This is super cool. You and Jeff work so well. Excellent post

Collaborative Lightness of Being

REKHA - Lyrics and Vocals
music and lyrics by Rekha Iyern Fe for Socan
Jeff Roberts - Bass and various percussive flavorings, quality control :) 
TexMex Shaman - Arrangement, Guitars, Talkbox, Drum programming and overall production


Intro:
Oo Yeah
Ahn Yeah
Hey Hey
Hey Hey

Give it up Baby
Never say maybe
Cuz' you know
It makes me
Totally crazy
And

You want
To give me
All of your love
You know it's true
You do me so
You do me so good
Baby I need
Your love

Give it up, Baby
Never say maybe
Cuz' you know it
Makes me feel
Totally, crazy good-good
Oh, Yeah-Yeah

You know you want to
Give me, your love, love, love
It always, makes me feel
So good, good, good
You touch my woman

Ahn, Eh
Hey, Hey
Hey-Hey
Hahn, Oh
Ho, Ho, Oh

Babe, I need
Your good love
Your man-man in my
Woman-hood
Oo-Oo-Yeah

Give it Up (Badass)

YouTube

Give it Up (Badass) - with REKHA and Jeff Roberts

“Just a Boy” is a haunting indie-blues track by Three Photons, crafted in response to a tragic local event. With raw vocals, analog warmth, and soulful instrumentation—including Jeff Roberts on bass and Andrew Borderick on B3 organ—the song captures the ache of senseless loss and the fragility of youth. Mixed with precision and emotional care, it stands as a sonic memorial: intimate, reflective, and deeply human.

A big thank you to Jeff Roberts and Andrew Borderick for playing on....."Just a Boy".

This sad and devastating local story has been on my mind for a long time.... I'm reminded about this tragedy nearly everyday as I run along the Mississippi Blvd and see the memorial. 

------------------------------------------------------------------------------------------

Just A Boy
Written by TJG August-September, 2021


Thank you to Jeff Roberts (@jeff_roberts)for his catchy bass guitar work!
Thank you to Andrew Borderick (@andrew-borderick)for the fantastic B3! 
Thanks to Rene (@para-lia) for feedback on an early draft - always appreciate that. 

----------------------------------------------------------------------------------------------------
Mix 1: September 23, 2021
Mix 2: November 9, 2021
Thanks to Eddie Cilettie for departing some of his wisdom about mixing ;-)

Verse 1
You move like a summer breeze
There's whistling in the trees
You're always on my mind
You were just a boy
Don't leave me alone

Refrain 1 - instrumental and hum

Verse 2
You know I hate Christmas Eve
It brings me to my knees 
You're always on my mind
You were just a boy
You were just a boy

Refrain
How they took your life
What a senseless crime

Verse 3
You said you were going for a ride
But I didn't say goodbye
You're always on my mind
Don't leave me alone!

Refrain
Well they took your life 
by surprise
Such a senseless crime
Such a senseless crime

Verse4
And After all this time
I can't heal
and baby sometimes I can't feel....

Refrain
Yeah they took your life
Yeah they took your life
Such a senseless crime
Such a senseless crime
How they took your life
How they took your life
Such a senseless crime
Such a senseless crime
How they took your life

outro
You move like the summer breeze
and I hear you whistling in the trees....

Just a boy (ft. Jeff Roberts and Andrew Borderick)

Our Carpe Diem ~Gaz Brownie & Jeff Roberts

Based on one of my poems..... and introducing a bass guitar. Outside the comfort zone, but it's the place to be....

Dunes in June in marron grass
Oil rigs float and tankers pass
A picnic blanket dragged to where we eat 
While red ants feast on Sandalled feet
 
Tide races where lugworm cast
Carving channels slick and fast
The moat is flooded the castle breached
The children's ball carries out of reach 
 
Backs are red; shoulders blistered 
Sun and wind and sand assisted
A strandline zig zags seagulls poke and pry
Seeking a bounty with ever hungry eyes 
 
The tide that flows and ebbs away
Turns to surge another day
Finds the stranger on the shore
And cover tracks they made before
 
The tide that flows and ebbs away 
Turns to surge another day 
And in the evening dark serene
Recedes and wipes the whole beach clean

Demo

Beach Song

Before it gets too late - Acoustic

Living Thing

'Why Does' Written by Roni Kaspi 

Drums, Vocals, Production and Editing - Roni Kaspi
Keys - Oxy 
Bass - Noe Berne
Instrumental tracks recorded at Krispy Studios
Mixed by Mathieu Pion 
Mastered by Pierre-Emmanuel Meriaud

Picture taken by Amit Selickter

Why Does - Roni Kaspi

‘Just a Little’ is a collaboration between NI songwriters Rory Nellis & Kris Marsden. Engineered & produced by Kris Marsden in his lo-fi studio, where he’s recording the third Kippysmuse album.
Drums by Stephen Leacock (General Fiasco, Nathan
Connolly).
Mixed & mastered by Phillip Watts d'Alton.

