UA456: XFA - III [LP] Ambiente & Glitch, Experimental Electronic Music.
Dark Energy Bright Motion. 22 Tracks Inc.
The release took place on 10/10/2022. whoever you like, do not forget to support and like. add an unusual atmosphere to your daily routine. when listening it, your can be energized!) and thought processes!)
https://www.junodownload.com/products/xfa-iii-lp/5392295-02/
https://www.beatport.com/release/iii-lp/3590439
https://open.spotify.com/album/5nANDNgLHblCyQApIGCPSi

Releases By XFA on Universe:Axiom [Glitch\IDM\Ambiente\Experimental]
playlist on spotify https://open.spotify.com/playlist/2KGgNCRAYsRRRf6ClKknhz

XFA - TRL.ND.RRR release by label [Universe:Axiom]
buy&grab tracks in wav\mp3
https://www.beatport.com/release/trl-nd-rrr-lp/2812366
https://www.junodownload.com/products/xfa-trl-nd-rrr-lp/4406022-02/
https://www.amazon.com/TRL-ND-RRR-LP-XFA/dp/B0834JS2KG/ref=sr_1_1
https://music.apple.com/us/album/trl-nd-rrr-lp/1492881049
listen album online\stream
https://vk.com/music/album/-2000577059_6577059_055774f2ee4af03d80
https://play.google.com/store/music/album/XFA_TRL_ND_RRR_LP?id=Bobfbyzvnaw4az5tzelg6idofh4
https://music.yandex.ru/album/9710567
https://open.spotify.com/album/4JqRlsoUeoxPXgomAxj1cY
https://www.deezer.com/ru/album/125038032
https://www.youtube.com/playlist?list=OLAK5uy_mI9khIp81Chk1VWVmEI_I0kO17vXbTvDk

XFA.MMXVIII.X.I.GRS.MNK
buy&grab tracks in wav\mp3
https://www.beatport.com/release/mmxviii-x-i-grs-mnk/2848237
https://www.junodownload.com/products/xfa-mmxviii-x-i-grs-mnk/4459402-02/
https://www.amazon.com/MMXVIII-X-I-GRS-MNK-Original-Mix/dp/B084F4QXM2/ref=sr_1_3
https://music.apple.com/us/album/mmxviii-x-i-grs-mnk-single/1497441884
listen album online\stream
https://vk.com/music/album/-2000836558_6836558
https://music.yandex.ru/album/10045092/track/63244235
https://open.spotify.com/album/73YPMgTy3aCgkEggdFj5LZ
https://www.deezer.com/ru/album/130777812
https://www.youtube.com/watch?v=918FVzeJVaY

XFA.XCSS.DSRS
buy&grab tracks in wav\mp3
https://www.beatport.com/release/xcss-dsrs-lp/2983092
https://www.junodownload.com/search/?q%5Ball%5D%5B%5D=XCSS.DSRS&solrorder=relevancy
https://www.amazon.com/XCSS-DSRS-Lp-XFA/dp/B0893L5YNJ/ref=sr_1_1
https://music.apple.com/us/album/xcss-dsrs-lp/1514436272

XFA.MMXX.IV.VIII.SLPVR
buy&grab tracks in wav\mp3
https://www.beatport.com/release/mmxx-iv-viii-slpvr/3093486
https://www.junodownload.com/products/xfa-mmxx-iv-viii-slpvr/4740033-02/
https://www.amazon.com/MMXX-IV-VIII-SLPVR-Original-Mix/dp/B08GYQ125N/ref=sr_1_1
https://music.apple.com/us/album/mmxx-iv-viii-slpvr/1527840783

MMXXIXXXXVNVR

In memory of my dear friend Lebo, also drummer of the live band Laybow, here's another track of what turned out to be her final music session.

This is a live session played on nov. 5th 2021.  Lebo passed away on dec. 22nd 2021.

Though we may enjoy her energy embedded in her legacy and memories and in many different other ways, we will never get to interact with her directly again. And that will be missed tremendously. But she WILL be celebrated, this is not a question. 

