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FAUZIA is an artist of many moods. The UK talent moves from IDM to soul on her NTS Radio residency, while her club DJ sets reveal her love for '90s-style breaks, electro and bass-heavy sounds. In the studio, she explores her softer side through self-released homespun dub and ambient jungle.

In recent years, she's gravitated towards live performances. Her gossamer vocals, one of her strongest suits, cuts through live instrumentation like a hummingbird in agile flight. In 2020, the London-based talent told Mixmag that she was done being categorised as a "dance music" artist—and so far, she's succeeded. While she incorporates clubby touchstones into her work, there's a deep level of cross-genre knowledge and blending at play.

FAUZIA's RA podcast makes that clear. Free of any four-to-the-floor music, it moves from experimental jazz to orchestral melodies to R&B ballads for a thoughtful and introspective journey full of her own unreleased music that points towards her newer interest in composition. This is music to be felt, so let your guard down and let it wash over you.

@FAUZIA

Read more at https://ra.co/podcast/926

RA podcast

RA.926 FAUZIA

Quick little mix with a couple of my favourite tracks from this year and a few older tunes. Mainly chilled stuff. Planning to release a new mix every couple of weeks so watch this space...

-Tracklist-
Comedown (Luke Abbott Mix) - Andi Muller
Inge e som vi e, högt över marken - HNNY, Little Jinder
Nattsudd - Axel Boman
Something (On My Mind) - Jack J
Do U Wanna Get Down (LNTG Rework) - Donna Summer
En Melodi - Jonsson & Alter
I Left Some Groove - Arnaldo
June Nights South of Siena - Skatebard
The Way U Do It (Doc Daneeka Remix) - Tito Wun
Sunday Shoutin’ - Johnny Corporate
Parallel Romance (SB Re-Arrange) - Anthony Georges Patrice
Zultan (Pablo Fierro Remix) - Steve Paradise
I Want You (Alan Fitzpatrick Remix) - Trus’me
Feel It - Scuba
Quartier Sex - Mad Rey
This Feeling - Tony Lionni
There’s A Truth - Motor City Drum Ensemble
The Swimmer - Phil France

x

End of term deepdale spesh

C๏sʍ๏tunes ★144  @tripical-tropical 🌴
Release date: June 14, 2024
Label: @cosmovisionrecords
Produced by - Barbaiza & Easyer
Cover designed by Jauja
** Disclaimer: This is an unofficial remix and has no commercial purposes **
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We discovered Hamid Al Shaeri thanks to one of our favourite labels: Habibi Funk ♥️
As soon as we listened this track we definitely knew what’s gonna happen. We were about to make an edit of this song knowing it didn't need one because it’s fabulous. But you know, we just couldn’t resist 🤷🏻‍♂️
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Hamid Al Shaer is an Egyptian-Libyan singer, songwriter, and producer, who lives in Egypt.[1] He is considered one of the most influential figures in Arabic pop and has been credited for incorporating Western music styles of synth-pop, western dance, and rock and roll influences alongside traditional Arabic musical features, which came to be known as El Geel.
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Free Download

FREE DL : Hamid Al Shaeri - Ouda (Tripical Tropical Rework)

A four hour document of dance floors in the 2020s, from one of modern club music's most passionate advocates.

One major shift since we went 5 for RA.500 ten years ago has been the rapid adoption of anything-goes DJing. What goes us there? Upgraded technology, audience appetite for thrills, instant access to music from every corner of the globe: take your pick.

To corral the infinite possibilities of our age, glide seamlessly across lanes and be a trusted conduit in a sea of over-saturation takes chops. And few do it with more gusto and charisma in the 2020s than Jyoty.

Recorded at a raucous Nowadays party just a few weeks ago for maximum freshness, Jyoty's RA.1000 finds room for 122 tracks dotted over the clubbing map (although, when you tally up all the blends, you can probably round up to 150).

From aya to Logan Olm, Hardhouse Banton to DJ Babatr, Busy Signal to Baalti, a delicious double splice of Kelela and a staggeringly unlikely remix of Noir & Haze's "Around" (yep), it's an audacious statement from a DJ who has made borderless selection their calling card.

With a heavy lean on bubbling and the far frontiers of Brazilian club wares, long passages of the set are maze of microgenres and regional movements worth getting lost in. Jyoty's RA.1000 is a reminder not just of her dynamism in the booth, but a reminder to keep ears open and expose their audience to as much of the future as possible, as quickly as possible. And what could be truer to the foundations of DJing than that?

@jyotysingh

Find the tracklist and interview at https://ra.co/podcast/1014. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Jyoty

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Frankie Knuckles

We're none too fond of terms like 'selector' here at the figurative 12th Isle HQ. We think it was a shrewd marketing ploy concocted by natural wine bar owners - and possibly the freemasons - who repackaged the spergy single-mindedness of record nerds into something that sounded much more socially agile and cool in order to distract punters from the exorbitant price of nibbles. Thankfully, the time of white label soundtracked £40 sashimi seems to be behind us, and DJing can go back to being obsessives playing odd music made by even odder folk without much in the way of pretence. Someone who encapsulates that kind of energy has very kindly put together a nearly 4 hour long sprawl and has stated that under no circumstances should this mix be enjoyed alongside thinly sliced bits of raw beef and wine with bits in it or there will be hell to pay. Floor Length Skirts for Forecast 79, it's good gear like.

Forecast 079: Floor Length Skirts

Harvey marks our 300th podcast with an extremely rare recorded mix.

RA.300 DJ Harvey

Slow Music

Read more: www.residentadvisor.net/podcast-episode.aspx?id=547

@rvds

Resident Advisor podcast

RA.547 RVDS

Like us on Facebook: www.facebook.com/theclassicmixcdseries
Buy it here:  www.discogs.com/sell/release/158932?ev=rb

Shout out to Drew once again for this one, Ohio in the house!

Ricardo Villalobos

Buy on Discogs

298 - Ricardo Villalobos - In The Mix: Taka Taka (2003)

Farnham's July 1988 single, "Age of Reason", which peaked at #1 on the ARIA singles charts, was written by Johanna Pigott and Dragon members Todd Hunter and his brother Marc Hunter. This is my re-edit, adding drums, percussion and a didg sounding synth.

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