Aphex Twin: [mostly mellow] for Supreme

Far View

Rock Program

Pierre Henry
Theme De Myriam
KREEP03

For the third installment in our Finders Kreepers dedicated vintage horror soundtrack series we begin with an obscure French witch flick which pulls together stylistic echoes of both Bell Book And Candle and Czech gothic thriller Morgiana then feeds them through the musical mind of one the true pioneers of electronic composition for this little known OST by a well known sonic maverick. Often evading the composer’s discography lists Pierre Henry’s rare score to Malefices (aka The Hex or Where The Truth Lies) hears our bonefide musique concrète originator at what is perhaps his most melodic and fragile (especially for the formative era) layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind and brooding industrial piano textures for this intoxicated poison peon which stands as the perfect opener to an intense soundtrack for those lucky enough to find the original record (or film for that matter).

The second cut on this limited edition 45 is a classic piece of unnerving horror composition that adopts the same child-like vocal/brooding undercurrent that has earned scores like The Innocents, Night Of The Hunter and Profondo Rosso an indelible place in our nostalgic nervous systems.  Creating a major stir as a novel and stage play before benefitting a celluloid adaptation The Bad Seed shocked audiences with the first cinematic killer kid in mainstream cinema following a did she/didn't she plot set to innocent nursery rhymes played in fragile minor keys against paranoid orchestral restraint.  Mirroring the theatrical mother’s worst fears and accentuating the lead roles split personality The Bad Seed earned composer Alex North continued plaudits for his classy, conceptual realisation of this milestone in horror cinema soundtracking.

Pierre Henry - Theme De Myriam (Maléfices)

http://www.delsinrecords.com/release.php?idxRelease=3872

Back in March 2003 Claro Intelecto announced his arrival in the electronic world with his Peace Of Mind EP on Ai Records. Now, a decade later, Delsin, the label on which he released his latest LP, is re-releasing it in all its glory. Across four perfectly formed tracks the EP proved Manchester’s Mark Stewart to have a fine grasp on techno, electro and dub, and that he was able to do his own unique things with each.

Arguably the most well known cut from the EP is 'Peace of Mind (Electrosoul)', a busy bit of chattery house-come-electro that is wired up with many zithering melody lines and Claro's trademark lush strings. 'Tone' is then a much more frazzled and aggressive bit of techno with raw, slapping percussion, gurgling synth lines and plenty of dystopian electro vibes. 'Contact' then settles into a deep, dubby, spacious groove with airy hi hats and a delightful bassline and carries you along effortlessly, and final track 'Signifier' closes things out in beautifully serene style with ambient swirling pads, organic synths and a curious bassline that rises and falls like the tide. Seminal stuff that still fetches a high price on Discogs, it was the start of a remarkable career for Claro Intelecto.

Buy at Delsin Webshop

Claro Intelecto - Peace Of Mind [x-dsr5]

Thriller

They Call Me Lord Infamous

Electronic

Delia's Psychadelian Waltz

Unspeakable Visions

Little Star

In Concerto 1983

Fragments (feat. Pascal Comelade)

L♥VE$ERENADE - $MOKE & MIRROR$

Created and Preformed by: L♥VE$ERENADE
Made in: 2025

ALL PLATS SOON IDK WHEN GO CHECK
https://linktr.ee/globalinteractive

"MADE FROM CASH, MONEY, LOVE, N' FLEX WORTHY CLOUT CHASIN' GRYND LYFE ENERGY!
EMOJIS N' IPHONES EVERYWHERE, INHALE DAT SMOKE N' GAZE THROUGH DIS MIRRAH BIACH!!
PERFUME SUITS N' CASH MONEY FAKE HEAVEN, USUAL CONSUMER SUSPECTS... OVERDOSE ON
THESE PRINCESS CUT DIAMONDS N' GARGLE DAT CRYSTAL SPARKLING WATER"

1. SMILE PAST THA PAIN
2. USE YOUR WORDS
3. Office Girl
4. Ｖａｐｅ　４／２０
5. WAY TOO ENVIOUS
6. 2016
7. ITS GONNA BE AIGHT
8. RUN EM' UP (Meaner Kitty)
9. HIT THA PREHEAT
10. WHY CANT WE ALL JUST BE FRIENDS
11. MORPH MAGIC
12. Untitled 2 (GHOSTDIZASTA)
13. NO MORE FUFU
14. NJOYIN' THA WEATHER
15. BREATH U LIKE AIR (Untitled 3/Noah B, DREAM GIRL)
16. OUT THA GATES
17. TOO MANY ARTISTS

#Trap #Instrumental #Sigilcore #HipHop #Avantgarde #Satire

Release by: Global Interactive

WHY CANT WE ALL JUST BE FRIENDS

jean michel cruel - sdf25

CRYMEARIVER

The BBC Television Service starts the day with the Radiophonic Workshop's "Time Beat" and a welcome from Trevor Lucas.

BBCtv start-up: "Time Beat" by Ray Cathode (Maddalena Fagandini and George Martin) | 1962

Selbstportrait I

Herold

Rubba - Way Star

In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required.
 
Unusual Sounds is a deep dive into a musical universe that has, until now, been accessible only to producers and record collectors; a celebration of this strange industry and an examination of its unique place at the nexus of art and commerce.
 
The perfect companion to the David Hollander curated book Unusual Sounds: The Hidden History of Library Music (out now on Anthology Editions), these 20 tracks, encapsulate the niche and fascinating subculture of library music. Genres were spliced, conventions dispensed with, and oftentimes hybrid music of astonishing complexity was produced. Elements of rock, jazz, soul, even twentieth-century avant-garde composition were all utilized, and no stone was left unturned. As a result, some of the best library music defies all categorization, reflecting the individualistic quirks and artistry of the various musicians who made it.

Unusual Sounds

Stringtronics - Tropicola

Borghesia is an electronic music group, founded in 1982 in Ljubljana, Slovenia. The band  was formed by four members of alternative theatrical group Theatre FV-112/15: Dario Seraval, Aldo Ivancic, Neven Korda and Zemira Alajbegovic. They established FV Video to self-publish their video projects and FV Založba – the first independent record label in ex-Yugoslavia. Aldo and Dario took care of songwriting, production and recording while Zemira and Neven handled the visuals. In the late 80s the band signed to PIAS and went on to release a string of successful albums and played world-wide tours. 
"Clones" was Borghesia's second album, self-released on cassette only in 1984. The band borrowed synthesizers (Roland SH-101, Casio VL-1, Korg Polysix) and a Roland 808 drum machine from friends. Every song was played live - no overdubs - and recorded to a cassette deck over a few nights at their club Disco FV during 1983-1984. The music on "Clones" is meant to accompany various video installations and performances. All of the songs are instrumental and feature various cutting edge techniques for 1983. Hypnotic, proto-techno and acid rhythms and synth lines. Music on the A Side of the LP is faster and club oriented while the B Side offers a drugged out soundtrack to get lost in. 
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley directly from the original master tape. Each LP is housed in a silver jacket with original gelatin print by photographer Jane Štravs. A fold-out poster is included with unreleased photos, original artwork and liner notes by the band. After 28 years, Borghesia's "music for video" is finally appearing on vinyl for the first time.

Secret Affair No. 2

Rock Program

Joel Vandroogenbroeck

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