Hey Joel, I really like how you interpreted the Rhythmic Processing technique in this piece, thanks for sharing it!

Really enjoying your stuff Joel!! You paint a very nice SoundScape.

Thanks for the feedback, guys.  Rhythmic processing is fun!

A selection of works created by musicians using my advanced sound design techniques http://gumroad.com/diegostocco

Thank you guys for sharing your inspiring work!
https://soundcloud.com/andrewphilippov
https://soundcloud.com/avantagonist
https://soundcloud.com/joelremiel
https://soundcloud.com/jamesdeanmusic
https://soundcloud.com/richard-bretschneider
https://soundcloud.com/goodiemonster

If you're creating works based on my techniques feel free to let me know here or on Twitter @diegostocco Thanks!

"Feedforward Sounds" techniques interpreted by other musicians.

Inspired by Diego Stocco's tutorial about Rhythmic Processing. 
http://www.diegostocco.com/introducing-feedforward-sounds-series/

Everything in this song is based on the sound of a single paper roll (thick paper from a carpet roll) which I played with a drumstick and sampled it. All percussive sounds are done by the Rhythmic Processing approach.

Paper Roll - Rhythmic Processing

Christoph Zirngibl - The Rise Of Atlas

Sailin' - Aaron Sapp

Floating Point Forest @ Coral Gables Museum

This music was made from this creepy thing on the image - recorded with three contact mics. No samples and morphing were added, just raw sounds with little bit of reverb and delays for and pad synth for atmosphere.



andrew.philippov@gmail.com

Secret Planet (Contact Mics Acoustic Experiment)

Spicato Strings (With Rhythmic Processing)

Sacerdotes Sanctuarii by Chris Schlee

Commanding the Fleet - Ben Botkin

Official Demo for Berlin Woodwinds Revive, made by Ben Botkin.
"The Quest" is made with the following Orchestral Tools Collections:
- Berlin Woodwinds Revive 
- Berlin Strings
- Berlin Brass
- Berlin Percussion
- Metropolis Ark 2

The Quest (Ben Botkin)

Shaun Chasin’s official demo is a dressed mix using sounds from Voice of Wind - Adey blended with other libraries.

Voices Of Wind: Adey is the first volume in our modular female solo vocal series Voices Of Wind. Each volume focuses on a new vocalist with a distinct creative style and comes complete with a full package of vital chromatic and melodic articulations that sound great and are easy and convenient to use in any music or video production project that comes your way. This edition focuses on the ethereal and soulfully nuanced mezzo-soprano voice of singer-songwriter Adey Bell. Her rich, nimble and dusky vocal character effortlessly fuses classical, pop, folk, blues, lounge and jazz vocal styles.

Shaun Chasin - Lost Breath (Dressed) - Soundiron Voice Of Wind - Adey

My track "Wind Under My Wings" that ended up top 15 of the Virtual Orchestration Competition in 2018.

Samples used: Cinematic Studio Strings/Orchestral String Runs, CineBrass, Hollywood Winds, VSL Winds and East West Hollywood Percussion.

Wind Under My Wings

Music created using Ventus Winds Duduk, a virtual duduk instrument for Native Instruments Kontakt by Impact Soundworks. Coming soon!

Ventus Duduk: "Lost Kingdom" by Ben Hicks

Drum Ensembles + Sound Design. Geared towards trailer music producers and composers for film, television and games.

Available now: www.musicalsampling.com/boutique-drums-medusa

Shiny And Chrome (Naked)- Aaron Sapp

Drums & Sound Design library for nu-metal, EDM, rock and underscore.

For more info: musicalsampling.com/boutique-drums-renegade/

Newcomb's Paradox (Dressed) - Alex Pfeffer

Diego Stocco is an inventor of unusual musical instruments, music sound designer and composer.
One of his most recognizable instruments is the Experibass, a mutated double bass for which he invented a playing technique called “Sticcato”, creating an intense combination of tonal and percussive timbres. With this instrument, he was invited to be a featured soloist on the soundtrack of "Sherlock Holmes" scored by Oscar®-winning composer Hans Zimmer, the video games "Assassin's Creed" and "Darktide" with BAFTA-winning composer Jesper Kyd and as a composer and performer of his piece “Thunderous” for the film "Rebel Moon: A Child of Fire”. As a composer, he produced the music for the video game "The Conduit” and the film "Chernobyl Diaries”, where he experimented with more strange instruments and sonic approaches. 
The music and sound design elements from his Sonic Artifact label, specialized in horror, thriller, western and sci-fi genres, is distributed worldwide by BMG Production Music and have been placed on dozens of film trailers, films and TV shows.

As one of the Principal Sound Designers, Diego created numerous iconic sounds for the core libraries of Spectrasonics Stylus RMX, Trilian, Bob Moog Tribute Library and the flagship synth Omnisphere. His approach to listening and psychoacoustic microphone techniques allowed him to discover musically playable sounds in a variety of common objects, such as light bulbs, a clothes drying rack, a leather hat, and a number of odd instruments created by combining pieces of furniture and parts of appliances with traditional instruments. One of his most extreme sampling session was the Burning Piano, a piano sampled while it was on fire. He later created his own Sonic Extension for Omnisphere called Twisted Trees, where he built original sculptural instruments inspired by forest trees and the random motion of elements of nature.

Diego explored the sound of nature and trees with a series of musical videos, starting from Music from Sand, Music from a Tree, and Music from Nature. In these works, a lighter, playful and more abstract approach to sound appears, where he let the unconventional sounds inspire the composition. He also built instruments that can be seen as imaginative little places, like the Magical Butterfly Valley and the Miniature Forest Piano, where the listener is invited to listen to the instruments as if they were played by butterflies and birds.

Diego also created a unique approach to Convolution processing with his “Rhythmic Convolutions” sets, where he takes sounds produced by a variety of objects, materials and interactions to create original Impulse Responses that transfer both their rhythmic and spectral profile to drums, synths and any instrument with fast attacks. Occasionally Diego teaches workshops and masterclass where he shares his imaginative approach with other musicians and sound designers.

Joel Remiel is a composer and sound designer based in Washington.

Often delving into sound design, fielding recording, and synthesis in the context of composition.

Some more experimental projects are here:
mirador.bandcamp.com  

Contact for media work or collaboration
at remieljoel@gmail.com

Best, JR

Spicato Strings (With Rhythmic Processing)

Joel Remiel

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