The first single from new pop artist Jeanie

Killing Me Softly

The Avalanches Cornerstone DJ Set from 2001

Cornerstone Player #27 [Disc 2]

Cornerstone Mix - 01.11.2001

a Van Dyke Parks instrumental song for Silverchair

Van Dyke Parks Instrumental

Written by Matty
Produced by Matty & Frank Dukes

Engineered by Matty
Mastered by Greg Calbi

Artwork by Connor Olthuis

Additional Instrumentation by
Chester Hansen - Bass
Alex Sowinski - Drum Fill

Embarassed

The quintessential mix! I can't stop listening to this mix of world vibes with an electro touch.

Tracklisting

0:00:00 "Carnival Proclamation" - Lord Melody
0:02:14 "Joromi" - Victor Uwaifo
0:04:40 "In A Silent Way" - Miles Davis
0:06:15 "Kojak" Charlie Roots
0:08:16 "Morenas" Lord Kossity
0:09:25 "Riders On The Storm" The Doors
0:11:20 "Tension" Mighty Shadow
0:13:45 "Stool Pidgeon"- Kid Creole and the Coconuts
0:14:24 "Carioca" - Esso Steel Band of Bermuda
0:15:10 “Dancin’ Shoes" – Brother Resistance
0:16:45 "Get that Money" - Ms Thing
0:18:33 "Msimu kwa Msimu" - X plastaz
0:19:55 "Blo" - Blo
0:21:23 "We Are the Africans" Cabana Disco
0:22:38 "Light up the Night" The Brothers Johnson
0:23:55 "Love African Style" Mighty Sparrow
0:25:20 "Rum is Macho" - Mighty Sparrow
0:26:36 "Play You Mas" - Mighty Sparrow
0:27:53 "The Roof is on Fire" - Rock Master Scott & The Dynamic Three
0:28:22  "If You Believe In Having Sex" – 2 Live Crew
0:29:10 "Club Tropicana" - Wham!
0:30:28 (0:27:53 returns)
0:30:50 "Sounds Of Safari" - Jungle Brothers
0:33:09 "Wordy Rappinghood" - Tom Tom Club
0:34:17 "I'll House You" - Jungle Brothers
0:36:00 "Weekend" - Class Action
0:37:02 "Fever" - Lord Kitchner
0:37:50 "Break Down" Arrow
0:39:35 "Dakar Sound" - Black Soul
0:41:10 "Upton Top Ranking" Althea & Donna
0:43:14 "Liquid Horns" -  Vin Gordon
0:43:50 "Sexy Lady" - DJ Maze Feat Marlo Rank's  
0:45:10 back to 43:50
0:45:48 You're so Gangster" - Chromeo
0:46:53 "Drug Ballard" by Eminem
0:48:56 "Casual Friday" Black Leotard Front
0:50:47 "Wanna Be Startin' Somethin'" - Michael Jackson
0:52:32 "Sanmari Adugbo" - Wura Fadaka
0:54:32 "Chutney Time" - Sharlene Boodram
0:56:50 "Go 'Head" - 2UHi!
0:58:45 "Your Life" - Konk
1:00:56 "Beau Mot Plage" - Isolee
1:02:55 "Two Months Off" Underworld
1:06:30 "Jump n' Shout" - Basement Jaxx
1:07:54 "Work" - Denise Belfon
1:09:20 "Revolution 909" - Daft Punk
1:09:27 "Jammin" - Ronnie Richards
1:11:46 "Whatever Gets you Through the Night" John Lennon
1:13:47 "Coconut Woman" - Lyod Price
1:15:39 "Thus Spake Zarathustra" - Richard Strauss
1:15:49 "I just wasn't made for these times" - Beach Boys

Tracklist sources: https://www.facebook.com/theavalanches/posts/482218928484422 (original)
https://pastebin.com/FJVcKpp4?fbclid=IwAR0MLflKxwWlimBgvm-W3mRvd-tY4dzDgRjrzx4zqIZYwHXNJGiFIlg8bS4 (complete, thanks to @SFBM)

www.theavalanches.com

The Avalanches - Brains Party @ St Jeromes (2005)

