from the new album ANOTHER CHILDHOOD, coming Oct 7th:
https://jimnopedie.bandcamp.com/

YT link: youtu.be/5mKgF_hEMcE

Temple of Light

Track 1 from ANOTHER CHILDHOOD. Buy/hear the new album right now:
https://jimnopedie.bandcamp.com/ 👻

--
Another Childhood... but not the simple one we might yearn for, or be told to yearn for, amidst our contemporary obsession with returning to the past. On his sophomore album following 2020’s acclaimed ‘Minus Worlds’, Jim Nopédie challenges nostalgia culture’s halcyon depiction of childhood, and retro video gaming, in favour of something more intriguing, more eerily undefined.

The album plays as a series of vignettes depicting video game urban legends both real and imagined - hidden locations (and beings) within game spaces which players have scoured for countless collective hours. In the age of data-mining, it asks: Why are we still fixated on the possibility that within old video games might lie the unknown?

Track 5, “Drowned Town (Wet-Dry World)”, illuminated this very fixation last year as it amassed YouTube listens in the six-figures, amongst a rising online interest in “liminal spaces” and iceberg memes - eerie flipsides of familiar spaces and media. “Drowned Town” exemplifies Jim Nopédie’s masterful blend of the familiar and the new; its impact is testament to the evocative, digi-folkloric power of these sounds, and the growing fascination they engender.

But where previous album ‘Minus Worlds’ used the cartoonish, bright MIDI palettes of say, Super Mario World, ‘Another Childhood’ is more akin to the mythic, obscure landscapes of Myst. “Hell Valley Sky Trees” blurs the glimmering outer-space palette of Super Mario Galaxy into murky, spectral shapes. “The Far Lands” calls to mind C418’s iconic Minecraft soundtrack stretched and distorted into strange cries. And the enigmatic ending of “Reviving Aerith” depicts a transition between death and life.

What has remained is Jim’s unusual gift for intensely visual, transportive music - these are ten dark worlds to once again get lost in, resplendent with the modern ambient touches of Tim Hecker and OPN. At a time when we’re more inescapably virtual and nostalgic than ever before, 'Another Childhood' offers a vitally alternative perspective: on the knowability of virtual spaces, on our nostalgic memories, on what being a child was really like. 

--
All music by James Gales
Artwork by Elias Toner (instagram.com/doggonoid.draw)
Mastered by Angel Marcloid @ Angel Hair Audio (angelhairaudio.com)
Liner notes edited by Kim Ho
Special thanks: Josh, Albert, Monti

--
https://jimnopedie.bandcamp.com/
https://www.instagram.com/jimnopedie/
https://twitter.com/jimnopedie
https://www.facebook.com/JimNopedie/

Intro / Another Childhood

Track 4 from ANOTHER CHILDHOOD. Buy/hear the new album right now:
jimnopedie.bandcamp.com/ 👻

--
Another Childhood... but not the simple one we might yearn for, or be told to yearn for, amidst our contemporary obsession with returning to the past. On his sophomore album following 2020’s acclaimed ‘Minus Worlds’, Jim Nopédie challenges nostalgia culture’s halcyon depiction of childhood, and retro video gaming, in favour of something more intriguing, more eerily undefined.

The album plays as a series of vignettes depicting video game urban legends both real and imagined - hidden locations (and beings) within game spaces which players have scoured for countless collective hours. In the age of data-mining, it asks: Why are we still fixated on the possibility that within old video games might lie the unknown?

Track 5, “Drowned Town (Wet-Dry World)”, illuminated this very fixation last year as it amassed YouTube listens in the six-figures, amongst a rising online interest in “liminal spaces” and iceberg memes - eerie flipsides of familiar spaces and media. “Drowned Town” exemplifies Jim Nopédie’s masterful blend of the familiar and the new; its impact is testament to the evocative, digi-folkloric power of these sounds, and the growing fascination they engender.

But where previous album ‘Minus Worlds’ used the cartoonish, bright MIDI palettes of say, Super Mario World, ‘Another Childhood’ is more akin to the mythic, obscure landscapes of Myst. “Hell Valley Sky Trees” blurs the glimmering outer-space palette of Super Mario Galaxy into murky, spectral shapes. “The Far Lands” calls to mind C418’s iconic Minecraft soundtrack stretched and distorted into strange cries. And the enigmatic ending of “Reviving Aerith” depicts a transition between death and life.

