REBOLA feat. moyashi mix

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“Serenading You” is a smooth, romantic R&B ballad about spending a special night with the one you love—giving her your full attention, energy, and soul. It’s a soft-spoken promise wrapped in harmonies and warmth, a serenade meant to make her feel seen, safe, and special.

With a laid-back groove and passionate vocals, this track is perfect for date night, bedroom playlists, or slow dancing in the kitchen. If you're a fan of artists like Giveon, Brent Faiyaz, or Tone Stith, you'll feel right at home with this one.

🎧 Featured vibe: R&B Vibes, Chill R&B, Bedroom R&B, Mood Music
🌙 For fans of: slow jams, romantic r&b, modern r&b, and baby making music.

Add it to your late night R&B playlist and let it ride on repeat.

Serenading You (prod. by SauceGodDre)

all i ever wanted [prod. rod xxi]

This ain’t just a song.
It’s that message you almost typed at 1:46am…
Then deleted.
Then wrote again.
Then deleted again.

Do You Hear Me? is what it sounds like when a man drops the pride, drops the front, and just says what’s real.

It’s not about begging.
It’s about finally being honest.

If you’ve ever had someone who saw through you…
Who read your silence like it was screaming…
Who walked away because you couldn’t show up…
This song is the part you never got to say.

It’s not perfect.
But it’s true.
It’s tender.
And if you’re smiling while reading this?

Yeah…
Maybe it was meant for you.

— Shemaiah 💌

#DoYouHearMe #ForTheOnesWhoStillFeelIt #ShemaiahOnRepeat #LateNightConfessions #RealLoveEnergy

Do You Hear Me Master

Lap Dance

Right Groove

take it off

THUNDAAAAAAAA

Lyrics:
Spent alot of money 
On you 

Wondering what 
It’ll take you 

Seen you at this one 
Place one time 

Now im coming there 
Again and again 

I 
Had 
To
Find 
You 

you’re the girl 
That I want 

Need you 
Ive been tryna get 
A hold 

She’s a monster 
Im one to 

Worried about perfection 
When you’re already there 

Been waiting for my 
Whole life 
Whole life 

Doing things 
Ive never 
Seen myself in 

Lets continue 
This story 

Talking out your neck 
Then get confused 
On how I take that 

I bark loud 
And I forgot 
That she gon 
Bite back 

Never known how 
Selfish I was till 
I met you 

Cause I want 
Nobody next to you 

So fuxking passessive 
I want nobody else

Close to you 
Close to you 

Ima buy the whole 
Moon for us 

Its the winter 
But she’s hot 
Like summer 

Electrifying my 
body Like thunder 

Tailgating her 
I want ya bumper 

Acting so coy 
Like leray 

Girl for your heart 
Ill throw a parade 

I know 
How this ends 

But maybe 

It can be 
Different today 

Maybe 

Trying my hardest 
To stay but baby 

Our past is 
Hella crazy 

But I believe 
In this 

I swear 
That I 
Believe in this 

When all your 
Clothes are off 

Im right where 
I belong 

I could get useto 
This 

Intimacy 
Enter your
Body 

Without you 

Im nothing 

Like conquest
Im lonely 

Your skin 
Gives amnesia 

Ill forget 
The past now 

If we 
Keep this going 

If we 
Keep this going 

I know 
That this is bad 
For us 

This IS bad 
For us 

So 
We should 
Stop this now 

We should 
Stop this 
now 

Baby 
Lets both 
Calm down 

Lets both 
Calm down 

Lets think 
Rationally 
Now 

Rationally 
Now 

But what if 
This is 
The right decision 

But what if 
This is 
The right decision 


LIMERENCE (prod.Pdubcookin)

“Smoke on the Last Goodbye” is a slow-burn R&B meditation on endings that don’t explode but evaporate. From the opening lines, the song situates itself in a nocturnal, intimate space—“velvet shadows,” fading footsteps, and “whiskey stains on wounded time” evoke a room heavy with memory, where the damage has already been done and the truth is settling in quietly rather than arriving with confrontation.

The central imagery of smoke functions as both presence and disappearance. Smoke lingers, distorts vision, and refuses to be grasped—mirroring how the relationship ends not with clarity or closure, but with ambiguity and emotional residue. Promises don’t shatter; they “let go.” The goodbye is not abrupt, but slow, drifting, and suffocating in its softness.

Verse 1 frames betrayal as subtle rather than violent. “Soft betrayal dressed in night” and “quiet lie” suggest deception without drama—perhaps avoidance, emotional withdrawal, or unspoken truths rather than overt wrongdoing. The ashes falling “like truth we can’t deny” imply that what remains after love burns out is honesty stripped of illusion, arriving too late to save anything.

The pre-chorus turns inward. “I taste the echoes that you hide” blends sensory language to show how the narrator absorbs what was never said. Love’s “darker side” here isn’t cruelty; it’s concealment, emotional withholding, and the slow corrosion of intimacy. This makes the pain more haunting—nothing screams, yet everything hurts.

The chorus anchors the song emotionally. Its repetition reinforces the idea of being stuck in the moment of departure, replaying it over and over. “Silk in the silence, cruel and low” is a key contradiction: the goodbye is gentle, even beautiful, but precisely that softness makes it more devastating. There is no fight to justify the end, no villain to blame—only a quiet release that leaves the narrator alone with the aftermath.

Verse 2 deepens the emotional crime-scene metaphor. The “blue” shadow and “crime-scene heart” suggest emotional damage examined after the fact, as if the narrator is revisiting the relationship like evidence. “Broken records spin the ache” reinforces circular grief—the same memories replaying, the same questions unanswered, the same loss rehearsed.

The outro completes the dissolution. Curtains close “without a sound,” confessions fall unheard, and footsteps blur into the sky rather than walking away clearly. Smoke doesn’t clear; it dissolves. The goodbye isn’t resolved—it fades. This ending reinforces the song’s central truth: some relationships don’t end with closure, only with absence.

Overall, “Smoke on the Last Goodbye” carries a restrained, mournful tone—sensual, introspective, and emotionally heavy without being melodramatic. It captures the particular pain of endings where love dies quietly, leaving behind atmosphere instead of answers, and where the hardest part isn’t the loss itself, but how slowly it settles into the soul.

Right Groove

D’Joe

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