This is a live performance with The President's Own Marine Band with Jason Fettig, conducting.

Program note:
My wife’s grandfather was an extraordinary man. He was an immigrant who walked around quoting poetry and whistling tunes from his childhood in Scotland. Like a character from a movie he always seemed to pull just the right verse for the occasion.

 
In the spring of 2007, he fell into a coma following a severe stroke. After weeks of being in this state he awoke and said: 

 
In mist or cloud…

 …on mast or shroud… 

…It perched for Vespers nine… 

…Whiles all the night… 

…through fog-smoke white, 

Glimmered the white moon-shine. 

 
These were the final words of a man who always chose the right words. Within the hour he was gone. 

 
Not recognizing the verse, I immediately ran to Google to decipher what message the old man could have been delivering.

 
The verse is from the famous poem of condemnation and redemption, “The Rhyme of the Ancient Mariner”. The poem is the story of a mariner condemned to travel the earth telling his tale of hubris and punishment in search of redemption. The mariner shot an albatross for no other reason than he felt like it and then suffered the wrath of both death and living-death for his gall. 

 
The verse my wife’s grandfather quoted is the verse immediately before the one containing the ill-fated murder of the albatross. As they say, the calm before the coming storm. 

 
My work entitled, “It perched for Vespers nine,” on a surface level engages the imagery from the verse itself. But at the emotional core of the work is my trying to work out what my wife’s Pop Pop might have been trying to tell us about what awaits us “In mist or cloud”.

 
It perched for Vespers nine was commissioned by the American Bandmasters Association and the University of Florida. For performance materials or any additional questions please contact:

www.billholabmusic.com

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It Perched For Vespers Nine (LIVE The President's Own Marine Band)

Joel Puckett is a composer leaving both audiences and the press buzzing. His music has been described as, “soaringly lyrical” (Minneapolis Star Tribune), “Puccini-esque” (Wall Street Journal), and “containing a density within a clarity, polyphony within the simple and – most importantly – beautiful and seemingly spiritual.” (Audiophile Audition). Parterre Box recently proclaimed, “Puckett should be a household name” and the Philadelphia Inquirer’s David Patrick Stearns mused, “if the name Joel Puckett isn’t etched into your brain, it should be.” In 2011 NPR Music listed him as one of the top 100 composers under 40 in the world.

Hailed as “visionary” (Washington Post) and “an astonishingly original voice” (Philadelphia Inquirer), his music is performed by the leading artists of our day and is consistently recognized by organizations such as the American Composers Forum, BMI, Chorus America, National Public Radio, and the American Bandmasters Association.

Puckett’s music attracts diverse performers and listeners through its emotional energy and commitment. Melding tradition with innovation, his distinctive style grows from his power to create transcendent experiences using charismatic musical language.

The Fix, a grand opera commissioned by Minnesota Opera, premiered in the March 2019 to packed houses, enthusiastic audiences, and largely effusve praise. With a libretto by Academy Award and Tony Award winner, Eric Simonson, the work depicts the rise and fall of the 1919 Chicago White Sox. It is a tragedy ripe with power, romance and redemption, set against the backdrop of America’s favorite pastime. Puckett’s earlier commissions have been premiered and performed worldwide, to exuberant critical acclaim.

His flute concerto, The Shadow of Sirius, premiered in 2010 and has received more than 200 performances and been recorded multiple times, including 2015’s Naxos Surround Sound disc, “Shadow of Sirius,” which received a 2016 Grammy Nomination. Currently the Chair of Music Theory, Ear Training, and Piano Skills at the Peabody Conservatory in Baltimore, Puckett presents workshops nationwide and frequently serves as an adjudicator at competitions for rising composers. His music is represented worldwide by Bill Holab Music.

I am a freelance composer based in Asheville, NC. Occasionally I post excerpts, sneak peeks, and full recordings of my music here. Enjoy! :)

Melodist and composer. 

Music is emotions...

We don't have the same feeling with music. This is the magic of music, everyone feels differents emotions when listening to music because everyone humain is unique and irreplaceable...

Welcome to my little bubble...







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