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Through the train window the city unfolds like a story without chapters. The Yamanote Line, a perfect loop circling Tokyo, runs from dawn until after midnight—an endless rhythm carrying millions of footsteps through Shibuya, Shinjuku, Ikebukuro, Ueno. Every 59 minutes or so the journey completes itself, only to begin again, clockwise or counter-clockwise, outer circle or inner circle.

Somewhere between Ōsaki and Shinagawa, between the precise intervals of two and four minutes, time begins to dissolve. The city passes by in fragments—neon reflections on glass, the hum of conversations, the quiet presence of strangers who may never meet again. Trains move on the left, just like the cars, as if reminding you that even loops have their own direction.

It is less a commute than a daydream: a meditation on repetition, on lives intersecting for the briefest of moments, on the idea that a circle has no end—only the promise of return.

Yamanote Line

Created with the E-MU Proteus /1 Module using the reverse playback option, additional freeware VSTs + Arturia Minifreak, recorded, mixed/mastered with Cubase 10.5

Reverse Piano

Swimming with Blue Whales

On a Rotating Sphere

www.jjfunhouse.com/catalogue/jj014

All tracks written, played and produced by Hanjo Erkamp (Ende Shneafliet/Doxa Sinistra) at the C. Stein Bedroom Studio, Heiloo and Studio Alte Zielestrasse, Amsterdam, between 1983 and 1988. Remastered by Ruud Lekx at Rude66. All tracks copyright control. Artwork by Jj funhouse. Released by Jj funhouse in 2017 under exclusive license from Trumpett, Den Burg, Texel, The Netherlands. Additional Trumpett reference number for this release: TRUM 0958. www.trumpett.nl, www.jjfunhouse.com

Dr. C. Stein - Selected Works 1983-1988 (JJ014 preview) (Releasedate: 4.11.2017)

Krikor Kouchian - Saudi (GRVTS011)

A - Saudi (Face A)
B - Saudi (Face B)

Limited edition of 80 copies.
Every box has been hand-painted by French typographer Tiphaine Buhot-Launay. Comes with 3 colour postcards. Design by David Coquelin

Buy at Bandcamp

Krikor Kouchian - Saudi

Ultrafog - 'How Those Fires Burned That Are No Longer'
Format: 12", Digital
Release Date: October 26th
Distribution: Rubadub
Artwork: Shy

PURCHASE:
https://www.rubadub.co.uk/records/how-those-fires-burned-that-are-no-longer
https://motionward.bandcamp.com/album/ultrafog-how-those-fires-burned-that-are-no-longer

After two cassette releases for the likes of Tokyo's Solitude Solutions and Barcelona's Angoisse, Motion Ward is delighted to present the debut of Kouhei Fukuzumi's Ultrafog project on the vinyl format. "How Those Fires Burned That Are No Longer" weaves through sliding metal timbres, textured air abstractions and wistful mallet sequences. This record, like all of Kouhei's work, is a take on sound as a representation of memory. Light and translucent, each song aims for a temporal snapshot that will inevitably fade into the well of thoughts and experience.

https://soundcloud.com/ultrafog

www.motionward.com

MW004: Ultrafog, 'How Those Fires Burned That Are No Longer'

Recorded in the hollow body of Deutzer Bridge, Koln, for brass ensemble, electronics, 8-channel sound. For Bruckenmusik 2018. Listen on good speakers.

Acoustic Shadows - brass (Excerpt)

Degradia (2018) is a sound work by Anni Puolakka and Miša Skalskis, originally made for an exhibition of the same name. They were inspired by some old Finnish poems in which vulva plays a central part and becomes a powerful character of its own right. Parts of Degradia are translated and altered lines from these poems, for example, where vulva is likened with a biting dog's jaws and a running wolf's gums.

www.annipuolakka.com
https://soundcloud.com/ang3l_sp1der

Anni Puolakka and Miša Skalskis – Degradia

Nuova Musica Ostinata

Non mi è piaciuto

Side A of "Ode to Mud"
(2019)
Cassette & Digital via .jpeg Artefacts
https://jpegartefacts.bandcamp.com/album/ode-to-mud

Mute Dot
Theme
Fax 1
Fax 2
Eye

Mastered by Joseph Buchan
Artwork by James Vinciguerra

"Ode to Mud" (Side A)

Following on from last year´s set of hallucinatory vignettes for Milan´s Haunter Records on "Jemi" and the dissection of the possible tearjerking sensibilities of self-help twitter bots on 'You'll Always Stay Beautiful' for Bristol´s NoCorner, @Broshuda glides on to casually deliver this glistening and equally heartfelt 7 Inch for Cologne based Imprint RDK Island.

On the A side, a reflection in the half light resonance of evening/dawn envelops the fractal heavily melodic core of 'Face2'. Floating in some ebulliently chilled out existence not that far, but still quite on its own trajectory, from some of Mouse On Mars most absorbing moments. An hypnagogic cityscape, brimming with lives, real and imagined.
On the flipside 'Voices' hypnotic melody-as-dream gives way to a smoldering state of aural unease, borderline anxiety creeping in, an "orchestra" of filtered, fading voices & realities. Gliding as a state unto itself, neither here nor there. This reality's what you make of it.

Bruno Silva (Ondness)

Release: 6th September 2019

Tracklist:
Face2 (5:04)
Voices (5:08)

Broshuda - Face2

B1 from MWT002, 'Dust 22' by Perila

Format: Cassette / Digital
Release Date: 20 December 2019
Artwork: Sasha Zakharenko and Jesse Sappell

Preorder:
https://motionward.bandcamp.com/album/perila-dust-22

https://soundcloud.com/perila

Perila, 'Transient'

Keith Fullerton Whitman inaugurates the Satellite Mix series with Acid Causality, a blend of recordings made in his home in Fort Greene, Brooklyn. 