What has remained is Jim’s unusual gift for intensely visual, transportive music - these are ten dark worlds to once again get lost in, resplendent with the modern ambient touches of Tim Hecker and OPN. At a time when we’re more inescapably virtual and nostalgic than ever before, 'Another Childhood' offers a vitally alternative perspective: on the knowability of virtual spaces, on our nostalgic memories, on what being a child was really like.

--
All music by James Gales
Artwork by Elias Toner (instagram.com/doggonoid.draw)
Mastered by Angel Marcloid @ Angel Hair Audio (angelhairaudio.com)
Liner notes edited by Kim Ho
Special thanks: Josh, Albert, Monti

--
jimnopedie.bandcamp.com/
www.instagram.com/jimnopedie/
twitter.com/jimnopedie
www.facebook.com/JimNopedie/

Wounded Missingno

Track 2 from ANOTHER CHILDHOOD. Buy/hear the new album right now:
https://jimnopedie.bandcamp.com/ 👻

--
Another Childhood... but not the simple one we might yearn for, or be told to yearn for, amidst our contemporary obsession with returning to the past. On his sophomore album following 2020’s acclaimed ‘Minus Worlds’, Jim Nopédie challenges nostalgia culture’s halcyon depiction of childhood, and retro video gaming, in favour of something more intriguing, more eerily undefined.

The album plays as a series of vignettes depicting video game urban legends both real and imagined - hidden locations (and beings) within game spaces which players have scoured for countless collective hours. In the age of data-mining, it asks: Why are we still fixated on the possibility that within old video games might lie the unknown?

Track 5, “Drowned Town (Wet-Dry World)”, illuminated this very fixation last year as it amassed YouTube listens in the six-figures, amongst a rising online interest in “liminal spaces” and iceberg memes - eerie flipsides of familiar spaces and media. “Drowned Town” exemplifies Jim Nopédie’s masterful blend of the familiar and the new; its impact is testament to the evocative, digi-folkloric power of these sounds, and the growing fascination they engender.

But where previous album ‘Minus Worlds’ used the cartoonish, bright MIDI palettes of say, Super Mario World, ‘Another Childhood’ is more akin to the mythic, obscure landscapes of Myst. “Hell Valley Sky Trees” blurs the glimmering outer-space palette of Super Mario Galaxy into murky, spectral shapes. “The Far Lands” calls to mind C418’s iconic Minecraft soundtrack stretched and distorted into strange cries. And the enigmatic ending of “Reviving Aerith” depicts a transition between death and life.

What has remained is Jim’s unusual gift for intensely visual, transportive music - these are ten dark worlds to once again get lost in, resplendent with the modern ambient touches of Tim Hecker and OPN. At a time when we’re more inescapably virtual and nostalgic than ever before, 'Another Childhood' offers a vitally alternative perspective: on the knowability of virtual spaces, on our nostalgic memories, on what being a child was really like. 

--
All music by James Gales
Artwork by Elias Toner (https://instagram.com/doggonoid.draw)
Mastered by Angel Marcloid @ Angel Hair Audio (https://angelhairaudio.com)
Liner notes edited by Kim Ho
Special thanks: Josh, Albert, Monti

--
https://jimnopedie.bandcamp.com/
https://www.instagram.com/jimnopedie/
https://twitter.com/jimnopedie
https://www.facebook.com/JimNopedie/

Who are you running from?

Track 6 from ANOTHER CHILDHOOD. Buy/hear the new album right now:
https://jimnopedie.bandcamp.com/ 👻

--
Another Childhood... but not the simple one we might yearn for, or be told to yearn for, amidst our contemporary obsession with returning to the past. On his sophomore album following 2020’s acclaimed ‘Minus Worlds’, Jim Nopédie challenges nostalgia culture’s halcyon depiction of childhood, and retro video gaming, in favour of something more intriguing, more eerily undefined.

The album plays as a series of vignettes depicting video game urban legends both real and imagined - hidden locations (and beings) within game spaces which players have scoured for countless collective hours. In the age of data-mining, it asks: Why are we still fixated on the possibility that within old video games might lie the unknown?

Track 5, “Drowned Town (Wet-Dry World)”, illuminated this very fixation last year as it amassed YouTube listens in the six-figures, amongst a rising online interest in “liminal spaces” and iceberg memes - eerie flipsides of familiar spaces and media. “Drowned Town” exemplifies Jim Nopédie’s masterful blend of the familiar and the new; its impact is testament to the evocative, digi-folkloric power of these sounds, and the growing fascination they engender.

