Name: Schindlers list Theme (Piano Version) by Joe Sebastian Cofie in novocal
Duration: 4 min 36 s
Description: Theme from the movie Schindlers List .Played live by Joe Sebastian Cofie .Original music by John Williams.Piano arrangement Joe Sebastian Cofie

may i get the piano sheet, you played very well, touching and beautiful ☺️

Beautiful work Joe! :) :D I LOVE THE Schindlers list Theme!! Such good film!! By the way your track is awesome! :) :D Well played!!!!!! :) :D

beautiful job on a beautiful piece of music

Dear Sebastian, this is a great interpretation of a song very  deep and full of meanings that are very fond; thanks for having shared this on SC.

i know it's been years but i still love this song.Great Job!

very sad , touching and beautiful piano playing , love it !

novocal

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In A Time Lapse is the representation of the bringing together all of life's experience and emotions into a single moment of time. Recorded in a remote monastery near Verona and written over a period of 2 years it is as epic and emotional as Divenire and as experimental and adventurous as Nightbook.

Available to order now: 
iTunes: http://po.st/EinSoundCIATLiT 
Google Play: http://po.st/EinSoundCIATLGP
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In A Time Lapse

Two Trees

Plaine ma plaine (Michaël Ionesco and Tzigane Orchestra)

Plaine ma plaine

Theme from the movie Schindlers List .Played live by Joe Sebastian Cofie .Original music by John Williams.Piano arrangement Joe Sebastian Cofie


Schindlers list Theme (Piano Version)

"Offrande" ("Offering") for piano solo, beautifully performed and recorded by the amazing Phil Best, to whom I give my profound thanks.

Score available for purchase at: http://www.swirlymusic.org/music/solo-piano/r-a-moulds-offrande-for-solo-piano/

Offrande (performed and recorded by Phil Best)(Op. 88, 2013)

Listen Imperfect||Monologs (EP 2022) here: https://soundcloud.com/to_mi_nor/sets/imperfect-monologs-ep-february

This composition is a product of my attempt to find meaning and purpose in life, and to reflect on my achievements and relationships. The human consciousness is an intricate and fascinating system, consisting of over 100 billion neurons - a number comparable to the stars in our galaxy. It's astounding to think that our minds are capable of creating entire worlds, as complex and intricate as the universe itself.

As I pondered the questions of how many people love me, and how many will love the real me behind my mortal shell, I realized the beauty in the fall - the inevitability of change and the power within us to create something beautiful out of it.

This project is titled "The Serenity of the Fallen Minde" because it represents the inherent motion of life and the human experience. It symbolizes the concept that we are constantly falling, evolving, and growing - and that's what makes life so beautiful.

So I ask you, what do you think about the power of the human mind and its ability to create complex worlds? Have you ever thought about the beauty of the fall and the changes it brings? How do you find meaning and purpose in your own life, and what keeps you fascinated by it?

The Serenity  of The Fallen Mind

The Serenity of the Fallen Mind[ March's EP 2022 by Thomas Nakas ]

My wife bought a fabulous original watercolour painting of purple poppies and she left it on the music stand of my piano. As I sat down to practice I gazed at the painting and improvised this track. It has two aspects - the present day image of poppies blowing in the wind and the associated remembrance of soldiers who died in battle.

I recorded the improvisation and practised it until I could play the left hand part without it sounding too amateurish - at the end of recording the track my left hand felt about ready to fall off!

The painting is by a wonderful artist called Anna and was bought from eBay - you can see her other works here: http://www.ebay.co.uk/sch/fabulous.2008/m.html?_nkw=&_armrs=1&_ipg=&_from=

If you like this please consider liking my Facebook page - http://facebook.com/purplerhapsody

iTunes

Legions Of Poppies [Re-recorded August 2014]

His radif is considered to be the main source of contemporary Persian classical music as taught in conservatories and universities in Iran. 

