Magrane - ERA String Quartet - To Diotima Quartet (fragment )

Fragments d'Ausiàs March (2016)
for five male voices and ensemble

[excerpt from the 4th movement, mm. 245/285]

Solistes XXI (Rachid Safir)
Ensemble Intercontemporain 
Matthias Pintscher

Live recording (January 21, 2017: Cité de la Musique-Philharmonie 2, salle de concerts, Paris)

Fragments d'Ausiàs March (2016) [SAMPLE, 4th mov.]

for large orchestra
SWR Sinfonieorchester Baden-Baden und Freiburg
François-Xavier Roth, cond.
Donaueschinger Musiktage 2015

Why so quiet (2014-2015) for large orchestra

String Quartet No. 1 (2014)
Commissioned by Chamber Music America for Argus Quartet

0:00   Movement I - Flowing
4:37    Movement II - Freely
11:10    Movement III - Fierce

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Program Note

String Quartet No. 1 is a bithematic exploration of expressivity in three movements.  The first movement, Flowing, is driven by a gentle back-and-forth arpeggiando gesture that is nearly always present. The two primary themes of the piece are introduced by the violin and viola and are woven throughout a tapestry of arpeggiandos and subtly shifting harmonies.  The second movement, titled Freely, embraces a more inward and reflective mood.  Bookended by solo passages for the violin and cello, both themes are revisited against a backdrop of eerie, swaying chords and rustling tremolos.  Movement three, titled Fierce, unleashes a furious barrage of rhythmic energy that dominates the remainder of the piece as the principal themes are propelled towards a tumultuous, roaring conclusion.

String Quartet No. 1 was commissioned for Argus Quartet by the Chamber Music America Classical Commissioning Program with generous funding provided by The Andrew W. Mellon Foundation and the Chamber Music America Endowment Fund.

String Quartet No. 1

Martin ADÁMEK, Dimitri VASSILAKIS
Pierre Boulez Saal, Berlin
10 September 2018

Berg, Alban - 4 Pieces, Op.5

Ensemble Agamemnon

Una notte onirica

Alice Kamenezky – Soprano
Anaëlle Blanc-Verdin – Violon
François Cardey – Cornet et direction artistique
Sarah Van Oudenhove – Viole de gambe
Louis Capeille – Harpe triple
Ulrik Gaston Larsen – Archiluth
Mathieu Valfré – Orgue et Clavecin

Ingénieure son : Camille Frachet

Enregistré au Musée d'Art et d'Histoire Beurnier-Rossel de Montbéliard.

Francesco Turini - Sonata A 3 (extrait)

Presentació de la programació de l'Hivernacle per la temporada 2019-2020

Una Línea en el Horizonte
- Representación de un mito para soprano y gran ensemble 
sobre una imagen de Manuel Rodeiro - 

25/09/19 CNSMDP , Paris

Director . Daniel Kawka
Soprano . Amélie Raison
Text . Manuel Rodeiro

EOC Ensemble Orchestral Contemporain

Una Línea en el Horizonte

Jesús Noguera Guillén propose une vision intimiste de la musique du Siècle d’or espagnol en interprétant exceptionnellement au clavecin l’œuvre pour clavier d’Antonio de Cabezón, qu'il met doublement en regard avec des fantaisies de Tomás de Santa María jouées au clavicorde, et une œuvre contemporaine inédite composée en hommage à Cabezón par Joan Magrané Figuera (né en 1988).

Antonio de Cabezón - D’où vient cela (Jesús Noguera Guillén, clavecin)

Aquest mes d'octubre us presentem un nou Àudio del mes amb una obra de Joan Magrané, 'Tombeau', interpretada per Roger Morelló

Tombeau (2018) - Roger Morelló

Richard Wagner, Tristan Und Isolde (Vienna State Opera With Christian Thielemann, 2003)

Joan Magrané Figuera (1988-)
composer
Barcelona/Paris

Fragments d'Ausiàs March (2016) [SAMPLE, 4th mov.]

Joan Magrané Figuera

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