Glenn Gould Anthologies  - 3

Britten: String Quartets Nos. 1 & 3, Simple Symphony

Simple Symphony, Op. 4: III. Sentimental Sarabande

Felipe  Pedrell (1841 –  1922) was a Spanish composer, guitarist and musicologist. Among his main direct disciples are Isaac Albéniz, Enrique Granados, Cristòfor Taltabull, Pedro Blanco, Joaquín Turina and Manuel de Falla.

Felipe Pedrell: Mazurka

Composer Frank H. Grey wrote this slow waltz "Love In Venice" in 1924.

Free score transcribed by Œnanthic:
https://musescore.com/user/3636436/scores/6525685

Frank H. Grey: Love In Venice (Valse Lento) (1924)

English Suites N. 4, 5 & 6

English Suite No. 5 in E minor, BWV 810: I. Prelude (Original Version)

English Suite No. 5 in E minor, BWV 810: V. Passepied I (Original Version)

English Suite No. 5 in E minor, BWV 810: VII. Gigue (Original Version)

English Suite No. 5 in E minor, BWV 810: III. Courante (Original Version)

Apologies for we have eventually pulled five songs from the album - being recorded v soon, more news and music  soon. 

Here’s a version of Ghosts featuring Angelika 

Enjoy’

ghosts

Calm Classical Lullaby Vol.5

Johann Sebastian Bach : The Well-Tempered Clavier, Book 1 BWV 846-869 - 2. Fugue

Pianist John Bitoy performs an excerpt of Johann Sebastian Bach’s "The Well-Tempered Clavier," Book 1, Fugue No. 12 in F Minor, BWV 857, published in 1722.

František Kupka looked to the fugue, a musical structure characterized by interweaving and repeating a primary theme and one or more contrasting themes, as inspiration for "Disks of Newton (Study for “Fugue in Two Colors”)." Through the work’s subtitle, Kupka subtly points to eighteenth-century Baroque composer Johann Sebastian Bach, who developed the malleable fugue form through his two "Well-Tempered Clavier" books of compositions.

About the Performer
John Bitoy is an Afro-Dominican pianist and composer originally from Chicago, where he enjoys a multi-faceted career as a soloist and collaborative pianist. His recent solo engagements include performances of Rachmaninoff’s Piano Concerto No. 2 with the South Loop Symphony and Symphony of Oak Park. He has performed in esteemed halls such as the Eastman Theatre, Chicago Symphony Center, the Jay Pritzker Pavilion at Millenium Park, Perelman Theater, Edward Pickman Hall, Krannert Center for the Performing Arts, The American Repertory Theater, Mary B. Galvin Recital Hall, and the Copernicus Center. 

John is a passionate advocate for new music in performance spaces. Past projects include the recording and world premiere of several pieces from Steve Wallace’s Solo piano and chamber compositions in 2020, followed by his opera in 2021. As an avid chamber musician, John has been invited to play at the Gateways Music Festival, The Boston Celebrity Series, the Philadelphia Chamber Music Society, The Bienen School of Music, the Philarmonic Society of Orange County, the American Repertory Theater, Caramoor, The Bold Tendencies festival, and has performed works by Marcus Norris, Tyshawn Sorey, Davóne Tines, Ahmed Alabaca, and Brian Raphael Nabors. 

Mr. Bitoy enjoys playing standard repertoire, yet he is simultaneously devoted to shedding light on the new music of composers of the African Diaspora. In addition to taking pleasure in his classical engagements, John is well versed in other genres. He was invited to perform with Sigur Ros during their 2019 United States Tour of "Riceboy Sleeps," and has been a featured artist at the Jazz Showcase and Andy’s Jazz Club.

Exhibition Website

"The Well-Tempered Clavier," Book 1, Fugue No. 12 in F Minor, published in 1722.

The last in my diminutive series of mini sonatinas. Here one might imagine if Haydn suddenly developed ADHD. At any rate, I will never be accused of being long-winded. 

Tiny Sonatina Nr 3 in D

J.S. Bach: Das Wohltemperierte Clavier

J.S. Bach: The Well-Tempered Clavier, Book 1: Fugue No. 1 in C Major, BWV 846/2

J.S. Bach: The Well-Tempered Clavier, Book 2: Prelude No. 12 in F Minor, BWV 881/1

Darkchestra - "Epic Hero To Majestic Grand To Triumphant Victory, Powerful Orchestral Cinematic Cues Portrayed With A Dark Intensity".

Music composed and produced by Or Chausha and Nitzan Sagie
Orchestration: Benny Oschmann
Recording Studios: Studios 22
Performed by Budapest Art Scoring Orchestra
Music recording services by Budapest Scoring
Conducted by Peter Pejtsik 
Mixing and Mastering Engineer: Or-Chausha
Artwork: Darin Leach

For licensing - search.warnerchappellpm.com/main//?sear…e[=SS038]&0

© 2019 615 Music, Scoring Stage, Warner/Chappell Production Music.

Special thanks to Or Kribos


Or Chausha and Nitzan Sagie

English Suite No. 5 in E minor, BWV 810: VII. Gigue (Original Version)

Johann Sebastian Bach

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