jam
2) Equation
3) Houses In Motion
4) Late Jam [Willie Burns' Dance Remix]

Mastered at Dubplates & Mastering, Berlin.

Bandcamp: lobstertheremin.bandcamp.com/album/equation-ep
Phonica: www.phonicarecords.com/product/view/117037 
Rush Hour: www.rushhour.nl/store_detailed.php?item=72835
Idle Hands: www.idlehandsbristol.com/site/product…er-theremin/

Equation

Invercargirl

www.facebook.com/trentemoller
www.instagram.com/trentemoeller/
www.facebook.com/tim.engelhardt.artist
www.instagram.com/timengelhrdt/
www.facebook.com/pokerflat.rec
www.twitter.com/poker_flat
www.youtube.com/PokerFlatRecordings
www.instagram.com/pokerflat_recordings

Continuing the celebrations surrounding Poker Flat’s 20th year in operation, we are treated to another sublime rework of a back catalogue treasure.  

This time it’s concerning the work of Danish polymath Trentemøller, and his certified classic Moan. Featuring the vocal-talents of Ane Trolle, the track was originally released in 2007, in what could be described as one of Trentemøller’s many splendids. 

Here we have a remix courtesy of Tim Engelhardt - a Poker Flat regular who has built a formidable reputation over the last years. His reinterpretation is the perfect mix of Trentemøller’s instinct for sleek hooks with his own savvy, slinky tech house. The full version features Trolle’s timeless vocals, and there’s also an instrumental version for the DJs.

Moan (Tim Engelhardt Remix) - 20 Years of Poker Flat remixes

Moan (Tim Engelhardt Remix Instrumental)

Trentemøller: Moan (Tim Engelhardt Remix Instrumental)

GOES
                                                     TO
                                                  SHOWS

808 State - In Yer Face (Bicep Remix)

Jim

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