Amazing, i will love first girl listening to Bach! Almost no way to find her here.. 

Wherefore Art Thou Knight

Music generated with Artificial Intelligence by destructuring and unlearning Johann Sebastian Bach.

SIAE Copyright © ℗ Oberlunar (Francesco Bardozzo)

From Fantasia And Fugue In G Minor Of J.S. Bach

Wolfgang Amadeus Mozart, Vol. 1

Piano Sonata No.11 in A major, K. 331- III. Rondò Alla Turca

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Johann Sebastian Bach, Vol. 1

Toccata and Fugue in D Minor BWV 565

Classical Lullabies For Babies 34

Rimsky-Korsakov : Symphonic Suite Op.35 'Scheherazade' – II. The Tale Of The Kalendar Prince

Polonaise in a Flat Major, Op. 53 'Heroique' (Sheba Blake Edition)

•Adagio of Spartacus and Phrygia, from Spartacus - Aram Khachaturian

Above the Clouds, pt. 3: Adagio of Spartacus and Phrygia, from Spartacus - Aram Khachaturian

Who´s  dancing in the  moonlight ? A loving couple  who left the party and  the  partyfolks  behind.
Claire de lune  is the  second  movement  of  Claude Debussy´s Suite Bergamasque.
Bastian Lee Jones  interpreted  it as  usual  in a  popmusic  stylish  way - and  will  master  the  track not  ina  classical  way  but  in a pop style. The  album will be  called "climaxual intimacies" and  will  narrate  the  story  of  a  loving couple.
EARMErecords LC 29347      ISRC DE-QB2-14-00040

Claire de Lune (Suite Bergamasque)

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Claude Debussy -  Claire De Lune  (Suite Bergamasque)

Passionately  lying  in flowery  meadows. The  mountains are  kissing  the  blue  skies - and from  the  valley  afar,  sounds  of  a traditional folk band  and  festivity  are  blown through  soft  breezes to  us.

Franz Schubert´s  Impromptus  Nr. 4  interpreted  by  Bastian Lee Jones, is one  of  BLJ´s favorite  piano pieces  by  Schubert, which  will  be  published  on his  solo classic  cd  "climaxual intimacies".
EARMErecords  LC 29347, ISRC  DE-QB2-14-00049

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impromptus Op 90, Nr. 4

Franz Schubert -  Impromptus Op. 90 No. 4

스며드는 빛

Dreaming

Romance (from The Gadfly Suite, Op. 97a)

Bach: Das Wohltemperierte Klavier - Buch II (BWV 870-893)

Prelude & Fugue No. 5 in D Major, BWV 874

Classical Collections The Masters, Vol. 4

Suite No 2 In B Minor

Album release: February 2017

The violinist Chiara Zanisi works with the finest early music ensembles, notably the Amsterdam Baroque Orchestra under Ton Koopman, with whom she has just finished a long tour performing the Six Brandenburg Concertos. She now devotes her first solo recording to Johann Sebastian Bach’s Six Sonatas for Harpsichord and Violin. Alongside her is Giulia Nuti, among the most brilliant harpsichordists and scholars in Italy, whose solo CD Les Sauvages: Harpsichords in pre-Revolutionary Paris (DHM) won a Diapason d’Or, among other awards. The kernel from which this project grew is their strongly shared idea that, in addition to great stylistic richness and invention, Bach’s music possesses an aura of magic and an almost divine form. Thus, in this valuable and elegant reading, it is clearly their intention to underline in the simplest way the grandeur of the writing. Even the choice of sound aesthetic, beautifully realised under the supervision of Fabio Framba, opts for the ‘real’ with a ‘pure’, ‘speaking’ sound, warm and full of harmonics. The attractions of this precious version of the Six Sonatas, played on a G. Gagliano violin of 1761 and a harpsichord by K. Hill, are enhanced by a bonus track: the Cantabile, un poco Adagio from the early version of Sonata VI in G major.

Sortie en février 2017

La violoniste Chiara Zanisi travaille avec les principaux ensemble de musique de chambre, et notamment l’Amsterdam Baroque Orchestra de Ton Koopman, avec lequel elle vient d’achever une longue tournée avec les six Concertos brandebourgeois. Elle consacre aujourd’hui son premier enregistrement solo aux six sonates pour clavecin et violon de Johann Sebastian Bach. À ses côtés, Giulia Nuti, l’une des clavecinistes et chercheuses italiennes les plus brillantes, dont le CD Les Sauvages: Harpsichords in pre-Revolutionary Paris (DHM) a notamment remporté un Diapason d’or. Leur projet s’est développé à partir de l’idée largement admise que, outre une richesse stylistique et une invention importantes, la musique de Bach possède une aura magique et une forme presque divine. Leur intention est de souligner de la manière la plus simple, par leur lecture précise et élégante, la grandeur de l’écriture. Même le choix de l’esthétique sonore, magnifiquement réalisée sous la supervision de Fabio Framba, opte pour le « réel », avec un son « pur », « parlant », chaud et plein d’harmoniques. Les attraits de cette précieuse version des Six Sonates, jouées sur un violon de G. Gagliano (1761) et un clavecin de K. Hill, sont encore renforcés par la présence d’une plage supplémentaire : le Cantabile, un poco Adagio de la première version de la Sonate VI en sol majeur.

Suite No 2 In B Minor

Johann Sebastian Bach

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