Where can the sheet music to this be found?

Hi Jim - I have been meaning to touch base after hearing these - they are simply fantastic!!

Best interpretation of life on orher plaets as well as@ours

It's been a while since I've done an overdub so I knew the next one had to be powerful...

In the Star Wars films I've always been fascinated by how Anakin Skywalker becomes Darth Vader. How does someone with such promise  have his sense of purpose so terribly twisted and misguided? How does he end up destroying everyone he loves and facing his beloved friend and mentor as an enemy?

I've always felt in many ways the music of John Williams tells these dramas better than the films. This trombone choir arrangement and overdub I did is a little suite I call "Lord Vader is Forged," It's a combination of "Anakin's Dark Deeds" (transcribed by ear by my good friend Shawn Standing) which goes attacca into "Battle of the Heroes." 

This is the music that accompanies the build up to, and ensuing light saber battle between Anakin and Obi Wan in "Revenge of the Sith" which ends with Anakin defeated and Lord Vader rising from the molten fires...

I especially find potent the transformation of the opening melody in the first minute, dark and round as it journeys towards rage and anger, unleashing fury.

I think I finally have an overdub to give "Duel of the Fates" a run for it's money...

Lord Vader is Forged

This is my overdub of my arrangement of "The Immolation Scene" from Star Wars: Revenge of the Sith.

This is the aftermath of "Lord Vader is Forged"...the fiery defeat of Anakin at Obi-Wan's hands. Incredibly dark and searing music as hubris and ego meets it's downfall...

On a personal note, I dedicate this to Jon Whitaker and my friends at the University of Alabama for hosting me in an incredible weekend of great music making!! More to come!!!!

The Immolation Scene

An original piece inspired by Halo Infinite!

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Duel of the Fates - Star Wars Epic Collection

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Here's my latest trombone choir arrangement and overdub: "Anakin's Dark Deeds" from Star Wars "Revenge of the Sith" composed by John Williams.

It begins with the music which sets the scene after Anakin has slaughtered all the Jedi younglings and the lamenting aftermath. This quickly gives way to the brutal violence that ensues as Anakin destroys all the figures standing politically in the way of the Emperor, clearing the path for the Empire to take complete control.

The brilliant interplay between the low incessant voices pushing harshly forward and the bright soaring dissonances in the extreme high register show Darth Vader at his most unhinged and barbaric. 

After the blazing G minor climax, the slow lamenting funeral march starts and gains momentum until finally the ringing D minor climax shows Vader, bathed in his own hubris waiting a top a mountain of fire, waiting to destroy the one person left in his way, his once friend, brother and mentor: Obi Wan Kenobi.

(Some of you may recognize the second half of this recording as the intro to my "Lord Vader is Forged" overdub. This recording is how the music is presented in the original soundtrack to "Revenge of the Sith". I thought it was more potent this way!)

Anakin's Dark Deeds

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The text of this motet emphasizes redemption and healing through penance. The motet was most likely first performed at St. Mark’s Cathedral in Venice, in a Mass of thanksgiving for the passing of the plague of 1575-77.  It calls for three distinct choirs, two vocal and one instrumental. In this arrangement, all three choirs are made up of brass instruments. The two original vocal choirs now use more mellow sounding brass instruments such as horn, flugelhorn and euphonium. The third original instrumental choir uses more edgy sounding brass instruments such as trumpet and trombone. In keeping with the practice of the time, an organ is used for the continuo part.

This music is a wonderful example of the “colossal baroque” style. The layout of St. Mark’s cathedral lends itself to answering and echoing choirs, sounding from different locations in the building. The huge volume of the building enhances and embraces massive musical sound. Gabrieli explored this to the full!

Text:

Bless the Lord in the congregation. 
Alleluia.
In every region of his power, may my soul bless the Lord, 
Alleluia.
In God is my salvation and my glory.
The Lord is my aid, and my hope is in God. 
Alleluia.
Our God, we call upon you, we adore you; liberate us, revive us. 
Alleluia.
God, our Helper forever. 
Alleluia.     

In ecclesiis

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A clean extract of For Honor's newest face -off theme added in Season 7

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Okay...time to kick this Star Wars thing into overdrive. BIG TIME

Here's my overdub of my arrangement of Duel of the Fates from Star Wars Ep.1.

There's nothing to say. Let the music and the playing do the talking.

Duel of the Fates

James Nova joined the Grammy award-winning Pittsburgh Symphony Orchestra in 2009 as second/utility trombone. In 2012, Nova made his solo debut with the PSO, performing Henri Tomasi’s Concerto for Trombone and Orchestra. Prior to that, he was a member of the Utah Symphony Orchestra where he served eight seasons as assistant principal/second trombone. 
 
Since 2012, James Nova has found a new passion in multitrack recording, also known as "overdubbing." Overdubbing is a process by which a musician records all the parts of a piece of music one by one and layers the recordings on top of each other to create a full ensemble. Nova has released dozens of stunning and virtuosic tracks of his own challenging arrangements of exciting repertoire for trombone choir. The arrangements employ many different trombones: contra bass, bass, tenor, small tenor, alto, and even soprano trombones!
 
James Nova has had a lifelong love of John Williams’ film scores and in December of 2017, he released a new overdub album for trombone choir, A Fall from Light to Dark. Through the chosen moments of John Williams’ masterful scores, this album musically chronicles the rise and descent of Anakin Skywalker as he transforms into Darth Vader. Truly a one-man show, this album’s transcriptions, playing, recording, editing, mixing, and mastering were all done by Nova himself.

James Nova has always been passionate about music education. When not on stage at Heinz Hall with the Pittsburgh Symphony, he can be found at the Mary Pappert School of Music at Duquesne University where he is adjunct trombone faculty, as well as the brass coach of the Three Rivers Young Peoples Orchestras. Given their widespread popularity, Nova’s recordings are playing an impactful role in inspiring the next generation of musicians and budding recording artists and he is frequently invited to teach outside the region. Since 2012, he has completed more than 85 visits to prominent festivals (such as the International Trombone Festival, American Trombone Workshop, and the Korea Trombone Festival, among others) and reputable educational institutions (such as the Curtis Institute of Music, Juilliard School of Music, and New England Conservatory, among others) as the featured artist and educator in concerts, masterclasses, and clinics.

James Nova studied with Glenn Dodson at the Curtis Institute of Music followed by study with Norman Bolter at the New England Conservatory of Music. While in Boston, Nova played regularly with the Boston Symphony Orchestra and the Boston Pops Orchestra, including recordings and television broadcasts as both principal and second trombone. 

James Nova is an S.E. Shires Artist and performs on his signature line of Greg Black Mouthpieces.

For more info, visit jimnova.com or hear his recordings at soundcloud.com/jimnova
 

Social media links:
Facebook: https://www.facebook.com/james.nova.3
Instagram: https://www.instagram.com/jimsupernova/ 
YouTube: https://www.youtube.com/channel/UCSNMj7Fm--kyxxXRTYqH00Q

Lord Vader is Forged

jimnova

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