Just A Little

Newborn Adult - Generation Feral

Nothing Quite Like It

Written In response to *that* gesture. There are many ways to interpret it, none of which are healthy.....
Written in a cafe, originally intended as a spoken word peice, but also put to music the following day

Not Waving Or Drowning

My friends in Igloo Hearts had a songwriting prompt in their blog. Write a song about something someone said to you… a good opportunity for something deep and meaningful, but au contraire….
Well I’ve had lots of things said to me, profound, flippant, deep, welcome, unwelcome, but this one has stuck for nearly half a century.
A school friend was at home pottering about. Unbeknown to him, his zipper was undone on his kecks. He only found out when his dad sidled up to him.
“Stephen,” he whispered
“Yeah?”
“Have you ever seen a dead budgie fall out of its cage?”, he muttered, and wandered off.
It took a good five minutes to twig.
I remember this being recounted, vividly. It has become my favourite euphemism; it’s up there with “What’s up, Sooty? (That’s for another day)
Didn’t think I’d ever get it into a song. Same day of the brief, I wrote this in about ten minutes whilst in bed, as a spoken word piece, by lunchtime the next day it had music.
The only way I can describe it is that it’s the musical equivalent of those dreams where you find yourself naked on public transport…..


The Day My Dead Budgie Fell Out Of Its Cage

Tea Bobby 3.wav

Thanks to Jeff Roberts for seeing different possibilities for this song - adding a different rhythm track, keyboard flourishes and a total remix

https://soundcloud.com/jeff_roberts

IN BLACK AND WHITE - Steve Low & Jeff Roberts

I am very proud to present a new version of my song "lost friend" produced by Jeff Roberts. My first transatlantic collaboration :-)
A huge thank you to Jeff who liked my song and suggested me to make his version, a little more rock. 
What an honor and what a pleasure :-) :-) :-)
I advise you to have a look around here to listen to Jeff's beautiful songs  https://soundcloud.com/jeff_roberts

Other versions of this song here:
https://youtu.be/BtiTenKG8WQ
https://soundcloud.com/emmajack/lost-friend-2eme-version

Lost Friend (prod Jeff Roberts)

©Jim Pearson 2013
In the grip of a mid-life crises
Listen to the album on Spotify or listen/download from here... 
http://jimpearson.bandcamp.com/album/work-anxiety-syndrome

This Is How We Have Fun was written in pan-Atlantic collaboration with Jeff Roberts from Charlottesville.

This Is How We Have Fun

Winner of 2024 Liverpool Songwriting Competition with "The Boy With the Red Hat", taken from "Death to Mortality".

People have said that Jim plays guitar like a drummer. He is. In the mid eighties, he toured the Far East, Europe and Tyneside with near-legendary Geordie club band Foxy, before putting down his sticks, opting for a life of obscurity as graphic designer, husband and dad.

In his late thirties with a mid-life-crises looming, he started writing and recording his songs, self-releasing “Some Songs by Jim Pearson” in his fortieth year.

Suddenly, nothing happened, so he continued, and gradually accumulated a niche following of several well-intentioned virtual people, each possessing an uncanny appreciation of music and lyrics, as well as managing to get a handful of plays on BBC 6 music.

Jim is also singer, guitarist, songwriter with niche NW-UK band Scaredycats, who's debut album "Dumb Animals" was pronounced album of the year by Liverpool Sound and Vision in 2017.

Last year, he was a key collaborator and producer with international lockdown supergroup "Nothing On TV".

According to Jim... "You might not agree, but I think I’m getting better at this. I’ve come to terms with the fact that I will never get the global recognition I so clearly deserve, and honestly, I am all the happier for it."

BBC 6 Music's Tom Robinson says... “This is the astonishingly prolific Merseyside songwriter Jim Pearson… you never can be sure what kind of project Jim will come up with next, but you can always be sure it’s gonna be pretty darn good...” (The Tom Robinson Show, January 25th 2020)

Songwriter from Northern England
https://jimpearson.bandcamp.com/
https://open.spotify.com/artist/5R96vnb0ABdaZRMLG4XUNf

Scaredycats
https://scaredycatsuk.bandcamp.com/
https://open.spotify.com/artist/02W2iVwO5b3EIjzspgmS1N

Nothing On TV
https://nothingontv.bandcamp.com/
https://open.spotify.com/artist/07ADDEerdBir7xBgvdYyeo?si=k65U2tPkQuqbd1WFuPQOyA

There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement. If you listen and leave a comment I always try to listen to *your* music when responding! If you follow at random without any feedback I hope you get something out of that too... ; )

This Is How We Have Fun

Jim Pearson

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markjbennett

TexMex Shaman

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