Johann Sebastian Bach, Vol. 1

Brandenburg Concerto No. 5 In D Flat Major - Allegro

Polonaise in a Flat Major, Op. 53 'Heroique' (Sheba Blake Edition)

French Suites 1, 2 & 3

French Suite No. 2 in C minor, BWV 813: I. Allemande

French Suites 4, 5 & 6

French Suite No. 4 in Eb major, BWV 815: VII. Gigue (Original Version)

•Adagio of Spartacus and Phrygia, from Spartacus - Aram Khachaturian

Above the Clouds, pt. 3: Adagio of Spartacus and Phrygia, from Spartacus - Aram Khachaturian

Passionately  lying  in flowery  meadows. The  mountains are  kissing  the  blue  skies - and from  the  valley  afar,  sounds  of  a traditional folk band  and  festivity  are  blown through  soft  breezes to  us.

Franz Schubert´s  Impromptus  Nr. 4  interpreted  by  Bastian Lee Jones, is one  of  BLJ´s favorite  piano pieces  by  Schubert, which  will  be  published  on his  solo classic  cd  "climaxual intimacies".
EARMErecords  LC 29347, ISRC  DE-QB2-14-00049

©2022 by Bastian Lee Jones Mediagroup® - LebenslustTV®Ltd. & EARMErecords - Bastian Lee Jones - ©2022 photo source: google search and the copyrightowner
P-Line 2022 by  by Bastian Lee Jones Mediagroup® - LebenslustTV®Ltd. & EARMErecords - Bastian Lee Jones

impromptus Op 90, Nr. 4

all buy & follow links

Franz Schubert -  Impromptus Op. 90 No. 4

ambient @1 "Soliloquy"
A spontaneous piano improvisation —
a quiet soliloquy recorded in a single take.

There’s no plan, no structure.
Just sound, memory, and silence breathing together.

A small appendix to the ambient series —
fragments of thought that never made it into words.

ambient @

Soliloquy

ambient @1 "Soliloquy"

Album release: February 2017

The violinist Chiara Zanisi works with the finest early music ensembles, notably the Amsterdam Baroque Orchestra under Ton Koopman, with whom she has just finished a long tour performing the Six Brandenburg Concertos. She now devotes her first solo recording to Johann Sebastian Bach’s Six Sonatas for Harpsichord and Violin. Alongside her is Giulia Nuti, among the most brilliant harpsichordists and scholars in Italy, whose solo CD Les Sauvages: Harpsichords in pre-Revolutionary Paris (DHM) won a Diapason d’Or, among other awards. The kernel from which this project grew is their strongly shared idea that, in addition to great stylistic richness and invention, Bach’s music possesses an aura of magic and an almost divine form. Thus, in this valuable and elegant reading, it is clearly their intention to underline in the simplest way the grandeur of the writing. Even the choice of sound aesthetic, beautifully realised under the supervision of Fabio Framba, opts for the ‘real’ with a ‘pure’, ‘speaking’ sound, warm and full of harmonics. The attractions of this precious version of the Six Sonatas, played on a G. Gagliano violin of 1761 and a harpsichord by K. Hill, are enhanced by a bonus track: the Cantabile, un poco Adagio from the early version of Sonata VI in G major.

Sortie en février 2017

La violoniste Chiara Zanisi travaille avec les principaux ensemble de musique de chambre, et notamment l’Amsterdam Baroque Orchestra de Ton Koopman, avec lequel elle vient d’achever une longue tournée avec les six Concertos brandebourgeois. Elle consacre aujourd’hui son premier enregistrement solo aux six sonates pour clavecin et violon de Johann Sebastian Bach. À ses côtés, Giulia Nuti, l’une des clavecinistes et chercheuses italiennes les plus brillantes, dont le CD Les Sauvages: Harpsichords in pre-Revolutionary Paris (DHM) a notamment remporté un Diapason d’or. Leur projet s’est développé à partir de l’idée largement admise que, outre une richesse stylistique et une invention importantes, la musique de Bach possède une aura magique et une forme presque divine. Leur intention est de souligner de la manière la plus simple, par leur lecture précise et élégante, la grandeur de l’écriture. Même le choix de l’esthétique sonore, magnifiquement réalisée sous la supervision de Fabio Framba, opte pour le « réel », avec un son « pur », « parlant », chaud et plein d’harmoniques. Les attraits de cette précieuse version des Six Sonates, jouées sur un violon de G. Gagliano (1761) et un clavecin de K. Hill, sont encore renforcés par la présence d’une plage supplémentaire : le Cantabile, un poco Adagio de la première version de la Sonate VI en sol majeur.

BACH // Violin Sonata No. 3 in E Major, BWV 1016: IV. Allegro

Release date: March 2017
More info: http://bit.ly/2nFUDtK

Johannes Brahms
Symphony No. 4, Op. 98, Alt-Rhapsodie, Op. 53 & Schicksalslied, Op. 54
Orchestre des Champs-Elysées, Philippe Herreweghe, Collegium Vocale Gent, Ann Hallenberg


Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso

BACH, VIVALDI. CONCERTOS
Einar Steen-Nøkleberg, piano (1–3, 7–8, 13–15)
Alexander Zagorinsky, cello (4–6, 10–12)
The Chamber Orchestra of the Vologda Philharmonic Society
Conductor – Alexander Loskutov

Johann Sebastian Bach. Harpsichord Concerto No. 1 in D minor, BWV 1052
1 I. Allegro
2 II. Adagio
3 III. Allegro
Antonio Vivaldi. Cello Concerto in A minor, RV 422
4 I. Allegro
5 II. Largo cantabile
6 III. Allegro
Johann Sebastian Bach. Harpsichord Concerto No. 4 in A major, BWV 1055
7 I. Allegro
8 II. Larghetto
9 III. Allegro ma non tanto
Antonio Vivaldi. Cello Concerto in G major, RV 413
10 I. Allegro
11 II. Largo
12 III. Allegro
Johann Sebastian Bach. Harpsichord Concerto No. 5 in F minor, BWV 1056
13 I. [Allegro]
14 II. Largo
15 III. Presto

Recorded In 2018.
Sound engineer – Alexander Volkov
Editor – Dmitry Maslyakov
Design – Anna Kim
Cover photo – "Sky Of Vologda" By Tanya Sazansky
Translation – Nikolay Kuznetsov
Digital Release: Dmitry Maslyakov, Roman Tomlyankin

MEL CD 1002592

14. Bach: Harpsichord Concerto No. 5 in F minor, BWV 1056 - II. Largo

Johann Sebastian Bach - Partita No. 2 In D Minor, BWV 1004 - Allemanda
Paweł Miczka - baroque violin

French Suite No. 2 in C minor, BWV 813: I. Allemande

Johann Sebastian Bach

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