Classical Bangers 🎹🎻

Solomon, HWV 67: The Arrival Of The Queen Of Sheba (by George Frideric Handel)

David Loebel conducts the New England Conservatory Symphony in a performance of Rachmaninov's Symphonic Dances. Recorded live in Jordan Hall November 13, 2013 by Jeremy Sarna

Rachmaninov: Symphonic Dances-Non allegro

French Suites 1, 2 & 3

French Suite No. 1 in D minor, BWV 812: III. Sarabande

Kjell Fagéus, clarinet Hans Samuelsson, bassoon Stefan Bojsten, piano (Early recording 1979)
Presto - Andante - Allegretto grazioso


Felix Mendelssohn-Bartoldy Concert Piece nr 2 op. 114

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3. Violin Concerto in D, Op. 61 - Ludwig van Beethoven
	I. Allegro ma non troppo
	II. Larghetto
	III. Rondo (Allegro)

4. The Lark Ascending - Ralph Vaughan Williams  

Produced by Raphaël Mouterde
Executive producer Dave Stapleton

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Beethoven - Violin Concerto In D, Op.61 - II. Larghetto

A recording by the Paris Conservatoire Municipal du Gabriel Fauré's student orchestra at Salle des Fêtes, Mairie du Vème arrondissment, 2013.

Jacques Offenbach: Can Can from ''Orpheus  In The Underworld''

Part of 'Master of Instrumental' radio collection.

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Edvard Grieg - Peer Gynt - Suite No. 1, Op. 46 - III. Anitra S Dance

Hold onto your hats for this one! I More, exciting  slates added to my mosaic of sound. Highly coloured, contrasting blocks and sound overlays.

FRAGMENTUM. For orchestra. From Symphony of Mosaics.

© P. McAleer 2025 all music contained in Fragmentum for orchestra.
© P. McAleer 1st November 2025 this upload.

FRAGMENTUM UPDATE 1st Nov 2025

Classical Collections The Masters, Vol. 5

Suite No.4 In D Major BWV 1096

Edvard Grieg - Suite Holberg, Op 40 - Air (Andante Religioso)

V018-Antonio Vivaldi –  The Four Seasons, Op. 8 - Concerto No. 3 in F Major, RV 293,  (Autumn) I. Ballo e canto de villanelli Allegro

Sergei Prokofiev  Romeo And Juliet Suite No. 2 From The Ballet Op. 64ter (1936)

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
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Erik Satie The Essential Collection

Gymnopédie

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Gymnopédie No.1 - Satie

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Ludwig Van Beethoven - Für Elise (Lucas Fader Remix)

Johannes Brahms - Hungarian Dance Nº 1 In G Minor

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La forza del destino

Requiem in D Minor, K. 626: 7. Agnus Dei

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Johannes Brahms - Hungarian Dance Nº 1 In G Minor

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