Synopsis of his life 
Mirzá Abdollah received his first musical instruction from his older brother Mirzá Hasan. He, in turn, taught tar to his younger brother, Mirzá Hossein Gholi, until he became old enough to study with Gholam Hossein. Despite Gholam Hossein’s unwillingness to teach, the two younger brothers were eager to learn to the point that they would secretly sit outside the door when their cousin was playing in order to learn the melodies. Their mother finally persuaded Gholam Hossein to teach them. They subsequently were to become the successors of Ali Akbar Farahani and Gholam Hossein. 

Mirza Abdollah learned music only with great effort and difficulty because of the secretive manner of the musicians of his time, and their jealousy of their skills. As a result, he resolved that whatever music he heard he would learn well, that he would memorize the dastgahs completely and without error, and that whatever he learned he would teach freely to his own students so that Persian music would be passed on to future generations. He eventually became a musician at the court of Nasiru’d-Din Shah and remained such until his death in 1918. 

Notable students 
Seyyed Hossein Khalifih 
Dr. Mihdi Sulhi 
Mihdi Gholi Hidayat 
Esmail Ghahremani 
Ali Naqi Vaziri 
Abolhasan Saba 
Haji Aqa Muhammad Irani Mujarrad 

Notability as a musician 
Mirza Abdollah’s contribution to Persian music is so important that Haji Aqa Muhammad Irani Mujarrad referred to him as the book of Persian music. Music was Mirzá Abdollah’s life profession, and he became an important musician in the court of Nasiru’d-Din Shah. He organized the classical radif, some say with the help of Seyyed Ahmad. Tsuge states that: “The radif which we practice today in Iran (or rather Tehran) is generally known as the one of the Mirzá Abdollah school.” 

His open and generous nature, and his willingness to teach, transformed the image of music from a secret and jealously guarded tradition to an art available to all who desired to participate in its performance, expansion and development.

Origin of his title 
Ahmad Ibadi, one of Mirzá Abdollah's sons, related a story of how his father was given the title Mirzá. One day in one of the buildings of the palace of the shah, some courtiers were eating lunch. After lunch they played ás, a card game. Mirzá Abdollah sat and played the setar for himself. Nasiru’d-Din Shah could not sleep and came into the garden. He went over to that building and heard the setar, put his foot on the door sill, and listened intently. Mirzá Abdollah did not see the shah as he played. The gamers noticed, and all got up flustered. Then Nasiru’d-Din Shah signaled them to sit down and said, “Mirzá Abdollah, do you have a handkerchief in your pocket?” “Yes.” “Put it down in front of you.” Then the Shah ordered gold and silver coins to be put in the handkerchief.


میرزا عبدالله فراهانی فرزند آقاعلی‌اکبر خان فراهانی، نوازنده تار ، از استادان موسیقی ایران ، کسی که ردیف موسیقی ایرانی را به نظم درآورد. احمد عبادی نوازنده بزرگ سه‌تار فرزند او است. 

زندگی‌نامه 
میرزا عبدالله دومین فرزند آقای علی اکبر فراهانی اولین آموزشهای خود را نزد برادر بزرگترش میرزا حسن گذراند و پس از آن نزد پسر عمو و ناپدریش آقا غلامحسین آموزشهای خود رو تکمیل کرد و به برادر کوچکتر خود آقا حسینقلی هم آموخت. بزرگانی چون سید حسین خلیفه ، مهدیقلی هدایت، مهدی خان صلحی، فرصت شیرازی، اسماعیل قهرمانی، سید مهدی دبیری، حاج آقا مجرد ایرانی، ابوالحسن صبا و فرزندش احمد عبادی همگی از محضر این استاد بهره بردند. وی با تجدید نظر در دستگاه‌های دوازده گانه موسیقی ملی ایران و ادغام بعضی از آنها با هم ، هفت دستگاه کامل و مجزا پدید آورد که این هفت دستگاه توسط سه تن از شاگردانش به نامهای میرزا نصیر، فرصت شیرازی و مهدیقلی هدایت طی هفت سال نت نویسی شد. میرزا عبدالله در تهران در محله امامزاده یحیی کلاس درسی ترتیب داد که جوانان و متجددین دورش جمع شدند . 

