Aphex Twin: [mostly mellow] for Supreme

Fairy Tale

Far View

Rock Program

Oil Tankers

Easy to Love

Pierre Henry
Theme De Myriam
KREEP03

For the third installment in our Finders Kreepers dedicated vintage horror soundtrack series we begin with an obscure French witch flick which pulls together stylistic echoes of both Bell Book And Candle and Czech gothic thriller Morgiana then feeds them through the musical mind of one the true pioneers of electronic composition for this little known OST by a well known sonic maverick. Often evading the composer’s discography lists Pierre Henry’s rare score to Malefices (aka The Hex or Where The Truth Lies) hears our bonefide musique concrète originator at what is perhaps his most melodic and fragile (especially for the formative era) layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind and brooding industrial piano textures for this intoxicated poison peon which stands as the perfect opener to an intense soundtrack for those lucky enough to find the original record (or film for that matter).

The second cut on this limited edition 45 is a classic piece of unnerving horror composition that adopts the same child-like vocal/brooding undercurrent that has earned scores like The Innocents, Night Of The Hunter and Profondo Rosso an indelible place in our nostalgic nervous systems.  Creating a major stir as a novel and stage play before benefitting a celluloid adaptation The Bad Seed shocked audiences with the first cinematic killer kid in mainstream cinema following a did she/didn't she plot set to innocent nursery rhymes played in fragile minor keys against paranoid orchestral restraint.  Mirroring the theatrical mother’s worst fears and accentuating the lead roles split personality The Bad Seed earned composer Alex North continued plaudits for his classy, conceptual realisation of this milestone in horror cinema soundtracking.

Pierre Henry - Theme De Myriam (Maléfices)

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Roxy (prod. Jdolla & Shxrkz)

Marshmallow

Mysterious River Snake

Rubba - Way Star

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

Vinyl / CD / Digi

Ivan ‘Mamão’ Conti - Ilha Da Luz

Rock Program

Joel Vandroogenbroeck

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