Garage, Indie, post-hipster/ anti-alternative / nu-underground / wah wah wah

Cosmic Love Affair

Wavves - Nine is God

Track taken from Lorelle Meets The Obsolete's third album, 'Chambers', which is released via Sonic Cathedral and Captcha Records on February 17, 2014.

Lorelle Meets The Obsolete 'Music For Dozens'

'Special Victim'
Bloodmoss Records 
Street Date: May 27th, 2014

Purchase: www.bloodmossrecords.limitedrun.com/products/524950-future-death-special-victim-pre-order

From swirling, tumultuous outbursts to pummeling destruction, the controlled chaos that is Future Death is ready to be unleashed in 2014. Stripping everything to the bone, the band’s creative process is heavily linked to impulse as they capture their feelings organically and in the moment while leaving little room for conceptualization. The Austin-based band formed in 2012 as Alton Jenkins and Bill Kenny began writing and recording what later evolved into their debut EP, which was self-released in the summer of 2013. They added bassist Jeremy Humphries to the lineup and vocalist Angie Kang found them later after months of writing. 'Special Victim,' their forthcoming debut full-length on Bloodmoss Records, was recorded and mixed by This Will Destroy You’s Alex Bhore in a funeral-home-turned-studio owned by producer John Congleton. With the creative tools at hand, Future Death took a bright, explosive approach on 'Special Victim.' Like the band’s overall creative process, the concept of impulse is apparent throughout album itself. There’s not much time to breathe, and that’s exactly why it is such a thrilling and powerful listen.

Website: www.futuredeathband.com
Facebook: www.facebook.com/futuredeathband
Twitter: www.twitter.com/Future_Death
Bandcamp: www.futuredeath.bandcamp.com

Future Death - Basements

'Moaning Lisa Smile' from Wolf Alice's 'Creature Songs' EP.

Available now on iTunes: http://po.st/CreatureSongs

My Love Is Cool

Moaning Lisa Smile

Download on iTunes

Written, performed, recorded and mixed by Fazerdaze

Reel

Written, recorded & produced by Nick Sowersby (Sunbeam Sound Machine). Mixed by Stu Mckenzie & mastered by Andrei Eremin @ Jack the Bear.

Real Life

Wandering, I

Dirt Dress 'Revelations EP' out 11/18 on Future Gods Records

4. Revelations

"Hot Water" is the second track taken from King Gizzard & The Lizard Wizards fifth record "I'm In Your Mind Fuzz" released worldwide on:

October 31st via Flightless AUS
November 11th via Castle Face Records USA
December 1st via Heavenly Recordings UK

King Gizzard & The Lizard Wizard - Hot Water

Produced by Amelia Murray with help from Jonathan Pearce
Mastered by Jonathan Pearce

Somethink

Psychic Markers are a super group made up of members of Still Corners, Grass House, Great Ytene and Winter Drones. 

Grass House guitarist Steven Dove – who is on vocal duty with Psychic Markers – told us:

“We’d all spoken about doing this project for ages but never managed to sync our diaries and decided it was easier to record it sporadically. So one weekend we’d record a couple of songs, then meet up a month or two later to mix and maybe work on another one etc. It’s a record full of ideas and has come out quite diverse, hence it’s title – Scrapbook 1. The plan is to do another one in a similar manner as we’ve had a lot of fun doing this one, it’s a pleasure to make music with your buddies.”

'Scrap Book No.1' was released on Cassette Store day 27 / 08 / 2014 

Walking In Straight Lines

Elvis' Flaming Star - taken from 6th album 'Man It Feels Like Space Again', out Jan 23 (AUS) / Jan 26 (UK) / Jan 27 (US).

Pre-order: http://po.st/PONDManiTunes
Watch the video: http://vevo.ly/mdW06f
Follow: https://www.facebook.com/pondling


Elvis’ Flaming Star

Elvis' Flaming Star

From the upcoming album Bad News Boys. Out February 2015!

The King Khan & BBQ Show - Alone Again

First single off new album "Hypnophobia" (out may 4th in North America, may 5th rest of the world).

Pre-order here: 
North America: http://polyvinylrecords.com/hypnophobia
Benelux: http://www.excelsiorshop.nl/
Rest of The World: http://fulltimehobby.sandbaghq.com/jacco-gardner-hypnophobia-pre-order.html

Artwork by Julian House

Find Yourself

News at Ten

A House On The Moon

Headful Of Horrors

Guitar, background vox, Kaossilator drums and a one-shot looper

In Pompeii -  Cloudy Vision (demo excerpt).WAV

Engineered by Bob Blank
Produced & mixed by Arthur Russell

Steven Hall: guitar/keyboard/vocals
Arthur Russell: drum programming/cello/vocals

Recorded in 1985
Released in 2013 by Hollie Records

Produced & mixed by Arthur Russell (he also plays on them) and engineered by Bob Blank in 1985, these three songs were found in Arthur’s archive, and digitally transferred by Audika Records. They were made for Steven Hall solo project for Rough Trade but never released.

Here is the story of these lost tracks by Bob Blank

“After I moved my production and engineering work from my recently sold Blank Tapes to my old farmhouse in Stamford, Connecticut, some of my first guests were Arthur Russell and Steven Hall, who continued their musical journey by bringing their music to my converted home.

It was strange to see these denizens of the city in my bucolic setting – the music always had a folkie, country feel to it, but was always edged with the city feelings. I picked them up and dropped them off at the small train station about a mile from the house, and recorded onto either my old Studer A80 24 track analog machine or later into the then state of the art Alesis digital machines. The studios all had windows in them, overlooking the nearby woods and wetlands.

Arthur was, as usual, the ringleader who set the mood, always either encouraging or playing. Steven got into ‘the zone’ with sometimes closed eyes and a gentle way with the music; Arthur was the collector of takes and many times after the sessions with Steven I would hear the music go through many permutations as Arthur added ideas and what are now called ‘beats’ to the song fragments and parts laid down. Never satisfied, Arthur would continually run a DAT tape as he worked, capturing hours of attempts to mold the music. Steven was a muse sometimes for Arthur as well, as Steven gave substance to the energy that Arthur put into the music.

Steven came with fully formed musical ideas and songs, and easily performed them in the glassed in booth. Mellow but focused, the music came out in whole pieces.

My role was always to make the flow happen, with the technology, and the place was dominated by the custom built console I had built from Yamaha digital mixers and monitoring from UREI 813 speakers I had sitting on stands in the attic of my old home. As an engineer, you try to fade into the background and let the musical events take the forefront, but I was always able to add my ideas and feelings to the day, as my sounds, mixes, and comments shaped how everyone heard what they were creating. Arthur and Steven always welcomed my input, even tho from time to time it was tinged with attitude, and I would be satisfied with the result while Arthur would push past that and ask for more. Ultimately Steven and Arthur’s vision would prevail of course and there were many magic moments.” 

Nirosta Steel - Every Single Night

I make a variety of noises, and listen to many more.
There are also many old demos, collaborations and various recordings available, mostly for family and friends.

Garage, Indie, post-hipster/ anti-alternative / nu-underground / wah wah wah

Joelrsmith