"Shortly after returning to New York City in October 2018, I began recording a series of extended pieces applying analogue computing concepts to generate fluid, evolving values that were mapped to formal elements (pitch, rhythm, timing, spatialization, filtering, etc.) normally driven by fixed-value sequencing. 

This mix presents edits of a series of four sessions forged between November 11, 2018 and November 27, 2019: First, a suite of Vocoded kick-drums and sample and hold canon melodies run through a sentient resonator network; then a six-voice wavetable canon with requisite acid bassline and pitched-down drums; then a suite for hand-percussion and modeled metallophones; then a high-feedback karplus-strong wash. 

These were immaculately conceived from the tools on hand and the methodologies of Norbert Wiener, Maatrameru, et. al, although stylistic/traceback shout-outs are in order to Stephan Wittwer's score for Fischli and Weiss' Der Rechte Weg (1983), to Mikel Rouse's Quorum (1984), and to Steve Poindexter's Computer Madness (1989)."
—Keith Fullerton Whitman

KEITH FULLERTON WHITMAN, ACID CAUSALITY / SATELLITE MIX 001

DJ Fusiller - Sacrilège Vénération Vol. 1 (GRVTSBZH4)

A - Sacrilège Vénération Vol. 1 (Face A)
B - Sacrilège Vénération Vol. 1 (Face B)

"Arbitrary overlays, lazer beams, failed somersaults, cheeky cuts, hectoliters of red wine, freewheel tributes. At the request of Editions Gravats, DJ Fusiller (aka Fusiller aka the dude behind the insanely successful Tanzprocesz label) presents a 100% French mix for your greastest pleasure. Anti-dancefloor music for blurry emotions."

DJ Fusiller - Sacrilège Vénération Vol. 1 (Extraits)

@caline-with-c

Purchase on Bandcamp >> https://traumgarten.bandcamp.com/track/caline-with-c-faemi-flower

🌐 www.traumgarten.world 🧚‍♂️

Caline with C — Faemi Flower

Tracklist:
Saåad - Giant Mouth
Mind Over Mirrors - Check Your Swing
Brian Case - Sisix
Housewives - Autarky
Byron Westbrook - Heliocentricity
Death And Vanilla - The Dödens Vaniljsas Theme
Tomaga - Futura Grotesk
Lumerians - Track 4
Josiah Steinbrick - (Two Bonangs, Coated Spheres, Piano, Two Synthesizers, Natural Objects)
Co La - Asymmetrical Power
Papivores - The Prisoner’s Dream
Matthias Puech - Juste Avant Le Tourment
Brecht Ameel - Molenbeek / Anderlecht
Mondkopf - Growing

www.vice.com/fr/article/epdpy7/vice-presente-une-certaine-idee-du-glam-rock-et-de-la-critique-musicale

Hands In The Dark 2010-2020 ~ VICE mix

percussion et al.
half of @snackm

: : 2020 : :

February 28 (dj) – ARLYLZA @ Vrij Paleis w/ DJ Drunk On The Spot, Tarè Lachs, Otherr, Miro Bollen

February 15 (perc) – DNK DAYS @ Occii w/ Lucie Nezri, Hannah Kim & Mint Park, Fien

February 13 (perc) – Vrooom 79 @ Klooster Oude Noorden w/ Alan Courtis & Gert-Jan Prins, 3times7

: : 2019 : :

December 18 (dj) – 1010 Festival @ PB301 w/ Toby Kruit, G.E.R.L, Olbos, Michael Kraus, Brine

October 11 (live) – Do Pilots Make Mistakes @ The Chapel w/ Kristján, The Pole, Geier aus Stahl, Snackmachine, Kantarion Sound

September 28 (live) – Dutch Modular Fest @ Besturing w/ Hilde, Titus, Snackmachine, Plaguebearers, Brine

August 14 (dj) – Off Center @ Operator Radio w/ Val Clipp

July 26 (live) –  Bunkerexpositie 38 @ De Waterkant w/ Gökay Atabek, Daniel Maalman

June 7 (dj) – Kantarion Sound Invites @ The Grey Space w/ Çarrageenan, Új Bála, dogheadsurigeri

May 31 (perc) – Myriads 25 @ Helicopter w/ Grzegorz Marciniak & Abel Fazekas, Chris Corsano

May 30 (perc) – Among Others @ Quartair w/ Edgars Rubenis, Gabriel Praiuk, Ernests Vilsons

May 4 (installation) – Dune Works @ The Celestial Vault w/ Anni Nöps, Robert Coleman

March 29 (perc) – Rewire Festival @ The Grey Space w/ Free Fall Improvisors Orchestra

March 27 (perc) – Sonology Discussion Concert 4 @ Arnold Schoenberzaal w/ František Hruška

March 23 (live) – De Zaentje Opening w/ Snackmachine, Mint Park, Ivan Cuic

March 21 (dj) – Cash's Still Cool @ PB203 w/ Synth Master 2000, Ivan Cuic, Anni Nöps

Feb 23 (dj) – Nightgarden 7 @ Mediamatic w/ Mižu

Feb 17 (perc) – SNLG001 @ Varèsezaal w/ Rae

Jan 26 (dj) – Kantarion Sound Open Dag @ KABK w/ Luca V Gr, Tonda San, Ivan Cuic, Haris Begic

Records/Printed Matter/Events

WWW:
www.jjfunhouse.com
CONTACT:
hello@jjfunhouse.com

Dr. C. Stein - Selected Works 1983-1988 (JJ014 preview) (Releasedate: 4.11.2017)

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