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m u s i c    4    y o u xxo

h a l l o   o k a y

best listen to c 0:000:000:00  l,
from me to you you xxoxoxox0

f l o a t i n g    i n      s p a c e

J∆ƒƒ∆Ǥ∆ʓ∆ɲI∆ɳ J∆ƒƒ∆Ǥ∆ʓ∆ɲI∆ɳ J∆ƒƒ∆Ǥ∆ʓ∆ɲI∆ɳ J∆ƒƒ∆Ǥ∆ʓ∆ɲI∆ɳ J∆ƒƒ∆Ǥ∆ʓ∆ɲI∆ɳ J∆ƒƒ∆Ǥ∆ʓ∆ɲI∆ɳ J∆ƒƒ∆Ǥ∆ʓ∆ɲI∆ɳ J∆ƒƒ∆Ǥ∆ʓ∆ɲI∆ɳ
l i s t e n    n e t s i l  l i s t e n    n e t s i l  l i s t e n    n e t s i l  l i s t e n    n e t s i l  l i s t e n    n e t s i l  l i s t e n    n e t s i l  l i s t e n    n e t s i l   x0xooxo U

m i e     g o r e n g     h i g h

Daybreak tends to creep up on you. Emerging from starry darkness, the sun wobbles at first but proceeds on its scheduled arc. You can’t help but wonder if it ever looks back in disbelief, or regret.  This feeling of self-reflection—of looking back to see how far you’ve come—is precisely the sentiment of Thawing Dawn, the first solo record from A. Savage, released on Dull Tools.

The songs on Thawing Dawn form a guided tour through the romantic environs of A. Savage’s mirrored mind. While some were written recently, other tunes were penned over the past decade. For one reason or another, these compositions didn’t land with any of Savage’s other groups, and instead are presented now as a distinct collection. Reflecting back, Savage says, “Once I realized I had a small body of work that didn’t fit anywhere else, I started to examine the commonalities: What’s the common denominator of all this and how I can expand on it?”

Savage is best known as the frontman for Parquet Court, a duty split with fellow Texan Austin Brown. Their last record, Human Performance, delved into the emotional wreckage of a broken heart, to critical acclaim.  But with Thawing Dawn, it’s clear that Savage has matured. While assembling the record, he fell in love. Now, for the first time, we hear songs about being on the inside of love. Rather than lamenting the end of a relationship, we hear a voice trying, in the moment, to make sense of love’s mysteries. “Part of this maturity,” he says, “is reflecting on something when it’s happening, not just when it’s gone.” 

Thawing Dawn gives us honesty: We see the artist at home in bed, more singer-songwriter portrait than esoteric statement. Throughout his discography Savage has long abbreviated his first name as a kind of writerly gesture. He says, of the move, “I am an uncivilized member of modern civilization--I’m just a savage.” Like Duchamp’s R. Mutt signature on a urinal, the shortening embodies a mischievous directness, enabling this savage to introduce his slanted honesty into the universe.

“I always like it when records are good representations of communities,” Savage says, and this one succeeds in this regard. These ten songs were recorded between December 2016 and June 2017 by a cast of friends in Jarvis Taveniere’s Thump Studios in Brooklyn. Members of Woods, Ultimate Painting, PC Worship, EZTV, and Psychic TV all lend their talents.  Savage’s voice, once shouted into mosh pits, now glides confidently above its backing band. Thawing Dawn marks the arrival point for Savage as a sensitive and skilled vocalist.  A strain of rural inquiry tinges the soundscape, an ongoing trope in Savage’s writing most powerfully felt on Parkay Quart’s ballad “Uncast Shadow of a Southern Myth.” On this record it is stronger, with a healthy helping of pedal steel guitar, a chorus of female back-up vocals, four familiar chords, and maybe the truth, all layered throughout these songs. Their titles also steer us this way, but don’t fully convey the hidden intricacies. “Buffalo Calf Road Woman” opens the record in a burst of C&W energy.  The staccato pop piano of “Eyeballs” lays crisply beneath a refrain of heartbreak. “Wild Wild Horses” finds him confessing inside a Talk Talk bubble of guitar static and organ. The build-up of “What Do I Do” yields a guitar freak out that Parquet Courts fans will recognize. You could two-step to the swing of “Phantom Limbo.” “Ladies from Houston” is a Leonard Cohen-like ramble through a party scene. Finally, the title track is a suite of three interwoven songs that closes the record in a beautifully cinematic style. 

Throughout, A. Savage delivers one-off lines of razor-sharp observation that will stick in your brain, only to surface when you’re least prepared to handle their insights. When you put your copy of Thawing Dawn on your turntable and drop the needle, you’ll learn what A. Savage has to say about romance in our modern world. Keep your ears open--it’s worth hearing.

- Jack Murphy

A. Savage - Winter In The South

hey soundcloud, another heater coming your way godbless!!!!!!!!!!!!!!!!!!!!!!!!!!

Villain

Jim's Panache

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