All Rights Reserved


G-Stone Recordings
Richard Dorfmeister/Rupert Huber

Tosca - Honey [Supatone1 Dub]

Pat FM's epic Café Casablanca edit of XS 92 w/ vocals by Toufik El Maachi and intentional string treatment by Andy Guy. 

Original mix: https://soundcloud.com/waffensupermarkt/xs92

Release July 12 / Beatport + streaming June 28

More music: https://music.apple.com/artist/1601314576
https://beatport.com/artist/pat-fm/1031485
https://boomplay.com/artists/38385781
https://www.junodownload.com/artists/pat+fm
https://open.spotify.com/artist/117H0ds5fBrVpBse74hlyR
https://traxsource.com/artist/650879
https://youtube.com/channel/UC-UELV59V0VvaubnRk22gtg

SoundCloud: https://soundcloud.com/user-921164388

Pat FM tracks are supported by Benjamin (CAN), Borka & The Gang / Backseat Mafia (GER), Diego (ES), DJ B-12 (USA), DJ Luis Leite (POR), Guy-Ohm (BEL), Indy Lopez (ES), Ingo Sänger (GER), Kono Vidovic / Dirty Disco (NL), Mark Mac (UK), Matias Lores (ARG), Mindflash (GER), Mitcry (MX), Pleasure Voyage (F), Scotty I (UK), Shafei (EGY), Timo Prchnow (GER) and many others

All rights reserved (c) http://amsq.de 2024

Beate Zurwehme & John Kawara - XS 92 (Café Casablance Remix BY Pat FM)

PREMIERE: Beate Zurwehme & John Kawara - XS 92 (Pat FM's Café Casablanca Remix)

Breathless 

Produced by Lexxx and Gwilym

Taken from the forthcoming album A Paradise

Pre-order album here >> https://gwilymgold.store-08.com/pre-order/

gwilymgold.com

A Paradise

Pre-order

Breathless

Stranger EP / 4 Tracks 

Lyrics : Sweet sunday morning
              Am I awake in a dream
              Could you tell me first
              Where am I and what is real 


Wake me up

Buy on Bandcamp

Wake Me Up

Bryan Ferry’s most recent musical odyssey came in the form of 2014’s critically acclaimed Avonmore album, now the LP gets some very special remix treatment by a connoisseur selection of disco artists from around the globe. The celebrated and tastemaking likes of Leo Zero, Ray Mang, Prins Thomas, Justin Robertson, Leftside Wobble, Idjut Boys, Man Power and many more all lend their well trained ears and serve up some sizzling new versions of the superb originals.
Bryan Ferry is one of the UK’s foremost singer songwriters, a pop artist and musician whose appeal has spanned five decades. With his elegant virtuoso performances as the front man of Roxy Music and his subsequent illustrious solo career Ferry has achieved numerous accolades and has been a great source of influence and inspiration for ensuing generations of musicians. As such, a project like this allows some of these established and rising talents the unique opportunity to add their own spin to Ferry’s singular style.
A broad palette of sounds, scenes and genres are traversed along the course of this absorbing collection. It kicks off in style with two different versions of ‘Loop Di Li’. Leo Zero’s take is sun-kissed and breezy, with trilling riffs and sweeping synths. UK disco don Ray Mang then offers a more pumping, groove driven effort that wraps Ferry’s unique vocals up in neo-Balearic cool.
Next up, the marvellous ‘Midnight Train’ is offered as a late night and romantic affair by Johnson Somerset, a cosmic chugger by Man Power and a characteristically left of centre house version by the inimitable Idjut Boys, famed for being remix kings.
Fans of dubbed out and slo-motion disco will love the brilliant Beard of Concern mix of ‘Soldier of Fortune,’ before five fascinating versions of ‘Driving Me Wild’ take in lush 80s nostalgia, swaggering dub, mechanical psychedelic disco, horizontal grooves and elastic kosmiche from Johnson Somerset, Leftside Wobble, Justin Roberton’s Deadstock 33s, Leo Zero and Ray Mang respectively.
The latter half of the album finds nu-disco pioneer Prins Thomas masterfully flip the title track into a broody affair with corrugated bass and tense, scintillating synth lines, whilst PBR Streetgang work ‘One Night Stand’ into a deep and synthetic disco bomb that will have dance-floors in raptures. Elsewhere Idjut Boys, Ray Mang, Leo Zero & Johnson Somerset offer more expert reworks. Hidden Orchestra layer grand instrumentals and sweeping strings into a dramatic and theatrical remix of ‘Send in the Clowns.’ Leftside Wobble then brings us back down to earth with an intoxicating brew of molten synths, woozy chords and smeared pads that sooth mind, body and soul. Finally ambient pioneer Ulrich Schnauss offers up a supreme adaptation of ‘Johnny & Mary’, Ferry’s timeless collaboration with Norwegian man of the mo- ment Todd Terje.
The rich source material here, along with the wealth of stars chosen to remix it, all make for another fascinating chapter in the life of one of the UK’s most cherished artists.
A selection of Avonmore Remixes are also available now on 2 limited bespoke 12” vinyls from The Vinyl Factory:
https://www.vfeditions.com/product/view/305
https://www.vfeditions.com/product/view/321


Download here

Bryan Ferry - Send In The Clowns (Hidden Orchestra Remix)

Buy: http://po.st/LNTDavidHolmes

"I received a phone call from BP Fallon the day before Henry McCullough’s funeral. He was heart broken having lost his dear friend and asked could he stay at mine after he returned from the funeral. After I picked him up from the train station he asked me if he returned early enough could we record something. I started working on the music that day and then I had an idea which was to record something about Henry and their relationship. When BP returned that evening I sat him down in front of the microphone and this happened in one take! We both knew we captured a very special moment that couldn’t have been created at any other moment - magic. "
- David Holmes

