Glenn Gould Anthologies  - 3

English Suites N. 1, 2 & 3

English Suite No. 1 in A major, BWV 806: II. Allemande (Original Version)

English Suite No. 1 in A major, BWV 806: I. Prelude (Original Version)

English Suite No. 1 in A major, BWV 806: IV. Courante II (Original Version)

English Suite No. 2 in A minor, BWV 807: IV. Sarabande (Original Version)

That's Life

Notturno Op.9 N.1

Você já parou para pensar em como alguns filhos de Deus seguem com as suas vidas?
Fazem planos, se dedicam e algumas vezes conseguem alcançar o resultado esperado! Nessas horas se alegram!
Mas e quando os planos não funcionam? Buscam a Deus!
Não há mal algum em orar a Deus e buscá-lo, pelo contrário, devemos apresentar a Ele nossas súplicas, porém, se agirmos desta forma, ou seja, buscarmos o Pai somente no momento da derrota é porque em nosso íntimo achamos que com nossa força, inteligência e dedicação poderemos resolver as questões que aparecem em nossas vidas, sendo que, apenas na derrota nos lembramos de
Deus.
No livro de Salmos o autor tem uma visão diferente: "Não confio em meu arco, minha espada não me concede a vitória; mas tu nos concedes a vitória sobre os nossos adversários e humilhas os que nos odeiam. Em Deus nos gloriamos o tempo todo, e louvaremos o teu nome para sempre (Salmos 44:6-8)”.
Este deve ser o nosso pensamento diário! Devemos confiar em nosso Deus porque a nossa capacidade é limitada!
Mesmo nos acertos e vitórias devemos reconhecer que os resultados não vieram somente por causa da nossa capacidade, nem da força de nossas mãos, mas sim devido a graça e misericórdia de nosso Pai que é derramada diariamente sobre nós!

BOA NOITE COM DEUS

NÃO CONFIO EM MINHA FORÇA

Beethoven Schumann Brahms

Piano Sonata No. 7 in D Major, Op. 10, No. 3: Largo e mesto

Beethoven Sonata Op.10, No.3 in D Minor,  Largo

Calm Classical Lullaby Vol.5

Johann Sebastian Bach : The Well-Tempered Clavier, Book 1 BWV 846-869 - 2. Fugue

Pianist John Bitoy performs an excerpt of Johann Sebastian Bach’s "The Well-Tempered Clavier," Book 1, Fugue No. 12 in F Minor, BWV 857, published in 1722.

František Kupka looked to the fugue, a musical structure characterized by interweaving and repeating a primary theme and one or more contrasting themes, as inspiration for "Disks of Newton (Study for “Fugue in Two Colors”)." Through the work’s subtitle, Kupka subtly points to eighteenth-century Baroque composer Johann Sebastian Bach, who developed the malleable fugue form through his two "Well-Tempered Clavier" books of compositions.

About the Performer
John Bitoy is an Afro-Dominican pianist and composer originally from Chicago, where he enjoys a multi-faceted career as a soloist and collaborative pianist. His recent solo engagements include performances of Rachmaninoff’s Piano Concerto No. 2 with the South Loop Symphony and Symphony of Oak Park. He has performed in esteemed halls such as the Eastman Theatre, Chicago Symphony Center, the Jay Pritzker Pavilion at Millenium Park, Perelman Theater, Edward Pickman Hall, Krannert Center for the Performing Arts, The American Repertory Theater, Mary B. Galvin Recital Hall, and the Copernicus Center. 

John is a passionate advocate for new music in performance spaces. Past projects include the recording and world premiere of several pieces from Steve Wallace’s Solo piano and chamber compositions in 2020, followed by his opera in 2021. As an avid chamber musician, John has been invited to play at the Gateways Music Festival, The Boston Celebrity Series, the Philadelphia Chamber Music Society, The Bienen School of Music, the Philarmonic Society of Orange County, the American Repertory Theater, Caramoor, The Bold Tendencies festival, and has performed works by Marcus Norris, Tyshawn Sorey, Davóne Tines, Ahmed Alabaca, and Brian Raphael Nabors. 

Mr. Bitoy enjoys playing standard repertoire, yet he is simultaneously devoted to shedding light on the new music of composers of the African Diaspora. In addition to taking pleasure in his classical engagements, John is well versed in other genres. He was invited to perform with Sigur Ros during their 2019 United States Tour of "Riceboy Sleeps," and has been a featured artist at the Jazz Showcase and Andy’s Jazz Club.

Exhibition Website

"The Well-Tempered Clavier," Book 1, Fugue No. 12 in F Minor, published in 1722.

:) https://www.youtube.com/watch?v=jkzzWvSn8Pk

jonas blue & dakota- fast car, piano cover

Sailng Greece Abstract Session Op.4 No.2

Impromptu Op.5 Nos. 5 & 6 - Jean Sibelius

J.S. Bach: Das Wohltemperierte Clavier

J.S. Bach: The Well-Tempered Clavier, Book 1: Fugue No. 1 in C Major, BWV 846/2

J.S. Bach: The Well-Tempered Clavier, Book 2: Prelude No. 12 in F Minor, BWV 881/1

J.S. Bach: The Well-Tempered Clavier, Book I

Prelude No. 10 in E Minor, BWV 855/1 (Live in Troy, NY / 1987)

The joy we feel at the sighting of a butterfly when the warm weather arrives after the long, dark cold of winter is a very special feeling. Music can bring us this joy whenever we need it!

First Butterfly of Spring

First Butterfly Of Spring

English Suite No. 1 in A major, BWV 806: I. Prelude (Original Version)

Johann Sebastian Bach

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