Music for writing, study, flow and focus. - 2

When composing Mass of the Eternal Flame, my first Mass, I kept remembering my parish choir in Latvia, which I directed for ten years. Whatever songs of praise and worship, repentance or thanksgiving we sang, the vivid experience and understanding of the text by each singer was always prominent. In this way, my Mass was born. It is inspiring for me to know that in Houston, Texas there is also a choir with faith in God in their hearts and a true passion for expressing the Good News through music, as well as conductor Robert Simpson and organist, Daryl Robinson, whose musicianship has inspired many over the years. My sincere gratitude to them for encouraging me to write my first Mass!

Sincerely,
Eriks Esenvalds
Riga, Latvia

Mass of the Eternal Flame: New Music by Ēriks Ešenvalds & Rachel Laurin

Ēriks Ešenvalds: O Salutaris Hostia

Under A Familiar Sun

Our Calling

If Nothing Is Real

Oaxaca de Juárez

Oaxaca de Juárez (feat. Tal Arditi)

Sleeping Lotus

Sleeping Lotus (redux)

Siècle

It's like the warm embrace of a true self, at last emerging from a long winter of alienation; an ode to radical authenticity and unabashed self-expression; a gentle reminder of the richness and interconnectedness of the human heart. To an increasingly cold and complex world, this waltz answers with simplicity and warmth—an expression of personal beauty and longing for connection, reaching out to other contemplative souls. It is the latest composition from Utah-based neoclassical pianist Daniel Driskill.

The Blackbird's Waltz

Buy Sheet Music

"Love" is a fragment of devotion - expressed not in words, but in the pauses between notes. The piano speaks softly, carrying tenderness, longing, and light. It is both fragile and eternal, capturing the heart in its most human form.

Love

Fall Slips By

Spaces

Over There, It's Raining

For – Peter – Toilet Brushes – More

Handfuls of Night

Midnight Sun

Headie One - Back To Basics (feat. Skepta) - Floating Points Remix

Joep Beving has been one with the piano from an early age. He was forced to end his musical studies at the conservatory and instead continued at university to get a degree in public policy and public administration. However, his love for his instrument never perished. Where once his goal was to hit as many notes per minute as physically possible, his style of playing has changed over the years, searching for a particular aesthetic essence. His path was illuminated by a piano that Beving inherited from his grandmother when she passed away in 2009. This German instrument insisted on a more gentle touch and a gracious pace, which eventually led Beving to adapt to a more classical vocabulary to tell his story.⁣⁣
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This story started to manifest itself relatively late in life, when in 2014 at age 38, he was forced to stay home from work and decided to answer the draw of his piano. In search of tranquility of mind and some form of essence, music started to present itself that he had never played before in his life. Minimal pieces that he later once described as ‘simple music for complex emotions’.  Turned down by the only label he approached, Joep decided to self release his debut album Solipsism in 2015.⁣⁣
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The sound of his piano found its way to the ears of Deutsche Grammophon’s A&R manager Christian Badzura when visiting his favorite Bar in Berlin. This led to the signing of Beving to the world's foremost classical label and consequently the release of equally successful sophomore album ‘Prehension’ in 2017, making Joep one of the most listened to living pianists in the world at that time.⁣⁣
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He has attributed much of his music’s broad appeal to the stream of consciousness in which some of the pieces were conceived. Claiming that the music is already out there and that one has to ‘just’ create the circumstances for it to land. In 2018 he took this idea one step further with the release of ‘Conatus’ of which he said:  “If you see music as a living organism then it is not unthinkable that it has its own innate inclination to continue to exist and enhance itself.” On Conatus, Beving sees compositions from his first two albums travel through the minds of artists he admires (a.o. Suzanne Ciani, Collin Benders, Andrea Belfi), resulting in new pieces of music adding new layers and dimensions which would serve as the upbeat to his next major solo project as would become apparent in April 2019.⁣⁣
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As part of the art piece ‘Franchise Freedom’ by acclaimed artist duo Studio Drift, Joep travels to Burning Man at the end of 2018 to perform in the desert of Black Rock City in front of his largest audience to date. Inspired by the display of human creativity and inclusivity he returns home to finish his third solo album.⁣⁣
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April 2019 sees the release of HENOSIS, Joep Beving’s closing chapter in a trilogy of albums – marking the end of an intensely personal four-year spiritual and philosophical exploration.⁣⁣
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On HENOSIS the Dutch composer continues his minimalist and at times romantic style of writing, but this time explores new territories. It sets off where his sophomore album Prehension left us, the warm intimate sound of the Schimmel piano. With the help of producer Gijs van Klooster and through collaborations with Cappella Amsterdam, Echo Collective, and Maarten Vos, Joep Beving opens up new musical worlds using orchestral and electronic sounds alongside the familiar piano.⁣⁣

Sleeping Lotus (redux)

Joep Beving

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