The debut track from our new album This Moment Again and Again Go to the Beach!

Throw Us a Dollar

Big Sur

Demo #2 for this new album. Continuing with the theme of family. With thanks to the always gracious Eoghan Leadbetter and David Joseph Thompson for playing on here. Trying to get closer to a consistant sound for live recording. Piano, Acoustic guitar, Percussion, Vocal and Accordion. There are two piano recordings here, standard upright tracked by a tack piano. To anybody interested, there are no compressors/effects/plugins etc. on this track. 

Sow Your Buttons - Demo 2

Yo La Tengo
2015-10-10
Kings Theatre
Brooklyn, NY  USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK41V>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (patch first song, align, mix down, amplify, balance)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Special thanks to Mark Luecke for his assistance and the patched audience portion of the first song.

Tracks
01 Tried So Hard [Gene Clark]*
02 Automatic Doom [Special Pillow]
03 Rickety
04 My Heart’s Not In It [Darlene McCrea]
05 Double Dare
06 Naples [Antitam]
07 Deeper Into Movies
08 Butchie’s Tune [Lovin’ Spoonful]
09 Awhileaway
10 Corona [Minutemen]
11 Today Is the Day
12 Pass The Hatchet, I Think I’m Goodkind
13 Can’t Forget 
14 [banter]
15 Here Comes My Baby [Cat Stevens]
16 Friday I’m In Love [The Cure]
17 Yellow Sarong [The Scene Is Now]
18 Ohm
19 Our Way To Fall
20 [encore break/artwork intro]
21 Bottled Up [Devo]
22 [Nick Lowe intro]
23 Walk Away Renee [The Left Banke]&
24 Rollers Show [Nick Lowe]&

* no soundboard for first 1:20; audience mics are patched from the band’s source
& with Nick Lowe

Yo La Tengo - Corona [Minutemen] (live at Kings Theatre Brooklyn 2015)

Yo La Tengo - Awhileaway (live at Kings Theatre Brooklyn 2015)

Recorded at the WNYU studios on April 18th, 2015, for airing on Shake Em On Down on April 23rd.

Engineered by Jack Hallenbeck and Liam Mellor
Hosted by Luka Douridas

Full set and interview available here: wnyu.org/2015-04-23_shakeemondown

wnyu.org
wnyu.org/archives?c=shake-em-on-down

Michael Hurley - The Rue of Ruby Whores

Pre-order Peter's 'Grunewald' EP – out December 9 – on 10"/CD/DL here: phonofile.link/grunewald

Not long after the release of Peter Broderick’s seventh solo album ‘Partners’, the composer closes 2016 with his equally exceptional ‘Grunewald’ recordings, out on December 9th via Erased Tapes.

Born in just one night inside the four walls of the discrete yet majestic Grunewald Church, situated on the outskirts of Berlin, this five-track EP is an exploration of the alluring partnership between the acoustic space and Broderick's solo performance on piano and violin. Reflecting the grandeur of the room and the natural interaction between the instruments and their surrounding environment, 'Grunewald' pays homage to a very unusual space that's become a haven for an entire generation of contemporary composers.


Words from Peter, October 2016:


“In the few years between 2008 and 2011 or so, the Grunewald Church in Berlin was something of a hotspot for a group of us musicians. It started when Nils scouted it as a location in which to record The Bells . . . and then it seemed like we were in there every month or two for a while, either for recordings or for concerts.

There was a lady living just down the street from the church, and we’d just knock on her door, give her a couple hundred euros, and then she’d hand over the keys to the church! To be given unsupervised access in a space like that is really quite unheard of most of the time… For anyone who likes reverb, the Grunewald is a dream come true. That in combination with the beautiful old Bösendorfer piano made it the perfect place for both recording and performing.

When mixing the recordings that comprise this EP, simply titled Grunewald in homage to that old haven of ours, there were no artificial reverbs or delays used . . . only the natural sound of that epic space. Originally these piano recordings were released as part of a split album on a small Japanese label, and the violin piece was included on a compilation, also Japanese . . . but all these pieces were recorded on the same night, in the same space, and it is with great pleasure that I see them reunited for this release.”

TRACK LISTING:

1. Goodnight
2. Low Light
3. Violin Solo No.1
4. It’s A Storm When I Sleep
5. Eyes Closed And Traveling

www.peterbroderick.net · www.erasedtapes.com

Grunewald

Peter Broderick - It's A Storm When I Sleep

There’s prizes here for those who paid
1st place is pride, 2nd is shame 
I’m standing by the door from 8
Oh and 3rd place, is not so great

There’s a speakerphone on a the table 
And buckets of ice
For the cocktails and whiskey 
Don’t need to tell you twice

So when the music starts
I don’t want to see anyone on their own 
If your ready, lets kick it off 
C’mon your all adults now, go! 

Clandestine whisper 								A
From across the room							B 
From the speaker to the listener						
With an air of gloom (under disco ball moon) 			
She said you gotta give it up man, 					
take a chance,										
light a match and let it burn 						
Said the speaker to listener And then all sound returned  	

Now this 1st song is a slow one
The second is too.
The third one, and the last one
Well, thats up to you.

Playing counting crows in a disabled home
Function room
Gives you a sense of romance 
If you’re in a certain mood

Now they’re dancing, and they’re drinking
Theres xmas lights, and tiki flair 
It’s been the same way every year
But this one is different

Your waiting on a whisper / from across the room 	
Here I comes again but from another point of view 	
It said time is waiting for no-one 			
How can you stand there and expect it to?			
You can’t light a match and watch it turn 		
From red to blue							

Okay, I hope your having fun
Were almost at our final song
Here, pull 3 names out of my hat
Applause for Mavis and Imogen 
and, oh, sorry Pat

You see a woman there with braided hair 
In a yellow mack 
You go to her, the whisperer
As you play teardrops by massive attack


But she says, “You gotta wake up John ,you’re about to crash!” 
Theres a bend up ahead, that you cannot pass 
The her eye turn strange from green to red
And her rain coat grew long and tall over our heads

You wake to the sound the of 1st impact 		
The second sound is the oceans crash 		
And your car fly’s off into the darkness		

And the third, could be the dead silence		
	
And your seat-belts on and you can’t move
And irony, you think, is funny but true	 	
As your tired eyes narrow into the blue 		
You see a faint yellow shape swimming towards you

3rd Act

Written and played by P Cooney, P Hanna, M Chester, E O'Brien. 
Recorded by Daniel Fox and Jamie Hyland.

Customs

This podcast is an introduction to Walter Benjamin's "Theses on the Concept of History." It surveys some of the key concepts deployed by Benjamin in this text and provides an overview of the historical context. Underpinning theories from Marxism and Jewish Messianism are unpacked for non-experts. 

With the exception of a Satie piece, Berlioz's version of La Marseillaise and various versions of the Internationale, the soundtrack is all original compositions. 

Walter Benjamin's Theses on the Concept of History

Freckles

Home Sweet Home

Joey Gavin is a Dublin born musician and songwriter.
Roots in Folk, Psych, Pop and Punk
Elevator music from another dimension. 
Bad seeds meets bee gees.

3rd Act

Joey Gavin

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