Thanks for sharing man! This game was a big part of my childhood. This particular theme pops into my head every now and then :)

This game remind me too much good things :D thanks for having accompanied my childhood with this awesome B.O!!

wow! One of the videogame soundtracks in my head forever. Londinium it's fantastic

I loved the intro track back from the beginning (played the PC version)

Ahh, my favourite track of the OST. From today's prespective, it's amazing what you could squeeze out of these APUs already

Thank you for sharing. I own a snes emulator SE, you're right it's little buggy, I often need to reboot it. I don't own the sound tools but I can assemble, link and debug code however.

@andre-louis: Thank you Andre, have a nice year!

The track meant for the last area that the player explores! A mix of styles and instruments, but with a focus on instruments from China/Japan.

Requiem of Ruin - The Pinnacle

Soundtrack Written By pngsequence, Jaq, 2018-2021.

Opening, Arcanian Decay, Meeting An Unusual Stranger, AND NOW YOU DIE!, and Matcha Valley written by Jaq, others by pngsequence.

twitter.com/pngsequence
twitter.com/jaqqcues

Magus Array (Alpha Soundtrack)

An Even More Secret Area

2xSN76489 -- Sega System 1

Interesting how each SN7 chip is clocked at different speeds...
Made in Furnace.

You Can't Control My World

I pulled another 5-day-song stunt instead of my usual 84.5 business days.

Release Date: 4/3/2024

PR3S3NC3

Music created using the SUPER AUDIO CART virtual instrument by Impact Soundworks, now available!

http://impactsoundworks.com/product/super-audio-cart/

Super Audio Cart is the ultimate collection of retro game samples, featuring the NES, GB, C64, 2600, SNES, SMS and GEN in a modern synth engine loaded with features and over 1,000 classic + new presets.

SUPER AUDIO CART: "Future Bounce" by Andrew Aversa (Hybrid)

Yesterday was Puyo Day, so I made a remix to celebrate!

Download link coming soon!

YouTube version: https://youtu.be/dtN6QglPDzw

Follow me on Twitter! https://twitter.com/ProbablyPurple

Swing Of Puyo Puyo (Sticker of Puyo Puyo Remix)

first touhou cover in this year.

Super UniBound Project is collective name for my Super Nintendo and Mega Drive/Genesis covers on music from Undertale, Mother 3 and Touhou Project 11-current.

P. S. - UniBound Project is my crossover game (Undertale+Earthbound+Touhou), at this moment, this game in working.

Touhou Project 11 (SA) - Corpse Voyage (YM2612 + SN76489, DefleMask)

Had this idea after the cover I reposted yesterday. Had fun arranging this. Also yes, this was made on FL Studio :P

Original track this cover's based on: https://soundcloud.com/threxx-danne/runaway-train-grand-dad , by @threxx-danne
Song by ZUN

YouTube video: https://youtu.be/wMy6x-RgMRY

Runaway Mouse - Touhou 12 ~ Undefined Fantastic Object

https://chiptuneswin.bandcamp.com/track/deep-sea-puzzle

- - Follow Echo2 - - 
soundcloud.com/echosdreamdiary

Chiptunes = WIN: Volume 8

Game Jam! & Echo2 - Deep Sea Puzzle | Chiptunes = WIN: Volume 8

My first and only soundtrack for the Super Nintendo (SNES) back in 1995. The sound sources were recorded from a Turtle Beach - Maui sound card. My studio gear at that time consisted in that sound card, a Sound Blaster (the Maui had to be attached to an existing sound card), a pair of speakers and a Roland PC-200 keyboard (which I still have).

The sound chip (APU) was created by Sony and designed by Ken Kutaragi, who was also the designer of the Playstation. The chip was in fact a complete autonomous computer with its own CPU (sort of 6502 with additional instructions), memory (64k), and DSP which produced 8 channels of audio and also some cool effects. The APU communicated with the main console processor using 4 registers, and some kind of communication protocol was used to upload the code and sounds from the game cartridge to the APU during the game. The 64k had to be shared with the sound driver, sound sequence data, samples for the music & fx. Also some memory was required to process the commonly used reverberation effect (if necessary).

The development system for the console was a huge, grey rectangular box that communicated with the PC via a SCSI port and MIDI. My unit didn't work very well... and I had to spend some time every morning switching it on and off a random number of times until it booted correctly. The development tools were very rudimentary (compared to today's standards) and all written to run on MS-DOS only.

The soundtrack is recorded from the "Audio Overload" multi-sound chip emulator. I hope to be able to record the soundtrack from a real machine in the future.

Don't forget to check the second part of this soundtrack here!
https://soundcloud.com/joemcalby/asterix-obelix-snes-part2

Asterix & Obelix - Complete Soundtrack (SNES, 1995) Part 1 / 2

My first and only soundtrack for the Super Nintendo (SNES) back in 1995. The sound sources were recorded from a Turtle Beach - Maui sound card. My studio gear at that time consisted in that sound card, a Sound Blaster (the Maui had to be attached to an existing sound card), a pair of speakers and a Roland PC-200 keyboard (which I still have).

The sound chip (APU) was created by Sony and designed by Ken Kutaragi, who was also the designer of the Playstation. The chip was in fact a complete autonomous computer with its own CPU (sort of 6502 with additional instructions), memory (64k), and DSP which produced 8 channels of audio and also some cool effects. The APU communicated with the main console processor using 4 registers, and some kind of communication protocol was used to upload the code and sounds from the game cartridge to the APU during the game. The 64k had to be shared with the sound driver, sound sequence data, samples for the music & fx. Also some memory was required to process the commonly used reverberation effect (if necessary).

The development system for the console was a huge, grey rectangular box that communicated with the PC via a SCSI port and MIDI. My unit didn't work very well... and I had to spend some time every morning switching it on and off a random number of times until it booted correctly. The development tools were very rudimentary (compared to today's standards) and all written to run on MS-DOS only.

The soundtrack is recorded from the "Audio Overload" multi-sound chip emulator. I hope to be able to record the soundtrack from a real machine in the future.

Don't forget to check the first part of this soundtrack here!
https://soundcloud.com/joemcalby/asterix-obelix-snes-part1

Asterix & Obelix - Complete Soundtrack (SNES, 1995) Part 2 / 2

Hi! I've been working in the video game industry since the late 80's, be it as a graphic artist, musician, programmer, designer, or any weird combination of these. Most of my work is known as musician and specially for 8 bit game consoles. If you ever had a gray brick, probably you already listened some of my music!

I used to sign my earlier works as "Joe McAlby" because my name is just plain boring and ordinary. But then the nickname is also ridiculous... too late to change that I suppose!

I rarely compose music nowadays, so I use this account to share some of my past works, and hopefully new experiments too.

Be my guest, enjoy the music, and leave a message if you like it. It'll be appreciated!

Please note that all music here is copyrighted.

Asterix & Obelix - Complete Soundtrack (SNES, 1995) Part 1 / 2

Alberto J. González (McAlby)

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