Уххххх.... мать моя женщина, отец мой мужчина!!!)))))

Sorry prefer the composers cut..  :(  Really nice but a teeny weeny bit formulaic

Tracks

Kollektiv Turmstrasse is a Hamburg based duo, for indoors and for open air, for the soul and for the dance floor, for you and for me. They have released on Connaisseur, Diynamic, Cocoon, Ostwind, and have also been working on their own label, Musik Gewinnt Freunde, which they started in 2006. 


Ordinary - [ Kollektiv Turmstrasse ]

Buy on Traxsource

The Black 80s - Move On (Kollektiv Turmstrasse Remix) [Freerange Records] (96Kbps)

A high-gloss, runway-grade House EP built for fashion week afterparties, first-class DJ booths and velvet-rope dancefloors.

Catwalk struts in stilettos made of sub bass and high hats, dripping with syncopated basslines, glittering FX, and vocal drops that whisper in luxury tongue. Think: reptilian chic, champagne-fueled breakdowns, and hooks designed to echo off mirrors in Milan, Paris, or whatever club you think is too exclusive for reality.

Each track is a vignette — a character, a silhouette, a strut.
There’s no need for verses. Just statements. Phrases. Obsessions.
"Be rich, bitch." "Covered in gold." "Shameless."
They hit like perfume ads from another dimension.


Covered in Gold (House Mix)


Coma - Lora "Robag's Fandara Qualc NB
Kompakt Rec. 2015

www.kompakt.fm/releases/lora
www.facebook.com/comacologne
www.facebook.com/robagwruhme


Beatport

Coma - Lora   Robag´s Fandara Qualv NB

http://techdeephouse.com/

Todd Terje - Snooze 4 Love (Dixon Remix)

Timo Maas & James Teej have worked frequently together in the past, and their chemistry is highly audible within their re-envisioned version of "Porcelain." Ensuring the original's aesthetic is kept in place, they season its signature piano chords and dissonant synths with a throbbing bass-line and eclectic percussion. These subtle, yet crucial elements make "Porcelain" adaptable to the after hours dance-floor, hypnotizing listeners as it gently rolls along.

Porcelain Remixes

Premiere: Moby - Porcelain (Timo Maas & James Teej's Broken China Dub)

In the digital age, the compilation has lost much of it’s former glory. Not too long ago it was an indespensable format for the music-lover. Was it brilliantly compiled and telling a special story, the compilation was a significant gain as a particularly successful artist album. 

In recent times, the compilation has been cheapened with generic ’Ibiza’ and ’Miami’ labelling as the genre compilation all but dissapeared from the scene. 

This brought DJ T. to an idea, to create an homage to this nearly extinct format. As vol. 1 of the project is supposed to be a highly visible counterpoint to the ubiquitous, mostly House and Techno-stocked season sets and theme compilations, his choice fell on Disco; one of the oldest species in club music. Disco is currently experiencing a sort of rennaissance, with many young, and until recently, completely unknown artists and labels carrying the heritage on by working with new and contemporary definitions. 

Naturally limited by the selection of works available digitally, DJ T. chose a very personal array of 43 tracks to give the connoisseur an overview of the newest branches in the Disco-tree and to cover as many diverse genres the last three decades have seen. 

As the ’cherry on top’, the compilation contains a handfull of exclusive and unreleased tracks, including two new edits of the old DJ T. classics ’Philly’ &amp; ’Funk On You’. Catz ’N Dogz appear with a remix of ’Dis’, the big hit of his second album. DJ T. also put his hands on one of his favourite classics ’Around The House’, one of the early works of the Hamburg-Disco-King Tensnake. In addition there are two unreleased tracks from the two mexican artists Robbie Akabal &amp; Muan and Damian Uzabiaga. 

Enjoy!

Tensnake - Around The House (DJ T.'s 2011 Edit)

Rework on Ressurrection by The Temper Trap

Tennis - The Temper Resurrection

Ian Pooley - CompuRhythm (Dixon 's 4/4 Treatment)

Khan Feat. Julee Cruise - Say Goodbye (LoSoul "She's Homeless" Mix)

Guy J & Sahar Z - 7.11 (Bedrock)

Guy J - We do it best

Jimpster - These Times (Dixon Refix)
Out now

These Times (Dixon Refix) Preview Clip

BP - Inpirado por Usted (Guy J mix)

Guy J - Twenty 11

Sikztah - Starscape // FREE DOWNLOAD

Out on Deafness Records Netlabel!
www.sikztah.com
http://deafnessrecords.tumblr.com
http://facebook.com/deafnessrecords

VA - 10 Years Of Deafness Records / The Compilation

Label: Deafness Records ‎– DFNSS044
Format: 40×File - Free Download (zip)
Country: Hungary
Released: 2018
Genre: Electronic
Style: Techno, Tech-house, Deep house, Acid, Electro, Experimental

DOWNLOAD: https://www.dropbox.com/scl/fi/szevj8j3rwqgvtfjtadtr/VA_-_10_YEARS_OF_DEAFNESS_RECORDS_-_THE_COMPILATION.ZIP?rlkey=b6irf0yrsrwlv94d6s572c1ot&e=1

[DFNSS032] Sikztah - Starscape

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

These Times (Dixon Refix) Preview Clip

Jimpster

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