Is there a sample of P. Sanders ‎for the drums? just curious.

지혜

Imgs /r

Through some bracket fuckery, I somehow managed to brute force my way back into the main NGADM bracket after having technically lost in round 1. Because I've been gifted a second chance, I'm pulling out all the stops and going back to a classic style of mine - big, dramatic orchestra with an east-asian flourish. Overdone? Perhaps a little, but I love how it sounds and it's fun to write.

Here's a fun piece of trivia - the solo string instrument in this song could either be a Chinese Erhu or a Japanese Kokyū depending on your imagination, as they're both bowed string instruments and sound nearly identical. In fact, "kokyū" in Japanese can actually refer to any asian bowed string instrument - so you'd technically be correct either way.

Listen on Newgrounds! https://www.newgrounds.com/audio/listen/1475440

Art by NG artist Cantwister: https://www.newgrounds.com/art/view/cantwister/cherry-blossom

Rose Petal

Solo Kurzweil  Fantasy.  Created in Real-Time in my home studio.

Photo by Richard Carr.

Year of Music: October 13, 2025

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

"Only Once Away My Son" by Brian Eno with Kevin Shields

Listen to this track and many others at adultswim.com/singles

Adult Swim Singles 2017

Brian Eno with Kevin Shields - Only Once Away My Son

https://rimetrails.bandcamp.com/album/mend

Mend

Mend IV

Single tapeloop on Tascam MF-P01 Portastudio. Recorded live to Ableton Live.

Det är alldeles för sent

Masahiro Takahashi - Cloud Bed
5th song on 'Omnipresent Windows'
Find it here: http://www.jjfunhouse.com/catalogue/jj017

Omnipresent Windows

Masahiro Takahashi - Cloud Bed (JJ017) (releasedate: 5.11.2018)

from the album ~~~
https://anaroxanne.bandcamp.com/album/-

Ana Roxanne is an intersex Southeast Asian musician based in Los Angeles. Born & raised in the Bay Area to immigrant parents, Ana's love for music and singing began through her mother's cd collection of 80's/90's R&B divas. Raised in the catholic church, she became a devout choir nerd and found any opportunity to sing, whether for religious mass, the jazz ensemble of her catholic high school, or karaoke at family gatherings. Her commitment to singing led her to a brief stint at a vocational jazz program in the cornfields of the midwest; in a remote town of 7,000 people, she began a formal study of jazz and classical music. During these years she would tour with her jazz and chamber ensembles to beautiful old cathedrals in nearby cities and became enamored with the sacredness of choral music, as well as the enveloping sound of harmony. 

A near death experience, too, served as a connection between music and spirituality, and music as a healing art after facing tragedy. 

In 2013, Ana was also fortunate enough to spend a few months in Uttarkhand, India where she met an incredible voice teacher who introduced her to classical Hindustani singing. Living and studying with this teacher deeply impacted her outlook on the voice as art. It was there that she began to see the singer - the Diva - as a symbol of divinity; that the unique power of one's voice comes from the vulnerability of using the body as an instrument. Be it romance, love, or worship of a deity - in order to access such depths of emotional expression, one must be willing to be intensely vulnerable, lay one's heart in the open air, expose what is kept hidden. This brief study was the catalyst that led her to finish her music study at the experimental Mills College in Oakland, CA, where she began to combine all of these influences into her current self-titled project. This album ~~~ was created during her last years residing in the Bay Area, a tribute to the great musicians who inspired her and the landscape where she spent her formative years. 

In addition to the worship of R&B and pop divas, Ana's current practice explores themes of gender & identity. In October of 2018, she decided to come out publicly as intersex, and is dedicated to being a voice for her community and speaking out about social justice for intersex youth.

Ana Roxanne - Nocturne

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

Triptych 4 solo piano.
Recorded at Rattlesnake point. 
Written, performed, recorded by Kara-Lis Coverdale.
Mastering by Jay Hodgson. 
Artwork by Jon Estwards http://bit.ly/R2S2Vv 

Special thanks to EVE, ROB, & NORDY 

Kara-Lis Coverdale - Circles, Apparition

Raw Silk Uncut Wood

Vinyl Edition available now via Second Thoughts Records:
https://secondthoughtsrecords.bandcamp.com/album/music-for-turntable-guitars-sampled-instruments

Recorded and produced by Chuck Blazevic, Summer 2017 - Fall 2019.
Mastered by Stephan Mathieu at Schwebung Mastering.
Graphic Design by Simone at Studio-Noi.
Co-released by Second Thoughts Records and Reliable Effects

Music For Turntable, Guitars & Sampled Instruments

Recurring Afterimage

Light Patterns

Records/Printed Matter/Events

WWW:
www.jjfunhouse.com
CONTACT:
hello@jjfunhouse.com

Masahiro Takahashi - Cloud Bed (JJ017) (releasedate: 5.11.2018)

Jj funhouse

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