2024

Earthgazing is a sound that we've been working on for the past year. It talks about how humans tend to forget how much the Earth provides us, and that we need to take a moment to look at it's beauty. When you look at the Earth from space, you realize that we're all one. Earthgazing is Until We Last's first official release.

Until We Last is a Bangalore based post-rock band that formed in 2011. Originally a one-man bedroom project started by Ketan Bahirat, it evolved into a fully fledged band in December 2012, when Bahirat was joined by Ralston D’souza on drums, Chaithanya Jade on guitars and Paul Dharamraj on bass.

Recording Engineered by Rahul Ranganath
Mixed by Keshav Dhar at Illusion Audio
Mastered by John Webber at AIR Studios, London
Art by Angiras Krishna

Bookings/Contact: Vital Agency | Munbir Chawla +91 99719-43113; munbir@thewildcity.com | Other contact: untilwelast@gmail.com

To Space And Back

Januar

Fensterträume

Mandala

My grandfather once worked on a pilot boat. Although I never met him, every time I see a pilot boat at the ocean, it gives me many different emotions - wanderlust, longing and some kind of a special connection. For this release I recorded my accordion for the first time which recently joined my instrument family.

Lotsenboot (Only Accordion Version)

Lotsenboot

This is the 7th single from Mizu Amane, a side project of Films, a dark fantasy music project formed by the instrumental band Anoice, featuring their cinematic sound alongside two female vocalists with the same name. While Films' songs are sung with their own originally created languages, Mizu Amane features Japanese archaic languages which are no longer spoken.

Just like the previous works from Films and Mizu Amane, Anoice's members took charge of all the production, from composing and recording to mixing and mastering. The sound tapestry braided by the lovely sound of the piano, played by Anoice member, Yuki Murata, and the nostalgic vocal melodies sung by Films, is the world of Mizu Amane.

Mizu Amane also created the synthesizer sounds which imitate Japanese traditional instruments such as Shou, Tsuzumi, and Ekiro, using them to form some of the sounds of this release. The mystical sound of the Shou is a particularly notable feature of this song. This is a masterpiece allowing the listeners to feel a sense of eternity, which is best listened to on a gentle spring day.

miotsukushi

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miotsukushi (Anoice / Mizu Amane 'miotsukushi')

Note on this Study: This piece represents an experiment in extreme polyphonic density. In aiming to capture the chaotic wall of sound found in the dawn chorus (using multiple woodwinds, piano, and string divisions), the accumulation of sustained resonance pushed the Yamaha Genos II keyboard engine (attached to a customised triple felted hammer-action Roland RD600 acting as MIDI master) to its theoretical ceiling. The occasional 'flamming' heard here is not an error of performance, but the sound of the digital engine reaching its absolute event horizon under the weight of attempted texture. 384 note polyphony may seem a lot, but when notes are sustained, your polyphonic budget rapidly disappears. I need a bigger boat.

Study for Hydra Suites - Hydra Sunrise ii

Taken from the forthcoming album - 'Mirror Infinite', coming soon!

Mirror Infinite

State Azure - A Fleeting Glance

Art by Apofiss
http://apofiss.deviantart.com/art/worlds-apart-268784184

Abandoned

Hi,
my name is Joachim Heinrich and I compose my own music.
I'm constantly searching and finding my own note and it's always a great pleasure to share this process with you through my music.

Thanks a lot for listening!

All the best,
Joachim Heinrich

Mandala

Joachim Heinrich

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Annie Smart

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