But where previous album ‘Minus Worlds’ used the cartoonish, bright MIDI palettes of say, Super Mario World, ‘Another Childhood’ is more akin to the mythic, obscure landscapes of Myst. “Hell Valley Sky Trees” blurs the glimmering outer-space palette of Super Mario Galaxy into murky, spectral shapes. “The Far Lands” calls to mind C418’s iconic Minecraft soundtrack stretched and distorted into strange cries. And the enigmatic ending of “Reviving Aerith” depicts a transition between death and life.

What has remained is Jim’s unusual gift for intensely visual, transportive music - these are ten dark worlds to once again get lost in, resplendent with the modern ambient touches of Tim Hecker and OPN. At a time when we’re more inescapably virtual and nostalgic than ever before, 'Another Childhood' offers a vitally alternative perspective: on the knowability of virtual spaces, on our nostalgic memories, on what being a child was really like. 

--
All music by James Gales
Artwork by Elias Toner (https://instagram.com/doggonoid.draw)
Mastered by Angel Marcloid @ Angel Hair Audio (https://angelhairaudio.com)
Liner notes edited by Kim Ho
Special thanks: Josh, Albert, Monti

--
https://jimnopedie.bandcamp.com/
https://www.instagram.com/jimnopedie/
https://twitter.com/jimnopedie
https://www.facebook.com/JimNopedie/

The Far Lands

Track 8 from ANOTHER CHILDHOOD. Buy/hear the new album right now:
jimnopedie.bandcamp.com/ 👻

--
Another Childhood... but not the simple one we might yearn for, or be told to yearn for, amidst our contemporary obsession with returning to the past. On his sophomore album following 2020’s acclaimed ‘Minus Worlds’, Jim Nopédie challenges nostalgia culture’s halcyon depiction of childhood, and retro video gaming, in favour of something more intriguing, more eerily undefined.

The album plays as a series of vignettes depicting video game urban legends both real and imagined - hidden locations (and beings) within game spaces which players have scoured for countless collective hours. In the age of data-mining, it asks: Why are we still fixated on the possibility that within old video games might lie the unknown?

Track 5, “Drowned Town (Wet-Dry World)”, illuminated this very fixation last year as it amassed YouTube listens in the six-figures, amongst a rising online interest in “liminal spaces” and iceberg memes - eerie flipsides of familiar spaces and media. “Drowned Town” exemplifies Jim Nopédie’s masterful blend of the familiar and the new; its impact is testament to the evocative, digi-folkloric power of these sounds, and the growing fascination they engender.

But where previous album ‘Minus Worlds’ used the cartoonish, bright MIDI palettes of say, Super Mario World, ‘Another Childhood’ is more akin to the mythic, obscure landscapes of Myst. “Hell Valley Sky Trees” blurs the glimmering outer-space palette of Super Mario Galaxy into murky, spectral shapes. “The Far Lands” calls to mind C418’s iconic Minecraft soundtrack stretched and distorted into strange cries. And the enigmatic ending of “Reviving Aerith” depicts a transition between death and life.

What has remained is Jim’s unusual gift for intensely visual, transportive music - these are ten dark worlds to once again get lost in, resplendent with the modern ambient touches of Tim Hecker and OPN. At a time when we’re more inescapably virtual and nostalgic than ever before, 'Another Childhood' offers a vitally alternative perspective: on the knowability of virtual spaces, on our nostalgic memories, on what being a child was really like.

--
All music by James Gales
Artwork by Elias Toner (instagram.com/doggonoid.draw)
Mastered by Angel Marcloid @ Angel Hair Audio (angelhairaudio.com)
Liner notes edited by Kim Ho
Special thanks: Josh, Albert, Monti

--
jimnopedie.bandcamp.com/
www.instagram.com/jimnopedie/
twitter.com/jimnopedie
www.facebook.com/JimNopedie/

Gyroid Face

Track 10 from ANOTHER CHILDHOOD. Buy/hear the new album right now:
https://jimnopedie.bandcamp.com/ 👻

--
Another Childhood... but not the simple one we might yearn for, or be told to yearn for, amidst our contemporary obsession with returning to the past. On his sophomore album following 2020’s acclaimed ‘Minus Worlds’, Jim Nopédie challenges nostalgia culture’s halcyon depiction of childhood, and retro video gaming, in favour of something more intriguing, more eerily undefined.

