Garbage doesn't sound like this for how good it is.

damn, you made an already synthwave song even More synthwave gg

Wont be able to finish this for a while unfortunately due to me being between houses right now, but some people asked for it so here it is.

GTTOD FGS Trailer Song

Valley, by Ed Harrison

Additional parts and performances:

Drums: Garry Hayes (1, 2, 3, 5, 6, 7, 8)
Guitars: Nick Phelps (1, 2, 6, 7, 8)
Bass: Cameron Whipp (5, 6, 8)
Bass: Rafael Freitas (1)
Bass: Matt Brett (2)
Voice & Flutes: Alia Fay (2, 3)
Voice: Amelia Harrison (3, 5)
Vibraphone: Jeremie Carrier (5)
Brass and Woodwinds: Nahor Gomes & Cesar Roversi (5, 6, 8)

Dive video by Solid
Cover artwork by Ed Harrison

Get it on Bandcamp!

Anthropos

"New Beginnings", my EP released on Data Airlines in 2013.

https://dataairlines.bandcamp.com/album/new-beginnings-data028

Trisynaptic Loop

An orchestration of 'Engineering' from Josh Randall/Ramin Djawadi's System Shock II soundtrack. As with the previous System Shock II track, this was hard to translate to orchestra. It differs slightly from the original and has a few bits of improv here and there. Hope I did it justice!

Find more of the Synthetic Orchestra on the sites below:
Facebook: http://facebook.com/syntheticorchestra
Twitter: http://twitter.com/syntheticorch
Google+: http://plus.google.com/b/116523306548488804710/
Site: http://syntheticorchestra.com

Used:
FL Studio 10, Kontakt 5, Spitfire Albion, Iceni, Pecussion, Harpsichord, Harp, BML Woods, Brass & Strings, SoundIron Requiem, Output Sounds Signal, Cinesamples DPB & HollywoodWinds.

System Shock II - Engineering

A high-energy Drum and Bass track that balances raw intensity with smooth rhythm. The drums hit hard with crisp breakbeats and deep sub-basslines, driving the momentum forward. The sound design leans aggressively — sharp reese bass growls, distorted synth stabs, and punchy kicks — but it’s controlled and polished, avoiding chaos.

Over the top, atmospheric pads and vocal elements add emotion and texture — either chopped female vocals or haunting spoken lines that weave through the mix. The vocals soften the edge, bringing a human touch to the mechanical energy.

The overall vibe is powerful, dark, and dynamic, perfect for late-night sets or cinematic chase sequences — energetic enough to move a crowd, but with a melodic core that keeps it musical rather than purely brutal.

Between Raindrops

Spacetime

Inspired by my favorite movie 'Drive' and the game 'Hotline Miami'. 
Downlod the song on Bandcamp: http://bit.ly/1BtOKSk

Hotline Drive

https://www.youtube.com/watch?v=0bj39Mbw7uA

I love making this stuff!  Full album coming soon! Clip from a new Synthwave/Outrun scifi game coming out later this year.  XD

Iridium Valley - (Synthwave - Outrun) - Adam Cadabra

My remix of the music for Ambulas Reborn. Mostly garbage. Partially a short, abstract discourse on technology, consumerism and the singularity.

I make no apologies.

Youtube: https://youtu.be/r7ZNcdoR3Qc

Original song composed by George Spanos/Digital Extremes

Dedicated to Bast

[Ｇ Ｒ Ｏ Ｆ Ｉ Ｔ ． Ｗ Ａ Ｖ] - 実現する！シナジー！

Finally! Here it is. The one that is used in our famous youtuber! Captain Disilussion! Big thanks for capt disilussion that this track of mine was used in his BTTF VFX videos!

Enjoy!

2018

Solarize laser - (Capt Disilussion)

Welcome 

A world where vending machines give out lemon-lime instead of orange, where edgy looks are actually the norm, where every club plays crt_head's absolutely mental saw wave compositions 

Oh what a grim future it is 

Meet the Street Samurai

Street Samurai

crt_head - ゴースト

Game remixes and creative commons stuff.

alt account - @echthroiofficial

[ＧＲＯＦＩＴ．ＷＡＶ] - 実現する！シナジー！

Joey Zero

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