ولی بر اثر تحریکات، مخالفان به خانه اش ریختند و با شکستن وسائل تعلیم بساط درسش را تعطیل کردند. با این حال تا دم مرگ دست از تعلیم نکشید و دربستر بیماری با سه تار قطعاتی به‌عنوان یادگار به شاگردان برجسته خود تعلیم می‌داد. ابتکار ساختن برخی قطعات ضربی از اوست که در قطعات مجلسی توام با آواز پس از اجرای چند گوشه، برای تنوع قطعه ضربی می‌نواخت. مضراب ریز و تک مضرابها در ساز او در تعادل و جملات موسیقی او منظم است و در همراهی با آواز پس از خاتمه یک بیت توسط خواننده او خود گوشه جدیدی را شروع کرده‌است وخواننده را هدایت می‌کند. در حفظ وزن قطعه دقیق بوده و غالبا نوازندگی خود را با قطعه تند رنگ مانندی پایان می‌داد. رنگهای او متنوع است و با آنکه آثار ضبط شده از او مربوط به حدود ۶۵ سالگی بوده ولی پنجه او روان و قطعات را راحت اجرا کرده است. 

البته ایشان در نواختن تار هم استاد بوده ولی شهرت ایشان بیشتر در نواختن سه تار است. از وی چهار فرزند به نامهان مولود ، ملوک، جواد و احمد عبادی به یادگار گذاشت که همه آنها با موسیقی مانوس بودند، وی در سال ۱۲۷۹هجری شمسی(۱۹۱۸م) درتهران و در سن ۷۵ سالگی درگذشت.

Mahur: 14. Chahârpâreh (Morakabkhâni)  - چهارپاره یا مراد خانی

Christ Church Ashton Christmas Card

« Instantané » of and by Franck Douvin
Composed only by handwriting from Wednesday, October 19, 2022 to Sunday, August 7, 2022 in my home studio in front of the Savoy's mountains.
Score available.
My recording in my home studio on Monday, November 6, 2023
According to the the six notes : « DO MI SI LA DO RÉ »
Franck Douvin © 2023 Contemporary Chamber Music
Thanks for listening & sharing
I hope you'll enjoy!

« Instantané » of and by Franck Douvin

Aquarelles: I. Chrysanthèmes (Chrysanthemums) performed by the amazing Phil Best. So beautiful.

Aquarelles: I. Chrysanthèmes (performed by Phil Best)

Track 13 of Album "Paisaje Andaluz". 

Available in Google Play, Apple Music, Spotify, Deezer.

Paisaje Andaluz: Falla, Lázaro, Lecuona, Granados, Nogueras

Suite Andalucía: 6. Malagueña

Ernesto Lecuona: Malagueña

watch: https://www.youtube.com/watch?v=_8V6qTFvta0&list=RD_8V6qTFvta0&start_radio=1

Demi Lovato (We The Kings) -> We'll Be A Dream Beautiful piano Cover

My composition in the style of a James Bond Theme
Copyright asserted in composition and performance
28 April 2025

Bon De Sommage : original track

Questa composizione e` stata arrangiata e interpretata da 
Liz Dicker

Casa Russo 

Dans le jardin de mes souvenirs (Performed by Liz Dicker)

Joe Sebastian Cofie born London England . Classical Pianist Bassoonist and Vocalist from the Royal Academy Of Music. Composer of Classical / Jazz/ R&B and House music 
And for a taste of Uk House by Joe Sebastian Cofie go to https://soundcloud.com/#boxerbabymusic

Schindlers list Theme (Piano Version)

Joe Sebastian Cofie

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