The album plays as a series of vignettes depicting video game urban legends both real and imagined - hidden locations (and beings) within game spaces which players have scoured for countless collective hours. In the age of data-mining, it asks: Why are we still fixated on the possibility that within old video games might lie the unknown?

Track 5, “Drowned Town (Wet-Dry World)”, illuminated this very fixation last year as it amassed YouTube listens in the six-figures, amongst a rising online interest in “liminal spaces” and iceberg memes - eerie flipsides of familiar spaces and media. “Drowned Town” exemplifies Jim Nopédie’s masterful blend of the familiar and the new; its impact is testament to the evocative, digi-folkloric power of these sounds, and the growing fascination they engender.

But where previous album ‘Minus Worlds’ used the cartoonish, bright MIDI palettes of say, Super Mario World, ‘Another Childhood’ is more akin to the mythic, obscure landscapes of Myst. “Hell Valley Sky Trees” blurs the glimmering outer-space palette of Super Mario Galaxy into murky, spectral shapes. “The Far Lands” calls to mind C418’s iconic Minecraft soundtrack stretched and distorted into strange cries. And the enigmatic ending of “Reviving Aerith” depicts a transition between death and life.

What has remained is Jim’s unusual gift for intensely visual, transportive music - these are ten dark worlds to once again get lost in, resplendent with the modern ambient touches of Tim Hecker and OPN. At a time when we’re more inescapably virtual and nostalgic than ever before, 'Another Childhood' offers a vitally alternative perspective: on the knowability of virtual spaces, on our nostalgic memories, on what being a child was really like. 

--
All music by James Gales
Artwork by Elias Toner (https://instagram.com/doggonoid.draw)
Mastered by Angel Marcloid @ Angel Hair Audio (https://angelhairaudio.com)
Liner notes edited by Kim Ho
Special thanks: Josh, Albert, Monti

--
https://jimnopedie.bandcamp.com/
https://www.instagram.com/jimnopedie/
https://twitter.com/jimnopedie
https://www.facebook.com/JimNopedie/

Reviving Aerith

Track 9 from ANOTHER CHILDHOOD. Buy/hear the new album right now:
https://jimnopedie.bandcamp.com/ 👻

--
Another Childhood... but not the simple one we might yearn for, or be told to yearn for, amidst our contemporary obsession with returning to the past. On his sophomore album following 2020’s acclaimed ‘Minus Worlds’, Jim Nopédie challenges nostalgia culture’s halcyon depiction of childhood, and retro video gaming, in favour of something more intriguing, more eerily undefined.

The album plays as a series of vignettes depicting video game urban legends both real and imagined - hidden locations (and beings) within game spaces which players have scoured for countless collective hours. In the age of data-mining, it asks: Why are we still fixated on the possibility that within old video games might lie the unknown?

Track 5, “Drowned Town (Wet-Dry World)”, illuminated this very fixation last year as it amassed YouTube listens in the six-figures, amongst a rising online interest in “liminal spaces” and iceberg memes - eerie flipsides of familiar spaces and media. “Drowned Town” exemplifies Jim Nopédie’s masterful blend of the familiar and the new; its impact is testament to the evocative, digi-folkloric power of these sounds, and the growing fascination they engender.

But where previous album ‘Minus Worlds’ used the cartoonish, bright MIDI palettes of say, Super Mario World, ‘Another Childhood’ is more akin to the mythic, obscure landscapes of Myst. “Hell Valley Sky Trees” blurs the glimmering outer-space palette of Super Mario Galaxy into murky, spectral shapes. “The Far Lands” calls to mind C418’s iconic Minecraft soundtrack stretched and distorted into strange cries. And the enigmatic ending of “Reviving Aerith” depicts a transition between death and life.

What has remained is Jim’s unusual gift for intensely visual, transportive music - these are ten dark worlds to once again get lost in, resplendent with the modern ambient touches of Tim Hecker and OPN. At a time when we’re more inescapably virtual and nostalgic than ever before, 'Another Childhood' offers a vitally alternative perspective: on the knowability of virtual spaces, on our nostalgic memories, on what being a child was really like. 

