Listening again to this stunning music.  Really beautiful John.

Fantastic writing. And an excellent performance

This is the 3rd of the series of Playlists which include those works by which I would most like to be remembered. White Winter, Black Spring is a setting of texts by Robert Lowell for tenor, baritone and large ensemble. It was commissioned by the BBC for the Huddersfield Festival and first performed there by Martyn Hill, Henry Herford with the Lontano Ensemble conducted by Odaline de la Martinez. Faustus was another BBC commission for the BBC National Orchestra of Wales who premiered it under the baton of Jan Latham Koenig. Sinfonia was commissioned by the Sinfonia of Cambridge who performed it with the conductor Grant Llewellyn, but this BBC studio recording is by the City of London Sinfonia conducted by Richard Hickox.

Legacy 3

Another short jam (or marmalade) session
Photo by Rob Wicks on Unsplash

GeoShred Marmalade

Mostly just me playing about, but there's a bit of Charlie Villiers' guitar in there too, notably giving the outro a little touch of class.

~Lyrics~
We were sitting in your back garden 
Clouds were drifting across the sky 
You turned to me and smiled
I think you had a tear in your eye
And then taking my hand you whispered,
“When I get this high,
I sometimes get the feeling I might be just about to die!”

Then with a shrug of your shoulders 
You told us about the butterflies
That there’s no way of them knowing
That their wings look like eyes
And if you consider the caterpillar
It’ll come as no surprise
Just how very little we all know about our lives

[Chorus]
Baby you kill me, all night long
Baby you’re killing it all night…

Later on that evening
the sun was streaming through the trees
You have to just surrender to life
At moments like these
We were kicking through the fallen leaves
In the pale winter sun
And though I tried to hide it, I always knew this day would come

I recall the very moment 
You didn’t even hesitate
It was written in the heavens
And written all over your face
But the storm is in the distance
The sky is a luminous pink
You can lead me like a horse to water…

[Chorus]
🎸 🤩

Baby You Kill Me

ORIENTATIONs // Is Our Path In Life Actually Predetermined?
@docfritz // Composition, Arrangement, Soundscapes, Rhythm Design, Artwork, Mix & Production
@patrick-mautner // Fantastically Relaxed Oriented Guitar Journey
© 2024 | @docfritz @OESJ | ORCHESTRA OF ELECTRIC SPACEJAZZ | All Rights Reserved

ORIENTATIONs

ORIENTATIONs ft. Patrick Mautner

Good Cop Bad Cop.


They're playin with my head.

Yeah I could say most anything
You twist my words and throw them back at me
It doesn't really matter what I say
You'll draw your own conclusions anyway

Good cop, bad cop.

No mater how it looks or what I say
They're coming out all wrong, my words today
Made up your mind about the way this goes
It's juxtapose if the truth be told.

Good cop bad cop
Playing with my mind.

Yeah I could say most anything
You'll mince it up and bake your lies with it
A recipe for imoral gain
Targets met, bad cop at the reins

Good cop bad cop
Make it stop.

Good Cop Bad Cop.  (Voice of Logan collab).

Free

Hold me

Collab with Thebawlslant! Amazing to be able to write lyrics, do lead vocals and harmony for a track. :) and their patience was beyond amazing!

The Smell Of Smoke.

Quasi Rondo

Tenor, Baritone and Chamber Ensemble
Martyn Hill (tenor), Henry Herford (baritone), Lontano Ensemble conducted by Odaline de la Martinez
text from poems by Robert Lowell

White Winter, Black Spring

chamber orchestra
City of London Sinfonia
conducted by Richard Hickox

Sinfonia I/2

Sinfonia II/2

orchestra
BBC National Orchestra of Wales
conducted by Jan Latham- Koenig

Faustus I/2

Faustus II/2

Neustart

Freude

THE DAYS THE WEEKS AND THE YEARS
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2020
https://www.youtube.com/watch?v=cWJtWEi-2zM

ANOTHER WORLD

THE DAYS THE WEEKS AND THE YEARS

THE DAYS THE WEEKS AND THE YEARS (see info for video link)

These SoundCloud posts contain most of my work, and the pieces in the series of 5 Legacy playlists are all those by which I would most like to be remembered. They begin with Noche Oscura, which I wrote in 1976, and end with Broken Forms from 2021 and the opera Russian Jerusalem and the anthem Even-Song, completed in 2022.
Details of all my compositions, and information about their publication, can be found at my publisher's address: Ricordi London (http://www.ricordi.com/en-US/Composers/H/Hopkins-John.aspx)

Sinfonia II/2

John Hopkins

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Hans-Peter Sommeregger

Christopher Larkins | Composer

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