The picture is her giving a 'goodnight kiss' as a funny pic to the bass player's son, a couple of years ago. This photo brings a smile to my face as it's full of joyful vibes.

me: guitar and voice
PP: bass
Lebo: drums

Polaroid (live 2021-11-05)

More on this 530th weekly Disquiet Junto project – Minimally Viable Music (The Assignment: How much less is just shy of too little?) – at: disquiet.com/0530/

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…mally-viable-music/

A minimum viable product (MVP) is a version of a product with just enough features to be usable by early customers who can then provide feedback for future product development (Wikipedia).

So, in my opinion, create a procedure/methodology that allows you to create/test something that will naturally be developed further with future steps.

And, therefore, what is the simplest/most comfortable and most relevant starting point to create this path?

In my case:
1) start working with samples and various granular samplers (Frame 2 and Frame 3, by Peter Dines, in Reaktor eg.)
2) always working in a heterodox way, use stochastic/random midi generators to obtain a score, which can be used as it is, or distributed among various instruments / sounds. Of course the choice of instruments in this case is crucial, since we are not within a precise and codified musical form.

This is the method I used for this track.

MTH 02 - Disquiet0530

IMMEDIATELY

I wanted to keep things simple by strictly using the original source material without any synthesis or fancy resynthesis. So I put the original recording in reaper and then sent various filtered versions of it through various effects. I want to create something like a bass drum from the track, but I didn't want to 'cheat' by doing pitch modulation / using a self resonating filter on it. That said, I ended up using a self resonating filter for the bassline like thing, and I used paulstretch to extract some tonal content. The best intentions.. I manually adjusted the clip so that it stayed roughly synchronised for the bulk of the track, but then mixed in the original recording at the end so that there was some syncopation.

I find it a bit heavy on the drudgery of the march, and if I were doing it again I think I would try to escape that drudgery by transitioning to more of a drone, but I'm not about to start from scratch now :)

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More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 24

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

shifty pipe [disquiet0581-helsinkidownspout]

This track was created for the Naviar Haiku group.
479 week haiku
https://www.naviarrecords.com/2023/03/08/naviarhaiku479-summer-night/

2023-03-09

Summer Night ( Naviarhaiku 479 )

Original here https://soundcloud.com/thgirwnhoj/the-loneliest-number-2-of-3-the-fisherman-the-priestess-thgirwnhoj-disquiet0592
More on this 593rd weekly Disquiet Junto project, The Charm (The Assignment: Complete an asynchronous trio begun by two other musicians), at: https://disquiet.com/0593/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

Fisherman, Priestess And Prat (disquiet0593)

https://www.youtube.com/watch?v=-MbAVaNqEDQ

17FEB23Clock -  Trampelfâd + Janjórsteen

Ansynda [part 1]

Disquiet Junto Project 0622: Know the Shadow
The Assignment: How do you depict a shadow in sound?

I started playing around in the DAW and somehow ended up with old step samples. The simplest idea of musical shadows are certainly delay and reverb, and initially I built a (virtual) modular thing behind the steps that changes the shape of the steps but still lets us think of the original, just as shadows only hint at what cast them.

The second idea was the drums, and what could be the shadow of a drum kit? I used a looping noise sample (coming in very late, and not too loud) and carved out a kind of kick drum with negative noise using filters, so the absence of sound is the shadow here. I'll tell you why it has to be like this at some point far, far away … 

The third idea was to use two different types of motifs in one scale: An FM synthesizer using only the black keys of a blues scale (the real thing), and a classic basic saw synthesizer using only white keys (the shadow). 

Em ... and in general: first comes the real and then you hear the shadows, and in the end there are only shadows, because the word also stands for a kind of vague memory that continues to have an effect even after the real has disappeared. And remember, samples are shadows of real sounds …

The result is undoubtedly overly intellectual and musically not a gem. But it wouldn't be experimental music if the experiment couldn't - as here - go badly wrong. That's why I kept it under 3 minutes ...

Image: Dall-E

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More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

3 Shadows [disquiet0622]

morning service
offering its fragrance
a white lily

Sôen Nakagawa was a key figure in the transmission of Zen Buddhism from Japan to the Western world. His teachings emphasized the importance of direct experience and the integration of Zen philosophy into everyday life.

Morning Service (navku519)

This page is for tracks made in response to Naviar Records weekly haiku challenges. I have been involved for years now.  Check out UNNECESSARY ENTERPRISES pages here on Soundcloud and also the collections at Bandcamp. This page "activated" in September, 2018.

Morning Service (navku519)

john e's Unnecessary Haiku Enterprises (Naviar)

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