--
All music by James Gales
Artwork by Elias Toner (https://instagram.com/doggonoid.draw)
Mastered by Angel Marcloid @ Angel Hair Audio (https://angelhairaudio.com)
Liner notes edited by Kim Ho
Special thanks: Josh, Albert, Monti

--
https://jimnopedie.bandcamp.com/
https://www.instagram.com/jimnopedie/
https://twitter.com/jimnopedie
https://www.facebook.com/JimNopedie/

Seventeenth Colossus

Fire-Toolz remix of "Gyroid Face" from ANOTHER CHILDHOOD.
https://jimnopedie.bandcamp.com/ 👻
https://fire-toolz.bandcamp.com/ 🔥🛠 @fire-toolz

--
Another Childhood... but not the simple one we might yearn for, or be told to yearn for, amidst our contemporary obsession with returning to the past. On his sophomore album following 2020’s acclaimed ‘Minus Worlds’, Jim Nopédie challenges nostalgia culture’s halcyon depiction of childhood, and retro video gaming, in favour of something more intriguing, more eerily undefined.

The album plays as a series of vignettes depicting video game urban legends both real and imagined - hidden locations (and beings) within game spaces which players have scoured for countless collective hours. In the age of data-mining, it asks: Why are we still fixated on the possibility that within old video games might lie the unknown?

Track 5, “Drowned Town (Wet-Dry World)”, illuminated this very fixation last year as it amassed YouTube listens in the six-figures, amongst a rising online interest in “liminal spaces” and iceberg memes - eerie flipsides of familiar spaces and media. “Drowned Town” exemplifies Jim Nopédie’s masterful blend of the familiar and the new; its impact is testament to the evocative, digi-folkloric power of these sounds, and the growing fascination they engender.

But where previous album ‘Minus Worlds’ used the cartoonish, bright MIDI palettes of say, Super Mario World, ‘Another Childhood’ is more akin to the mythic, obscure landscapes of Myst. “Hell Valley Sky Trees” blurs the glimmering outer-space palette of Super Mario Galaxy into murky, spectral shapes. “The Far Lands” calls to mind C418’s iconic Minecraft soundtrack stretched and distorted into strange cries. And the enigmatic ending of “Reviving Aerith” depicts a transition between death and life.

What has remained is Jim’s unusual gift for intensely visual, transportive music - these are ten dark worlds to once again get lost in, resplendent with the modern ambient touches of Tim Hecker and OPN. At a time when we’re more inescapably virtual and nostalgic than ever before, 'Another Childhood' offers a vitally alternative perspective: on the knowability of virtual spaces, on our nostalgic memories, on what being a child was really like. 

--
Remix by Fire-Toolz
All original music by James Gales
Artwork by Elias Toner (https://instagram.com/doggonoid.draw)
Mastered by Angel Marcloid @ Angel Hair Audio (https://angelhairaudio.com)
Liner notes edited by Kim Ho
Special thanks: Josh, Albert, Monti

--
Jim Nopédie:
https://jimnopedie.bandcamp.com/
https://www.instagram.com/jimnopedie/
https://twitter.com/jimnopedie
https://soundcloud.com/jimnopedie
https://www.facebook.com/JimNopedie/

~ Fire-Toolz ~
🐱 Twitter: http://www.twitter.com/fire_toolz
🐱 Instagram: http://www.instagram.com/fire_toolz
🐱 Bandcamp: http://fire-toolz.bandcamp.com
🐱 Bandcamp 2: http://fire-toolz-other.bandcamp.com
🐱 Official Site: http://www.fire-toolz.com
🐱 Facebook: http://www.facebook.com/firetoolz420
🐱 Subreddit: https://www.reddit.com/r/Fire_Toolz/
🐱 Spotify: https://spoti.fi/2KSgDyV
🐱 Soundcloud: https://soundcloud.com/fire-toolz

Gyroid Face (Fire-Toolz Remix)

'rube goldberg' from my new mini-album KEEP IT ROLLING, out now on @infloresce ⛳
🚂 http://jimnopedie.bandcamp.com 🧶

An album about marbles, trains, rivers, time, and everything else that rolls.

Thanks for listening. Keep It Rolling!
-Jim Nopédie

---
All music by James Gales
Artwork by Lolita Chiong [https://twitter.com/lolitachiong]
Mastered by aivi & surasshu
Released on Infloresce Records [http://infloresce.com]

rube goldberg

'places are smaller than you remember' from my new mini-album KEEP IT ROLLING, out now on @infloresce ⛳
🚂 jimnopedie.bandcamp.com 🧶

An album about marbles, trains, rivers, time, and everything else that rolls.