Late Night Tales: David Holmes

BP Fallon & David Holmes - Henry McCullough (Late Night Tales: David Holmes)

Leave My Bones (Bear Remix)

Buy album: http://s.latenighttales.co.uk/leifur-james
"Subtly stunning jazz-soul" The 405 https://www.thefourohfive.com/music/article/leifur-james-presents-a-subtly-stunning-jazz-soul-ode-to-his-past-in-mumma-don-t-tell-405-premiere-153

Leifur James will release his debut album 'A Louder Silence' through Late Night Tales’ artist label Night Time Stories. The album is both spacious and thought-provoking, energetic yet restrained, brimming with nuanced electronic instrumentals, dubby synths, and jazz breaks — creating an array of rich textures, complemented occasionally by James’ own soulful vocals. 

Tracklisting:
01. Alpine 
02. Time 
03. Suns Of Gold 
04. Argonaut 
05. Mumma Don’t Tell 
06. Uncle Blue 
07. Night And Day 
08. Salaninam 
09. Red Sea 
10. Osho

https://www.facebook.com/leifurjames 
https://twitter.com/leifurjames 
https://soundcloud.com/leifurjames
http://www.nighttimestories.co.uk 
http://www.latenighttales.co.uk

A Louder Silence

Buy album

Leifur James - Mumma Don't Tell

Buy / Stream: orcd.co/kennebec_departure

Seeking a respite from the noise and clamour of New York City, Eric Phillips and some friends moved for a time out to a remote area on the Olympic peninsula. With no fixed plan in mind, this period of adventure and discovery spent in the beautiful Pacific Northwest gradually seeped into an organically evolving musical vision for Kennebec.

In many ways, ‘Departure’ catalogues this time of his move out west. Eventually moving to Portland to find work as a teacher, film composer, and mentorship under Mark Orton (Nebraska, Tin Hat.) Kennebec’s producing of ‘Departure’ began in Spring 2017. It took two long years of patient, daily labour to complete the album, during which time influences such as Studio Ghibli soundtrack composer Joe Hisaishi, cult hip hop artist Nujabes as well as Australia’s Taylor Crawford and Tycho’s ambient electronica began to permeate the soundworld. On February 14th 2020, Night Time Stories, sister label of acclaimed Late Night Tales, will release his much anticipated debut album and Kennebec will become part of an internationally respected roster including Khraungbin, Leifur James and Ash Walker.

He scored parts for classical guitar, ngoni, kalimba, bass, piano and Rhodes all of which he plays himself on ‘Departure’. Phillips began writing violin and viola parts for friend and collaborator Mirabai Peart (Joanna Newsom, Alela Diane, Ryan Francesconi), whose balkan inflections and beautiful tone became a defining sound of the record — and eventually tied the album together. All tracks on the album were mixed by Phillips.

On ‘Departure’, organic beats and soaring string lines envelope the listener with a dreamful kind of optimism. New single ‘Seasons Change’ is a silky myriad of sounds, textures and techniques that melt against a backdrop of subtle electronics, while ‘Kalahari’ glistens with curiosity and adventure as magnetic strings meet with a mosaic of horns. Elsewhere, the melancholic and wistful moods of ‘Wellspring’ provide a moment of reflection before the warm, fuzzy, feel good grooves of ‘Quest’, embellished by flutes and sax, venture into more overt atmospherics and fluid modulations.

“Recording ‘Departure’ was an amazing learning experience for me as a producer, composer and musician. It was a concentrated period of time in my life that was fully dedicated to focusing in on my craft. To me, the songs sound like journal entries — they bring me back to those specific times and places, but I also write music in an active, intentional way to try and summon the better parts of myself day to day to come to life and fruition. I have to be doing something new and experimenting to be inspired musically and I also wanted the music to be evocative of that sense of discovery in an almost physical sense — a sense of journey, motion and exploration of new spaces. The passing of time, setting out,” says Phillips.

He adds, “I wanted to make something bold and ambitious that sounded fresh and different. I think I took a big swing with this album, and, while I feel it’s impossible to fully nail the vision and intention, I’m really proud of it and the sense of idealism, even if naive at times. Hopefully it’s just fun to listen to someone take a big swing like that.”

In addition to the Kennebec project, Phillips has enjoyed working on and composing the music for numerous feature films, shorts, national parks films, documentaries (including 2017’s National Geographic ‘From the Ashes’), advertisements and video games. Films Phillip’s has worked on have screened and are set to screen at the Toronto, Napa Valley and Big Sky film festivals as well as National Geographic and more.

Kennebec - Kalahari

Boozoo Bajou - Yma

Freak Power was a band founded by Norman Cook (later to become known as Fatboy Slim), Ashley Slater (the trombonist with the anarchic British jazz big band Loose Tubes), and Jesse Graham aka the Bass Cadet. Their music was a mix of acid jazz with funk and soul, as well as trip-hop.

The Fried Funk Food E.P. is classic electronic meets dub in a way that has held it's timeless charm since 1994. Over the years I have come back to this simple 6 track EP and enjoyed it over and over again. Also worth noting is the album is produced by Norman Cook (aka Fatboy Slim, Feelgood Factor, The Mighty Dub Katz, Pizzaman, Sunny Side Up, Yum Yum Head Food) before he rose to stardom. Highly recommended.

05 My Heart Sings

francish

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