Thanks for listening. Keep It Rolling!
-Jim Nopédie

---
All music by James Gales
Artwork by Lolita Chiong [twitter.com/lolitachiong]
Mastered by aivi & surasshu
Released on Infloresce Records [infloresce.com]

places are smaller than you remember

'now is now' from my new mini-album KEEP IT ROLLING, out now on @infloresce ⛳
🚂 jimnopedie.bandcamp.com 🧶

An album about marbles, trains, rivers, time, and everything else that rolls.

Thanks for listening. Keep It Rolling!
-Jim Nopédie

---
All music by James Gales
Artwork by Lolita Chiong [twitter.com/lolitachiong]
Mastered by aivi & surasshu
Released on Infloresce Records [infloresce.com]

now is now

'eventually is eventually' from my new mini-album KEEP IT ROLLING, out now on @infloresce ⛳
🚂 jimnopedie.bandcamp.com 🧶

An album about marbles, trains, rivers, time, and everything else that rolls.

Thanks for listening. Keep It Rolling!
-Jim Nopédie

---
All music by James Gales
Artwork by Lolita Chiong [twitter.com/lolitachiong]
Mastered by aivi & surasshu
Released on Infloresce Records [infloresce.com]

eventually is eventually

Music by Jim Nopédie. Support me on Bandcamp!
http://jimnopedie.bandcamp.com/

Full soundtrack playlist: https://soundcloud.com/jimnopedie/sets/super-monkey-ball-invasion-ost
SMB Invasion Trailer + D/L: https://youtu.be/oznX-HkgYMA

Super Monkey Ball Invasion is a Monkey Ball ROMhack by scrap651 featuring 100 new levels, 10 new world backdrops & an original soundtrack by Jim Nopédie. Play it using a Gamecube emulator!

--
https://jimnopedie.bandcamp.com/
https://soundcloud.com/jimnopedie
https://twitter.com/JimNopedie
https://www.instagram.com/jimnopedie/
https://www.facebook.com/JimNopedie/

World 1 “Rejoin” (Super Monkey Ball Invasion OST)

World 10 “Tall Grass” (Super Monkey Ball Invasion OST)

World 2 “Quiet Stairwell” (Super Monkey Ball Invasion OST)

World 3 “Rainforest Bldg” (Super Monkey Ball Invasion OST)

World 4 “Busterblader” (Super Monkey Ball Invasion OST)

World 5 “Skies Above” (Super Monkey Ball Invasion OST)

World 6 “Lava Experiment” (Super Monkey Ball Invasion OST)

World 7 “Eternal River” (Super Monkey Ball Invasion OST)

World 8 “Meteor Fair” (Super Monkey Ball Invasion OST)

World 9 “Sunken Lab” (Super Monkey Ball Invasion OST)

World -8 from 'MINUS WORLDS', out now:
https://jimnopedie.bandcamp.com/album/minus-worlds

Art by Elias Toner // https://www.instagram.com/perristoteles_trismegistus/

Exotic Volcano

World -7 from 'MINUS WORLDS', out now:
https://jimnopedie.bandcamp.com/album/minus-worlds

Art by Elias Toner // https://www.instagram.com/perristoteles_trismegistus/

Skybox Sky

World -5 from 'MINUS WORLDS', out now:
https://jimnopedie.bandcamp.com/album/minus-worlds

Art by Elias Toner // https://www.instagram.com/perristoteles_trismegistus/

La Casino Engloutie

World -4 from 'MINUS WORLDS', out now:
https://jimnopedie.bandcamp.com/album/minus-worlds

Art by Elias Toner // https://www.instagram.com/perristoteles_trismegistus/

Brash Beach

World -1 from 'MINUS WORLDS', out now:
https://jimnopedie.bandcamp.com/album/minus-worlds

Art by Elias Toner // https://www.instagram.com/perristoteles_trismegistus/

First Forest

My new album ANOTHER CHILDHOOD, including 'Wet-Dry World' and other songs inspired by videogame urban legends, is out now:
https://jimnopedie.bandcamp.com/

Drowned Town (Wet-Dry World)

from the new album ANOTHER CHILDHOOD, coming Oct 7th:
https://jimnopedie.bandcamp.com/

Piano recording engineered by Jem Hoppe

YT link: https://youtu.be/SZ5O0LQjy2k

Hell Valley Sky Trees

Founder of the Skybox Technique / enjoyer of marbles, dominoes, pinwheels, strings, levers, weights & pulleys, etc

'KEEP IT ROLLING' out now via @infloresce
https://jimnopedie.bandcamp.com/ :)

Jim Nopédie

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